10 -14世纪高加索地区基督教教堂建筑装饰中公羊的动机

Q3 Arts and Humanities

Anastasis Pub Date : 2021-11-29 DOI:10.35218/armca.2021.2.01

E. Endoltseva

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引用次数: 0

摘要

本文论述了高加索地区基督教艺术中公羊头的创作动机。图像的起源可以追溯到高加索地区的古代当地考古文化(Coban-Colchis)和地中海地区的新石器时代。这个图案是该地区传统文化中仍在使用的最古老的神圣标志之一。由于传统文化的影响，它出现在10 -14世纪基督教会的舞台上。在教堂的正面，它已经达到了保护和净化的功能。

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The Motive of the Ram in the Architectural Decoration of the Christian Churches in Caucasus between the 10th-14th Centuries

: The article deals with the motive of the ram’s head in the Christian art of Caucasus. The origins of iconography have been traced back to the ancient local archaeological cultures (Coban-Colchis) in Caucasus and in the Mediterranean region to the Neolithic period. This motif is among the most ancient sacral signs still in use in the traditional culture of the region. It appears on the façades of the Christian churches between the 10 th -14 th centuries due to the influence of the traditional culture. Represented on the façades of the churches, it has attained protective and apotropaic functions.

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来源期刊

Anastasis Arts and Humanities-Visual Arts and Performing Arts

CiteScore

0.20

自引率

0.00%

发文量

审稿时长

15 weeks