“乌克兰艺术中的光的范畴。”从拜占庭到巴洛克

Q3 Arts and Humanities
Anastasis Pub Date : 2021-11-29 DOI:10.35218/armca.2021.2.02
L. Miliaeva, Oleksandra Shevliuga
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引用次数: 0

摘要

这篇文章致力于神圣之光的概念,这在东正教中一直是一个特别关注的问题。从11世纪最早的纪念碑开始,它就在乌克兰艺术中得到了明显的体现,无论是马赛克还是某些图标。几个世纪以来,艺术语言发生了变化,光获得了不同的实现方式。这一点在成熟的巴洛克式宗教艺术纪念碑中尤为明显,这也与基辅神学和学术的发展有关。然后,圣像画家找到了一些描绘神圣之光的新方法,通过应用不同的艺术手段来呈现。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
"The Category of Light in Ukrainian Art. From Byzantium to Baroque"
: The article is dedicated to the concept of divine light, which has always been a matter of particular attention in the Orthodox religion. Since the earliest monuments of the 11th century, it has been clearly remarked in Ukrainian art, both in mosaics and certain icons. Over the centuries, the artistic language has changed and the light acquired a different manner of realisation. It became particularly evident in the monuments of sacral art of mature baroque, which was also connected with the development of theological and scholastic scholarship in Kyiv. Then, icon painters have found some new ways of depicting divine light, rendered by applying different artistic means.
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来源期刊
Anastasis
Anastasis Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.20
自引率
0.00%
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0
审稿时长
15 weeks
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