{"title":"Polifoniczna struktura tekstu artystycznego Fiodora Dostojewskiego w kontekście psychologii głębi Carla Gustawa Junga na materiale powieści „Zbrodnia i kara”","authors":"M. Jaworski","doi":"10.14746/kw.2013.3.3","DOIUrl":"https://doi.org/10.14746/kw.2013.3.3","url":null,"abstract":"Polifoniczna struktura tekstu artystycznego Fiodora Dostojewskiego w kontekście psychologii głębi Carla Gustawa Junga na materiale powieści „Zbrodnia i kara” ","PeriodicalId":373647,"journal":{"name":"Kultury Wschodniosłowiańskie - Oblicza i Dialog","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114061193","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Mentalna mapa Rosji w polskiej przestrzeni językowej","authors":"Ł. Piotrowski","doi":"10.14746/KW.2014.4.13","DOIUrl":"https://doi.org/10.14746/KW.2014.4.13","url":null,"abstract":"","PeriodicalId":373647,"journal":{"name":"Kultury Wschodniosłowiańskie - Oblicza i Dialog","volume":"104 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117178419","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Tradycja bizantyjska i jej wpływ na kulturę rosyjską w myśli Konstantina Leontjewa","authors":"M. Bała","doi":"10.14746/KW.2016.6.1","DOIUrl":"https://doi.org/10.14746/KW.2016.6.1","url":null,"abstract":"The present article amounts to an attempt to analyze the Byzantine tradition in the work Byzantinism and the Slavs by Konstantin Leontiev. The thinker finds the heritage of Eastern Christianity an immanent part of the Russian national identity. Moreover, the philosopher defines Byzantinism as a type of culture with centralized power in the hands of the Romanovs. Consequently, Leontiev depicts particular stages of the evolution of this power model in Russia. The author of the paper concludes that the thinker’s considerations are centered on the emphasis on the role of monarchy in contemporary Russia rather than on its Byzantine roots. ","PeriodicalId":373647,"journal":{"name":"Kultury Wschodniosłowiańskie - Oblicza i Dialog","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127498160","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"W imię Boga Jedynego! (Aleksiej Warłamow „Zatopiona arka”)","authors":"Agnieszka Lewandowska","doi":"10.14746/KW.2016.6.9","DOIUrl":"https://doi.org/10.14746/KW.2016.6.9","url":null,"abstract":"The article is an attempt to present a religious situation described by Aleksey Varlamov in his novel Zatonuvshiy kovcheg. The spiritual life of Russians after Perestroika not only turned out to be a period of resurgence of Orthodox Christianity, but also the emergence as well as restoration of previously existing sects. Therefore, this novel amounts to a new voice of the discussion on the Russians’ spiritual life then, now and in the future. The author tries to prove that the reawakening of sects brings danger to Russian people, especially to the young generation. This paper presents an analysis of those fragments of the novel that refer to religious subjects and contain descriptions of sects (the Old Believers and the Skoptsy). Besides, spiritual leaders of these sects (Vassian and Luppo) are characterized. The insight into the history of these religious groups is provided and supplemented with Varlamov's descriptions from the novel.","PeriodicalId":373647,"journal":{"name":"Kultury Wschodniosłowiańskie - Oblicza i Dialog","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124983973","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Caryce kryminału. Kryminał kobiecy w Rosji","authors":"M. Stadnik","doi":"10.14746/kw.2014.4.15","DOIUrl":"https://doi.org/10.14746/kw.2014.4.15","url":null,"abstract":"The article is an attempt to illustrate the female writers influence on the evolution of the crime fiction genre in Russia. It outlines a brief history of the genre, its complexity and the evolution of the main character. The article focuses on the works of the most famous Russian female writers in terms of their contributions to the crime fiction genre. The author also brings attention to the intercultural dialogue which as a result of Chmilewska's direct influence can be found in the novels by the tsarinas of crime fiction.","PeriodicalId":373647,"journal":{"name":"Kultury Wschodniosłowiańskie - Oblicza i Dialog","volume":"6 1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130111262","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Сакрализация обыденности в рассказе Андрея Битова „Летучий голландец”","authors":"Joanna Radosz","doi":"10.14746/KW.2016.6.17","DOIUrl":"https://doi.org/10.14746/KW.2016.6.17","url":null,"abstract":"The Flying Dutchman (Letuchiy Gollandets) from the collection Wheel (Koleso) belongs to the forgotten part of Andrei Bitov’s memoir-like prose. This short story stands as an epitaph for a Soviet speedway rider Gennadiy Vyunov. In his story, Bitov adds some sacred value to both speedway and the particular rider, until the sport becomes a supernatural phenomenon. The given article aims at analyzing the story and the means used to conduct the sacralization process on various levels: the plot, the language, the complex of intertextual relations, and therefore, presenting the unknown side of the well-known author of Pushkin House.","PeriodicalId":373647,"journal":{"name":"Kultury Wschodniosłowiańskie - Oblicza i Dialog","volume":"389 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131912842","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"„В некоторых стихиях опознаешь себя” — метафизическая интерпретация материального образа воды в эссе Иосифа Брод¬ского „Набережная неисцелимых”","authors":"Adrianna Nigiel","doi":"10.14746/kw.2016.6.12","DOIUrl":"https://doi.org/10.14746/kw.2016.6.12","url":null,"abstract":"Describing the poetry of Venclova, Brodsky states that „every major poet has an idiosyncratic inner landscape against which his voice sounds in his mind or, if you prefer, subconsciously”[1]. We cannot but look at it as a potentially auto-referential remark. For Brodsky, definitely a major poet, such a place is Venice, yet it is surprising that his chief essay on that place does not capture many scholars’ attention. At the same time, there are relatively few studies that focus exclusively on the poetic images in Brodsky’s works as the material realization the poet’s reverie. That seems to be a huge negligence given that the metaphysical concern so characteristic of the poet is at its peak in this literary piece. The present study focuses on the images of water in Brodsky’s essay as being the chief substance of his cosmic reverie. The methodology derives from Bachelard’s phenomenological method, the aim of which is to communicate with the imagining consciousness of the poet who creates original images specific to him- or herself. While the poet’s experiences are not taken into account in uch an approach, the cosmology they recreate in poetry is and should be. The main aspects of Brodsky’s cosmic reverie communicated through water are that of the inherent connection between the poet and the universe he creates (а „diffuse ontology”), the existential conflict between human life and absolute Time that is a typical motif in Brodsky’s literary work, as well as the transcendental quality of poetry. All the abovementioned supports Bachelard’s intuition and encourages further study of the poet’s work in this context. ","PeriodicalId":373647,"journal":{"name":"Kultury Wschodniosłowiańskie - Oblicza i Dialog","volume":"32 7","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120849780","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Koncept zerwanie w dyskursie rosyjskich i angielskich użytkowników forów","authors":"Natalia Zatoń","doi":"10.14746/KW.2014.4.20","DOIUrl":"https://doi.org/10.14746/KW.2014.4.20","url":null,"abstract":"The aim of this article is to present the concept of a break-up on Russian and English love forums. In the center of our interest was the question how the feelings and emotions are narrated and whether there are any noticeable gender or cultural differences. Computer Mediated Communication Discourse Analysis was used as a scientific method in this research. The results of the research show that there are several patterns of behavior which influence the discourse of forum users. Linguistic analysis of the discourse revealed differences between normal communication and computer mediated communication.","PeriodicalId":373647,"journal":{"name":"Kultury Wschodniosłowiańskie - Oblicza i Dialog","volume":"53 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121661422","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}