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Rubén Darío i Santiago Rusiñol: política i periodisme literari en la Barcelona modernista 鲁本·达里奥一世圣地亚哥·鲁西尼奥尔：现代主义巴塞罗那的政治和文学新闻
Catalan Review Pub Date : 2016-12-01 DOI: 10.3828/CATR.30.14
A. M. Monterde
{"title":"Rubén Darío i Santiago Rusiñol: política i periodisme literari en la Barcelona modernista","authors":"A. M. Monterde","doi":"10.3828/CATR.30.14","DOIUrl":"https://doi.org/10.3828/CATR.30.14","url":null,"abstract":"This essay aims to review literary journalism both in Catalan and American Modernism, specifically through the works of Ruben Dario and Santiago Rusinol, in order to achieve a better understanding of the contemporary idea of literary Cosmopolitanism. The framework to support this analysis goes from Desde el Molino, written by Rusinol in Paris between 1890 and 1894, to the chapter devoted to Barcelona by Dario in Espana contemporanea, written between 1899 and 1901. Reading these works as journalistic reflections on Modernity and Cosmopolitanism also calls for considering the reactions against them, both from a political and aesthetic perspective, by some prominent Spanish writers. In this respect, the fin-de-siecle Catalan and American literature may be a key aspect concerning a redefinition of the cultural history of literary Cosmopolitanism.","PeriodicalId":37617,"journal":{"name":"Catalan Review","volume":"34 1","pages":"275-304"},"PeriodicalIF":0.0,"publicationDate":"2016-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70397520","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Tot Barcelona: "fin de siècle" XVIII, segons una família de manuscrits literaris de Nova York i Madrid 根据一个来自纽约和马德里的文学手稿家族的说法，整个巴塞罗那都是“18世纪末”
Catalan Review Pub Date : 2016-12-01 DOI: 10.3828/CATR.30.4
Kenneth Brown, Juan Manuel Martínez Alonso
{"title":"Tot Barcelona: \"fin de siècle\" XVIII, segons una família de manuscrits literaris de Nova York i Madrid","authors":"Kenneth Brown, Juan Manuel Martínez Alonso","doi":"10.3828/CATR.30.4","DOIUrl":"https://doi.org/10.3828/CATR.30.4","url":null,"abstract":"This is a critical sampling of twenty-four verse excerpts contained in the Hispanic Society of America’s manuscript HC380/632, Poesies varies, as well as in Biblioteca Nacional de Espana (BNE) ms. 1595. Both manuscript collections, combined with a third , BNE ms. 1595bis, offer an exemplary and rather complete collection of Catalan- and Spanish-language poetry indicative of the late rococo in Barcelona and environs. Of special note is a staunch and repeated defense of the Catalan language and typical customs, a critical commentary on the Barcelona industrialist Joan Canaleta, satirical barbs aimed at the Catholic Church’s covetousness, an acute sense of modernity, both in discourse and subject matter, and precise geographical points on the map of late eighteenth-century Barcelona, all of which lead us directly back to the Raval district and the current Institut d’Estudis Catalans. These three aforementioned, long ignored-poetry collections afford the reader valuable insights into the society that populate...","PeriodicalId":37617,"journal":{"name":"Catalan Review","volume":"30 1","pages":"51-85"},"PeriodicalIF":0.0,"publicationDate":"2016-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70397558","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Urban landscape, global capital, and human scale in Sergi Belbel’s "Després de la pluja" 城市景观、全球资本和人文尺度——Sergi Belbel的“despr<s:1> de la pluja”
Catalan Review Pub Date : 2016-12-01 DOI: 10.3828/CATR.30.17
Loredana Comparone
{"title":"Urban landscape, global capital, and human scale in Sergi Belbel’s \"Després de la pluja\"","authors":"Loredana Comparone","doi":"10.3828/CATR.30.17","DOIUrl":"https://doi.org/10.3828/CATR.30.17","url":null,"abstract":"","PeriodicalId":37617,"journal":{"name":"Catalan Review","volume":"66 1","pages":"345-367"},"PeriodicalIF":0.0,"publicationDate":"2016-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70397682","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
D’ESTIMAR BOJAMENT A FRACASSAR ESTREPITOSAMENT: UNA APROXIMACIÓ A LES COMBINACIONS LÈXIQUES RESTRICTIVES BASADA EN CORPUS 基于语料库的限制性词汇组合的相似性评价
Catalan Review Pub Date : 2016-12-01 DOI: 10.3828/CATR.30.12
M. À. M. Salom
{"title":"D’ESTIMAR BOJAMENT A FRACASSAR ESTREPITOSAMENT: UNA APROXIMACIÓ A LES COMBINACIONS LÈXIQUES RESTRICTIVES BASADA EN CORPUS","authors":"M. À. M. Salom","doi":"10.3828/CATR.30.12","DOIUrl":"https://doi.org/10.3828/CATR.30.12","url":null,"abstract":"This paper presents corpus data on restrictive word combinations in contemporary Catalan language and, specifically, on verb-adverb combinations of the type estimar bojament (‘to love madly’) and fracassar estrepitosament (‘to fail badly’). It is proposed to study these sequences taking into account two theoretical points of view: firstly, on the basis of the theoretical concept of collocation, according to the definition adopted by research (following authors such as Mel’cuk and Hausmann); secondly, on the basis of the interpretation of these same lexical combinations as a result of the semantic restrictions imposed by a predicate to its arguments (Bosque). The analysis of the data provides a starting point for reflecting on certain limitations of the concept of collocation —particularly, with respect to stability and combinatorial restriction as defining features—, while providing considerations for assessing the complementarity of both research strategies for obtaining linguistically significant inform...","PeriodicalId":37617,"journal":{"name":"Catalan Review","volume":"30 1","pages":"231-255"},"PeriodicalIF":0.0,"publicationDate":"2016-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70396950","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Contrast and confluence in Verdaguer’s and Maragall’s poetic peopling of Barcelona Verdaguer和Maragall诗意的巴塞罗那人的对比和融合
Catalan Review Pub Date : 2016-12-01 DOI: 10.3828/CATR.30.5
Ronald Puppo
{"title":"Contrast and confluence in Verdaguer’s and Maragall’s poetic peopling of Barcelona","authors":"Ronald Puppo","doi":"10.3828/CATR.30.5","DOIUrl":"https://doi.org/10.3828/CATR.30.5","url":null,"abstract":"This intertextual analysis juxtaposes and examines in detail the texts and contexts of Verdaguer’s “To Barcelona” (“A Barcelona,” 1883) and Maragall’s “New Ode to Barcelona” (“Oda nova a Barcelona,” 1909), with particular attention to, in the latter case, Maragall’s three seminal Setmana Tragica articles in connection with his poem, as well as Maragall’s debt to, and break with, Verdaguer; and in the former case, Verdaguer’s debt to, and break with, Rubio i Ors’ earlier poetic vision of the city (“Barcelona,” 1840). In Verdaguer’s foundational vision of Barcelona, and, by extension, Catalonia, Christian faith underpins an unmistakably patriotic faith in country, where Christendom and pagan antiquity blend in tandem to ensure the dynamic city’s, and country’s, future. In Maragall’s re-foundational palimpsest, the poet calls for the renewal of a faith that has degenerated into static or class-inscribed ritual, and for spiritual and social regeneration spotlighted by the shift in symbolic focus from Barcelon...","PeriodicalId":37617,"journal":{"name":"Catalan Review","volume":"30 1","pages":"87-109"},"PeriodicalIF":0.0,"publicationDate":"2016-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70397705","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Corresponsals estrangers de Joan Brossa: col·laboracions i diàlegs sobre art i poesia experimentals des de 1950 a 1998 Joan Brossa的外国记者：1950年至1998年关于实验艺术和诗歌的合作与对话
Catalan Review Pub Date : 2016-12-01 DOI: 10.3828/CATR.30.9
Glória Bordons, Carlota Caulfield
{"title":"Corresponsals estrangers de Joan Brossa: col·laboracions i diàlegs sobre art i poesia experimentals des de 1950 a 1998","authors":"Glória Bordons, Carlota Caulfield","doi":"10.3828/CATR.30.9","DOIUrl":"https://doi.org/10.3828/CATR.30.9","url":null,"abstract":"The Brossa Collection documents the life and work of one of the twentieth century’s most influential avant-garde Catalan poets. The collection includes 2,991 letters by and to Joan Brossa (1919–1998) from the mid-1950s to the late 1990s. Brossa was a prolific letter-writing poet and established dynamic relationships with artists, poets, performers, art critics, and translators from all around the world. Among them were Joao Cabral de Melo, Jacques Dupin, Alain Arias-Misson, Adriano Spatola, Felipe Boso, Roland Penrose, Julien Blaine, Sarenco, Klaus Peter Dencker, Julie Lawson, and John London. The correspondence reveals the extent of Brossa’s network of contacts who supported his work and his life in numerous ways. With this essay we open up for the first time the treasure trove of never before published letters to Brossa. The letters are full of intellectual banter and have awe-inspiring visual materials.","PeriodicalId":37617,"journal":{"name":"Catalan Review","volume":"30 1","pages":"167-188"},"PeriodicalIF":0.0,"publicationDate":"2016-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70398362","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
EL MODEL DE LLENGUA DEL POP-ROCK EN CATALÀ DURANT LA SEVA ECLOSIÓ (1989–1993) 七个生态时期（1989-1993）加泰罗尼亚流行语的语言模式
Catalan Review Pub Date : 2016-12-01 DOI: 10.3828/CATR.30.13
Xavier Rull
{"title":"EL MODEL DE LLENGUA DEL POP-ROCK EN CATALÀ DURANT LA SEVA ECLOSIÓ (1989–1993)","authors":"Xavier Rull","doi":"10.3828/CATR.30.13","DOIUrl":"https://doi.org/10.3828/CATR.30.13","url":null,"abstract":"This paper analyzes thoroughly the language (rude words or rude constructions, curse words, jargon, slang, dialectal forms, loanwords from Spanish or English, etc.) used by the following musical groups: Sopa de Cabra, Els Pets, Lax’n’Busto, Sangtrait, Sau, among others. Finally, there is a reflection on the sociolinguistic impact of this issue.","PeriodicalId":37617,"journal":{"name":"Catalan Review","volume":"30 1","pages":"257-274"},"PeriodicalIF":0.0,"publicationDate":"2016-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70397043","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
El cos entre néixer, desnéixer i morir a Mercè Rodoreda, Maria-Mercè Marçal i Imma Monsó 在MercéRodoreda、Mar i a-MercéMarcal和Imma Monsó出生、出生和死亡之间的身体
Catalan Review Pub Date : 2016-12-01 DOI: 10.3828/CATR.30.7
M. Lunati
{"title":"El cos entre néixer, desnéixer i morir a Mercè Rodoreda, Maria-Mercè Marçal i Imma Monsó","authors":"M. Lunati","doi":"10.3828/CATR.30.7","DOIUrl":"https://doi.org/10.3828/CATR.30.7","url":null,"abstract":"This article brings together the first chapter of La placa del Diamant by Merce Rodoreda; the poems which deal with the mother figure in Maria-Merce Marcal’s posthumous collection Rao del cos; and a key part of Imma Monso’s novel Un home de paraula, in which the narrator’s beloved husband suddenly dies in front of her eyes. The three texts are analyzed through meaningful intertextual connections regarding the representation of the body and the problematic space for the maternal in Western culture. Moreover, they are identified as narratives of mourning in a way that problematizes the Freudian distinction between the supposedly healthy process of mourning and the allegedly pathological process of melancholia.","PeriodicalId":37617,"journal":{"name":"Catalan Review","volume":"28 16 1","pages":"131-146"},"PeriodicalIF":0.0,"publicationDate":"2016-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70397450","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
PARLAR SOBRE, PARLAR PER, PARLAR. LES FORMES DE L’ENUNCIACIÓ SUBALTERNA A 25%. CATALONIA AT VENICE 聊聊，聊聊，聊聊。下层环境的形式占25%。威尼斯的加泰罗尼亚
Catalan Review Pub Date : 2016-12-01 DOI: 10.3828/CATR.30.11
M. Picornell
{"title":"PARLAR SOBRE, PARLAR PER, PARLAR. LES FORMES DE L’ENUNCIACIÓ SUBALTERNA A 25%. CATALONIA AT VENICE","authors":"M. Picornell","doi":"10.3828/CATR.30.11","DOIUrl":"https://doi.org/10.3828/CATR.30.11","url":null,"abstract":"In 2013 Catalan culture was present in the “Eventi Collaterali” of the Venice Biennial for the third time. The project chosen was 25%. Catalonia at Venice, curated by Jordi Ballo from an idea by Francesc Torres, with the participation of Torres himself and the filmmaker Mercedes Alvarez. It also involved eight unemployed men and women, selected from a wide social spectrum, who were asked to choose two objects: one from their own home and another from the permanent collection of the MACBA. The final exhibition included these objects as well as the photographs taken by Torres, who had shared the daily lives of the eight participants. Similarly, Alvarez filmed their visit to the MACBA and documented their opinions about the function of art and their process of selection. In this paper, we analyze this project as an example of the difficulty of any attempt to open a new space of enunciation with full capacity of decision in contemporary arts and politics. We use the discourses and images of the exhibition and...","PeriodicalId":37617,"journal":{"name":"Catalan Review","volume":"30 1","pages":"211-229"},"PeriodicalIF":0.0,"publicationDate":"2016-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70397404","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
REMEMBERING FROM THE MARGINS: THE RHIZOME AND COLLECTIVE MEMORY IN EL CARRER DE LES CAMÈLIES 从边缘记忆:el carrer de les camÈlies的根茎和集体记忆
Catalan Review Pub Date : 2016-12-01 DOI: 10.3828/CATR.30.16
S. Scala
{"title":"REMEMBERING FROM THE MARGINS: THE RHIZOME AND COLLECTIVE MEMORY IN EL CARRER DE LES CAMÈLIES","authors":"S. Scala","doi":"10.3828/CATR.30.16","DOIUrl":"https://doi.org/10.3828/CATR.30.16","url":null,"abstract":"El carrer de les Camelies, which largely takes place in postwar Barcelona, is concerned with the relationship of memory to community. The postwar Catalan community needs to preserve its cultural memory in order to continue to survive, yet memory can make it impossible to live in the present. Rodoreda proposes a model of memory that does not gesture towards a paralyzing past, but rather towards a collective memory created in the present through the bonds between living members of the community. To show how Rodoreda’s hermetic symbolic language leads, perhaps counterintuitively, to a concern for the cohesion of the Catalan community, I employ the work of Maurice Halbwachs together with Gilles Deleuze and Felix Guattari’s concept of the “rhizome.” Rodoreda creates a rhizomatic symbolic language that establishes on the formal level her response to the difficulty of Catalan cultural cohesion in a time when official memory was dominated by Franco’s regime and many Catalans had fled to exile. Rodoreda’s model of...","PeriodicalId":37617,"journal":{"name":"Catalan Review","volume":"30 1","pages":"329-344"},"PeriodicalIF":0.0,"publicationDate":"2016-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.3828/CATR.30.16","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70397654","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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