Anastasis最新文献_第2页

Conical Perspective and Fractal Theory:A Comparative and Contrastive Approach 锥形视角与分形理论:比较与对比

Anastasis Pub Date : 2022-05-29 DOI: 10.35218/armca.2022.1.07

Daniel Sofron

引用次数: 0

"Images de l’Invisible. Luminița Diaconu, Alexandra Lițu, Ecaterina Lung (eds.), Images de l’Invisible. De l’Antiquité tardive à la fin du Moyen Âge, București, Editura Universității din București, 2020, 228 pp. (ISBN: 978-606-16-1192-8)" “看不见的图像。Alexandra LițDiaconu Luminița、u、Ecaterina Lung(编),图像不可见。晚期古代中世纪的后期,București, Editura改编ădinț二București、2020年228页。ISBN: 978-606-16-1192-8) "

Anastasis Pub Date : 2021-11-29 DOI: 10.35218/armca.2021.2.09

Mihail-George Hâncu

引用次数: 0

"The Category of Light in Ukrainian Art. From Byzantium to Baroque" “乌克兰艺术中的光的范畴。”从拜占庭到巴洛克

Anastasis Pub Date : 2021-11-29 DOI: 10.35218/armca.2021.2.02

L. Miliaeva, Oleksandra Shevliuga

引用次数: 0

The Motive of the Ram in the Architectural Decoration of the Christian Churches in Caucasus between the 10th-14th Centuries 10 -14世纪高加索地区基督教教堂建筑装饰中公羊的动机

Anastasis Pub Date : 2021-11-29 DOI: 10.35218/armca.2021.2.01

E. Endoltseva

引用次数: 0

"The Poem of a Distinguished Spanish Writer and Professor on an Acclaimed Spanish Painting Miguel de Unamuno, Cristul lui Velázquez/ El Cristo de Velázquez (The Christ of Velázquez), translated by Sorin Mărculescu, Humanitas Publishing House, 2015, 320 pages" “一位杰出的西班牙作家和教授的诗，关于著名的西班牙绘画Miguel de Unamuno, Cristul lui Velázquez/ El Cristo de Velázquez (Velázquez的基督)，由Sorin marel rculescu翻译，Humanitas出版社，2015年，320页”

Anastasis Pub Date : 2021-11-29 DOI: 10.35218/armca.2021.2.10

Ana-Magdalena Petraru

{"title":"\"The Poem of a Distinguished Spanish Writer and Professor on an Acclaimed Spanish Painting Miguel de Unamuno, Cristul lui Velázquez/ El Cristo de Velázquez (The Christ of Velázquez), translated by Sorin Mărculescu, Humanitas Publishing House, 2015, 320 pages\"","authors":"Ana-Magdalena Petraru","doi":"10.35218/armca.2021.2.10","DOIUrl":"https://doi.org/10.35218/armca.2021.2.10","url":null,"abstract":"The poet, translator and essayist Sorin Mărculescu prefaced and annotated the first complete faithful translation into Romanian of Unamuno’s 1920 masterpiece in verse on Velasquez’s 1632 masterpiece on canvas. The learned edition accompanied by a minute chronological table and its extended preface, consisting of almost ninety pages, is a thorough study of the poem, a book in itself, to celebrate approximately 150 years from the Spanish author’s birth. Considerations on the translation are of interest to any Translation Studies scholar, Mărculescu complaining about the poor quality of various ‘sub-poems’ previously rendered into Romanian in an anthology. Unamuno’s Spanish is considered a difficult one and that of the poem written in ten years makes no exception. Apart from the problems that the translation of poetry raises, be they ‘prosodic, semantic or syntactic’, the Spanish writer’s text, a strong opponent of ‘poetic artifice’, “is enriched by many rhetorical and stylistic devices: a lexis of regionalisms from Salamanca, a syntax arguing for the distortions of the hyperbaton and gains in expression, a prosody in which the hendecasyllabic is freely developed, in enjambments and unexpected phonetic associations (rhymes and interior assonances), a construction which could be labelled as ‘hypertextual’ considering the hundreds of marginal references to biblical texts that are an integrating part to the poem (despite Unamuno’s claim that they were added for ignorant people), hence the multidimensional space of reference that we need to","PeriodicalId":37287,"journal":{"name":"Anastasis","volume":"42 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91362575","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The National Symposium ”Medieval Art and Culture between the Orient and the Occident”, the 2nd of November 2021 “东西方中世纪艺术与文化”全国学术研讨会，2021年11月2日

Anastasis Pub Date : 2021-11-29 DOI: 10.35218/armca.2021.2.12

Adrian Stoleriu

{"title":"The National Symposium ”Medieval Art and Culture between the Orient and the Occident”, the 2nd of November 2021","authors":"Adrian Stoleriu","doi":"10.35218/armca.2021.2.12","DOIUrl":"https://doi.org/10.35218/armca.2021.2.12","url":null,"abstract":"The pandemic has not succeeded to detain the organization, this year also, of the National Symposium Anastasis – Art and Medieval Culture between the Orient and the Occident. Although shortly before the beginning of events, there was still a lot of uncertainty, many of the proposed activities being cancelled or postponed, the main event of the symposium, the scientific lecturers held by the invited guests was done online, on the 2 of November 2021. Having the nostalgia of the times when these types of impediments had not appeared yet in the projection of the cultural-artistic events of the Research Centre of Medieval Art ”Vasile Drăguț”, this year’s edition of the symposium (organised by Professor Codrina Ioniță, Associate Professor Irina-Andreea Stoleriu and Associate Professor Adrian Stoleriu, PhD from the Faculty of Visual Arts and Design from Iași) was held entirely online, through the means of online communication (the platform Microsoft Teams of ”George Enescu” National University of Arts from Iași). Continuing the tradition opened a few years ago, by organizing culturalscientific events having as main focus the interest for the research of art and medieval culture between the Orient and the Occident, this year’s edition of the symposium has reverted to the general theme of previous editions, which is inexhausted in form and content, regarding the diversity of approaches and studies which can be done in this large territory of knowledge. Medieval art between the Orient and the Occident has represented the thematic challenge addressed to well-known personalities of our contemporary culture, with a rich research experience in the historical and cultural autochtonous and universal space, having in the centre the Academician Răzvan Theodorescu","PeriodicalId":37287,"journal":{"name":"Anastasis","volume":"259 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76227964","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Evolution of the Image Iconography of James Borovichsky 詹姆斯·博罗维奇基图像肖像学的演变

Anastasis Pub Date : 2021-11-29 DOI: 10.35218/armca.2021.2.05

Babiyak Babiyak, O. Tuminskaya

引用次数: 0

Thematic traditions and new-media multidisciplinarity in the exhibitions from the Aparte Gallery of UNAGE Iași UNAGE独立画廊展览中的主题传统和新媒体多学科性Iași

Anastasis Pub Date : 2021-11-29 DOI: 10.35218/armca.2021.2.08

Cătălin Soreanu, Lavinia German

引用次数: 0

Symbology of Animal Motifs in the Verneh Textures of Shahsevan Tribe Shahsevan部落Verneh纹理中动物图案的符号学

Anastasis Pub Date : 2021-11-29 DOI: 10.35218/armca.2021.2.06

Sanam Arzani, R. Rezalou

{"title":"Symbology of Animal Motifs in the Verneh Textures of Shahsevan Tribe","authors":"Sanam Arzani, R. Rezalou","doi":"10.35218/armca.2021.2.06","DOIUrl":"https://doi.org/10.35218/armca.2021.2.06","url":null,"abstract":": Most of the nomads of East Azerbaijan province belong to the tribes of Arasbaran and Shahsevan, nine independent tribes in the Yaylak period, and seven independent tribes in the Qishlaq period. Shahsevan nomads are composed of different tribes, such as Ajirlu, Moghanlu, Giglu, Qaralar Meshgini etc. Verneh, as a type of carpet, Maffrash or means of carrying household furniture, were mainly woven by nomads and some villagers in the settlement of Shahsevan nomads in Azerbaijan and some surrounding areas, such as Pars Abad, Germi and Meshgin Shahr counties of Ardabil province, and Ahar and Kaleybar counties of East Azerbaijan province. This handicraft has both the simplicity of the rug (Kilim) style and the elegance and beauty of the carpet. The lack of sufficient information in this field has led to a close study of some of these motifs related to Verneh. Therefore, one of the most important objectives of the research is to introduce motifs, concepts and animal symbols hidden in Verneh, in order to expand knowledge about the artistic products of this region and examine the impact of nomadic life conditions on the nature of their products in these areas. The research method is applied in terms of nature and purpose and its findings were first done as field research. Then, the samples from the studies were matched with the general information and eventually examined. The results of this study show that the animal motifs created in verneh tell the truth about the material and social life of weavers and show a valuable collection in their life. Verneh’s paintings and motifs depict the nomadic way of life, the animal-dependent life in direct connection with nature, the adherence to the customs of the ancestors and the beliefs of these people. Animal motifs are a symbol of nomadic life, related to nomadic livestock.","PeriodicalId":37287,"journal":{"name":"Anastasis","volume":"67 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74609400","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

"The blood-rain in the Middle Ages. Cultural perspectives on a cosmological experience" “中世纪的血雨。宇宙学经验的文化视角”

Anastasis Pub Date : 2021-11-29 DOI: 10.35218/armca.2021.2.03

A. Mirea

引用次数: 0