Assuming a ‘manly position’:1 The crisis of masculinity in Ian McEwan’s early fiction

Justine Gieni
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引用次数: 0

Abstract

Ian McEwan’s early fiction delves into the dark drives and desires of ordinary men and women, revealing disturbing realities about the human psyche. McEwan’s psychological probing of deeply disturbed characters reveals how it is often the mundane feelings of inadequacy or failure that compel seemingly ‘normal’ people to commit horrific acts of sexual violence. Within selected short stories in First Love, Last Rites (1975) and In Between the Sheets (1978), and his first novel The Cement Garden (1978), McEwan horrifies his audience by representing insidious evils that occur through the actions and in the minds of seemingly ordinary men. Reading McEwan’s portrayals of ‘manliness’ is shocking and disturbing not only in his portrayals of rape and incest, but also in the seemingly normal occurrence of sadomasochism, produced and supported by traditional gender relationships.
1伊恩·麦克尤恩早期小说中的男子气概危机
伊恩·麦克尤恩(Ian McEwan)的早期小说深入探讨了普通男女的黑暗动力和欲望,揭示了人类精神上令人不安的现实。麦克尤恩对深受困扰的人物进行了心理探索,揭示了通常是世俗的不足或失败的感觉迫使看似“正常”的人犯下可怕的性暴力行为。麦克尤恩的短篇小说《初恋、最后的仪式》(1975)和《床单之间》(1978),以及他的第一部小说《水泥花园》(1978)中,麦克尤恩通过表现看似普通人的行为和思想中潜藏的邪恶,让观众感到恐惧。阅读麦克尤恩对“男子气概”的描述令人震惊和不安,这不仅体现在他对强奸和乱伦的描述上,也体现在传统性别关系产生和支持的看似正常的施虐受虐行为上。
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