Acta Universitatis Sapientiae, Philologica最新文献_第10页

An Image of Korean Women during the Japanese Occupation of the Peninsula, as It Emerges from Literary Masterpieces 从文学名著看日占时期的朝鲜女性形象

Acta Universitatis Sapientiae, Philologica Pub Date : 2021-11-01 DOI: 10.2478/ausp-2021-0006

E. Buja

{"title":"An Image of Korean Women during the Japanese Occupation of the Peninsula, as It Emerges from Literary Masterpieces","authors":"E. Buja","doi":"10.2478/ausp-2021-0006","DOIUrl":"https://doi.org/10.2478/ausp-2021-0006","url":null,"abstract":"Abstract This paper1 aims to offer a picture of the darkest period in the history of the Korean women, namely that of the Japanese colonial rule (1910–1945). The only advantage Korean women enjoyed as a result of their country’s annexation to Japan was access to institutional education, even if this was done in Japanese and from Japanese course books. But this came with a price: many of the Korean teenaged females were turned into comfort women (sex-slaves) for the Japanese soldiers before and during the Pacific War. Not only did these girls lose their youth, but they also lost their national and personal identity, as they were forced to change their Korean names into Japanese ones and to speak Japanese. To build the image of the fate of the Korean women during this bleak period, the research method I have used is a simplified version of content analysis, “an analysis of the content of communication” (Baker 1994, 267). I have explored the content of fragments from a couple of novels authored by Korean or American-Korean authors, which cover the historical events in the peninsula leading to the end of WWII (Keller’s Comfort Woman (2019) and Bracht’s White Chrysanthemum (2018), to mention just a few) and which are focused on the topic of comfort women,2 i.e. young women that were sexually exploited by the Japanese military. The results of the analysis indicate that many of the surviving victims became “unpersons” and led a life of solitude and misery until their death.","PeriodicalId":37574,"journal":{"name":"Acta Universitatis Sapientiae, Philologica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79095002","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Doina Butiurca, Réka Suba (eds.) Dicţionar multilingv de gramatică I Többnyelvű grammatikai szótár Multilingual Dictionary of Grammar, 2019. Iaşi: Institutul European. 395 pp.

Acta Universitatis Sapientiae, Philologica Pub Date : 2020-11-01 DOI: 10.2478/ausp-2020-0033

Attila R. Imre

{"title":"Doina Butiurca, Réka Suba (eds.) Dicţionar multilingv de gramatică I Többnyelvű grammatikai szótár Multilingual Dictionary of Grammar, 2019. Iaşi: Institutul European. 395 pp.","authors":"Attila R. Imre","doi":"10.2478/ausp-2020-0033","DOIUrl":"https://doi.org/10.2478/ausp-2020-0033","url":null,"abstract":"There is an “impressive diversity of dictionary types” on the dictionary market, a statement found in a recent book on lexicography (Burada–Sinu 2016: 6) . From this perspective, it is no surprise that printed dictionaries are still available although some of them make little sense, especially those that are just a simple collection of monoor bilingual termbases deriving from CAT-tools . However, this is not the case of Dicţionar multilingv de gramatică I (Hu . Többnyelvű grammatikai szótár I; En . Multilingual Dictionary of Grammar I), appeared in 2019 under the guidance of Doina Butiurcă and Réka Suba, published by Institutul European in Iaşi, Romania. The editors are also authors, together with further specialists in various languages: Romanian and French (Doina Butiurcă), Hungarian (Réka Suba), English (Andrea Peterlicean), German (Oxana Chira), and Russian (Inga Druţă), all experts in terminology and translation studies, working at various universities in Romania and the Republic of Moldova . As the “Foreword” announces, the dictionary promises a contrastive-typological perspective of about 200 terms in the field of grammar (A–J), based on authoritative sources representing the latest research in the respective languages: Gramatica limbii române (The Grammar of the Romanian Language), coordinated by Valeria Guţu Romalo (2005, 2008), or Magyar grammatika (Hungarian Grammar), edited by Borbála Keszler (2000). As such, the entries discussed reflect the latest terminology. For example, the authors discuss grade de intensitate ‘degrees of intensity’, but they still mention its oldest version, grade de comparaţie ‘degrees of comparison’ (344–347) . A full entry contains the head term in Romanian, which – in the majority of cases – is followed by its Latin and occasionally its Greek equivalent (e .g . accent, p . 25 ActA UniversitAtis sApientiAe, philologicA, 12, 3 (2020) 202–206","PeriodicalId":37574,"journal":{"name":"Acta Universitatis Sapientiae, Philologica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85294554","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Verbal Humour in Screen Translation: Officer Crabtree’s Case with the Fronch and Hungarian Longwodge 言语幽默在影视翻译中的应用:克拉布特里警官与法国和匈牙利朗沃奇的案例

Acta Universitatis Sapientiae, Philologica Pub Date : 2020-11-01 DOI: 10.2478/ausp-2020-0011

Zsuzsanna Ajtony

引用次数: 2

Translating Humour – A Didactic Perspective 幽默的翻译——一个说教的视角

Acta Universitatis Sapientiae, Philologica Pub Date : 2020-11-01 DOI: 10.2478/ausp-2020-0013

Gabriella Kovács

{"title":"Translating Humour – A Didactic Perspective","authors":"Gabriella Kovács","doi":"10.2478/ausp-2020-0013","DOIUrl":"https://doi.org/10.2478/ausp-2020-0013","url":null,"abstract":"Abstract Humour has various faces and forms, deriving from double meanings, situations, wordplay, often with hidden or obvious cultural references. It may also be subjective; the same things may seem humorous for some people and not funny at all for others. Probably most translators would agree that translating humour is definitely a very challenging task, especially when it is strictly related to the language itself or to a certain culture or community. However, there are certain forms of humour, especially situational or anecdotal, which focus on universal aspects or elements of human life, and therefore may be understood and considered as funny by people from different cultures. In this study, we discuss some theories, principles, recommended techniques and strategies related to translating jokes, wordplay, and humorous idioms which in our opinion may be included in the translator-training curriculum. We also examine the strategies and techniques used by a group of translator trainees in their second year of studies in translating humour from English into Hungarian, focusing on the difficulties they encountered, in order to assess their needs and include more practice and useful tips in the training process.","PeriodicalId":37574,"journal":{"name":"Acta Universitatis Sapientiae, Philologica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91148720","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Erika-Mária Tódor et al. (eds) Alkalmazott nyelvészeti szótár

Acta Universitatis Sapientiae, Philologica Pub Date : 2020-11-01 DOI: 10.2478/ausp-2020-0019

Enikő Pál

{"title":"Erika-Mária Tódor et al. (eds) Alkalmazott nyelvészeti szótár","authors":"Enikő Pál","doi":"10.2478/ausp-2020-0019","DOIUrl":"https://doi.org/10.2478/ausp-2020-0019","url":null,"abstract":"The need for an unequivocal linguistic terminology has been observed since the early 1920s. At that time, several linguists faced difficulties in drafting their work, either making lexicographic tools (see Ştefănoaia 2015) or designing new theoretical frameworks. As the French linguist of the time, Henri Frei, pointed it out in the introductory note of his La grammaire des fautes [The Grammar of Mistakes] ([1929] 2007), “linguistic terminology is in full anarchy in all countries” (Frei 2007: 9) . Since then, not only terminology has enriched in number, alongside the emergence of new scientific fields and linguistic schools, but old terminology has been reassigned as different research domains have come to blend on the interface of interdisciplinarity. Nowadays, linguistic terminology is probably as heterogeneous as never before . This lack of unity has resulted in a great deal of uncertainty in using specific terms, confusing uninitiated readers, and occasionally making even specialists difficult to understand each other.1 Given this circumstance, the trilingual dictionary of applied linguistics we are reviewing particularly comes in handy when one is engaged in finding certain interlingual consistency. The volume in question aims not only at satisfying the","PeriodicalId":37574,"journal":{"name":"Acta Universitatis Sapientiae, Philologica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76612373","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Constructing Ethnic Identity in Transylvania through Humour 通过幽默构建特兰西瓦尼亚的族群认同

Acta Universitatis Sapientiae, Philologica Pub Date : 2020-11-01 DOI: 10.2478/ausp-2020-0018

Noémi Tudor

引用次数: 1

V. Voiculescu’s Novel: A Modern Depository of the Traditional Beliefs V.沃库列斯库的小说:传统信仰的现代宝库

Acta Universitatis Sapientiae, Philologica Pub Date : 2020-11-01 DOI: 10.2478/ausp-2020-0023

Sorin Suciu

引用次数: 0

From Subversive Strategies to Women’s Empowerment 从颠覆性策略到赋予妇女权力

Acta Universitatis Sapientiae, Philologica Pub Date : 2020-11-01 DOI: 10.2478/ausp-2020-0021

Orsolya András

{"title":"From Subversive Strategies to Women’s Empowerment","authors":"Orsolya András","doi":"10.2478/ausp-2020-0021","DOIUrl":"https://doi.org/10.2478/ausp-2020-0021","url":null,"abstract":"Abstract This paper discusses the potential of humour in understanding and deconstructing gender inequalities and analyses the representation of some feminist issues in two Spanish-speaking artists’ works. The theoretical framework explores the interpretation of laughter by feminist authors as well as different approaches of feminist humour in the context of cultural studies. The definition of humour presented here is that it can function as an open space where we can safely observe social structures and experiment with our imagination. In the second part of the paper, some examples from Quino’s comic series Mafalda and Flavita Banana’s vignettes are discussed. In the interpretation of these artworks, the paper highlights two types of feminist discourse and, specifically, of feminist humour. The first one, exemplified through Quino’s Mafalda, uses subversive strategies in order to expose social injustice and sexism. However, these strategies are sometimes still not able to propose an alternative to the existing status quo. The second type of feminist discourse and humour, characteristic of Flavita Banana’s art, also starts from depicting the consequences of patriarchy. However, her approach is not only subversive but also empowering and liberating, constructing a safe imaginative space through humour.","PeriodicalId":37574,"journal":{"name":"Acta Universitatis Sapientiae, Philologica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88125360","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Claudia Elena Stoian The Discourse of Tourism and National Heritage: A Contrastive Study from a Cultural Perspective Newcastle upon Tyne: Cambridge Scholars Publishing, 2015 克劳迪娅·埃琳娜·斯托伊恩:《旅游话语与国家遗产:文化视角下的对比研究》，泰恩河畔纽卡斯尔:剑桥学者出版社，2015

Acta Universitatis Sapientiae, Philologica Pub Date : 2020-11-01 DOI: 10.2478/ausp-2020-0032

Daniel Dejica

引用次数: 0

Apple Varietal Names as Culturemes: Translation Issues in Scientific Textual Environments 作为文化的苹果品种名称:科学文本环境下的翻译问题

Acta Universitatis Sapientiae, Philologica Pub Date : 2020-11-01 DOI: 10.2478/ausp-2020-0030

I. Nagy

引用次数: 0