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»Rekonsi«: prevodi Kosovelovih konsov in Chestermanove prevajalske strategije “Recons”：柯索维尔《Kons》的翻译与切斯特曼的翻译策略
Przeklady Literatur Slowianskich Pub Date : 2021-12-06 DOI: 10.31261/pls.2021.11.01.14
Robert Grošelj
{"title":"»Rekonsi«: prevodi Kosovelovih konsov in Chestermanove prevajalske strategije","authors":"Robert Grošelj","doi":"10.31261/pls.2021.11.01.14","DOIUrl":"https://doi.org/10.31261/pls.2021.11.01.14","url":null,"abstract":"Prispevek je posvečen analizi italijanskih in hrvaških prevodov izbranih konstruktivističnih pesmi (konsov) Srečka Kosovela, enega najpomembnejših slovenskih pesnikov (gre za sedem konsov v italijanskem prevodu Jolke Milič in hrvaškem prevodu Josipa Ostija). Prevedeni konsi (»rekonsi«) so bili analizirani glede na prevajalske strategije A. Chestermana (predvsem skladenjske, deloma tudi pomenske in pragmatične), obenem pa je bilo opredeljeno celostno prevodno razmerje med izhodiščnimi pesmimi in prevodi ter globalni prevajalski pristop. Analiza je pokazala, da tako v hrvaških kot v italijanskih prevodih Kosovelovih konsov prevladuje privzeti prevod, ki je pogostejši v hrvaščini; v italijanskih prevodih se pogosteje pojavijo druge skladenjske prevajalske strategije, enako velja za sinonimijo in pragmatično spremembo informacije; hrvaški prevodi dosledneje ohranjajo izhodiščne retorične sheme in so oblikovno bližje izhodiščnim konsom; v obeh prevodih se tipi povedi in tipografske značilnosti ujemajo z izhodiščnimi. Razlogi za razlike med hrvaškimi in italijanskimi prevodi lahko ležijo v jezikovnih razlikah, slogovnem vrednotenju prevodnih rešitev (v kontekstu ciljnega jezika in ciljne književne tradicije), interpretaciji in informativno-interaktivni vlogi prevajalca. Kljub razlikam pa lahko tako hrvaške kot italijanske »rekonse« — glede na izvirne pesmi — označimo kot poustvarjalne prevode (po F. R. Jonesu) oz. verodostojne prevode (po A. Lefeveru), kot metapesmi, ki skušajo mimetično poustvariti izhodiščno obliko (po J. Holmesu). Poleg tega lahko oboje prevode obravnavamo kot zvečine potujitvene: »rekonsi« skušajo ohranjati lastnosti Kosovelovih konsov — njihovo zgradbo, obliko, vsebino in sporočilo — in jih tako v njihovi večplastni razsežnosti predstaviti ciljnemu bralstvu.","PeriodicalId":37155,"journal":{"name":"Przeklady Literatur Slowianskich","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47495734","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Prevod kot kulturni in literarni artefakt. Primerjava dveh čeških prevodov Prešernove pesmi Slovo od mladosti 翻译是文化和文学的产物。普雷舍伦诗歌《青春再见》捷克语两译本比较
Przeklady Literatur Slowianskich Pub Date : 2021-12-06 DOI: 10.31261/pls.2021.11.01.10
Alenka Jensterle-Doležal
{"title":"Prevod kot kulturni in literarni artefakt. Primerjava dveh čeških prevodov Prešernove pesmi Slovo od mladosti","authors":"Alenka Jensterle-Doležal","doi":"10.31261/pls.2021.11.01.10","DOIUrl":"https://doi.org/10.31261/pls.2021.11.01.10","url":null,"abstract":"V prispevku analiziram dva prevoda Prešernove pesmi Slovo od mladosti kot kulturna in literarna artefakta: prevod Františka Ladislava Čelakovskega (1799—1852) iz leta 1832 (izdan v časopisu Časopis českého Muzea) kot tipičen prevod romantičnega ustvarjalca in enega od začetnikov prevajanja umetniških del na Češkem ter prevod taiste Prešernove pesmi Josefa Hiršala (1920—2003), ki je bil izdan v knjigi France Prešeren, Můj sen šel po hladině, 1978. Pri analizi drugega prevoda ugotavljam, kako se izraža modernizem v prevajalski strategiji. Prevod je primer jezikovne mojstrovine slavnega pesnika eksperimentalne poezije in znanega prevajalca (zaradi političnih razmer se je pod prevod podpisal urednik knjige Viktor Kudělka). V primerjavi me zanimajo tako jezikovne in stilistične rešitve kot tudi kulturološka vprašanja in vprašanje zgodovinskega konteksta. Hiršalov modernistični prevod je izhajal iz razvoja čeških pesniških norm v šestdesetih in sedemdesetih letih 20. stoletja.","PeriodicalId":37155,"journal":{"name":"Przeklady Literatur Slowianskich","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48777986","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Međuratni modernizam: Nałkowska i Krleža — metafora »zle ljubavi« poljske i hrvatske književnosti [Modernizm międzywojenny: Nałkowska i Krleža – metafora »niedobre miłości« literaturach polskiej i chorwackiej] 我的现代主义：Nałkowska i Krlež
Przeklady Literatur Slowianskich Pub Date : 2021-12-06 DOI: 10.31261/pls.2021.11.01.15
Tea Rogić Musa
{"title":"Međuratni modernizam: Nałkowska i Krleža — metafora »zle ljubavi« poljske i hrvatske književnosti [Modernizm międzywojenny: Nałkowska i Krleža – metafora »niedobre miłości« literaturach polskiej i chorwackiej]","authors":"Tea Rogić Musa","doi":"10.31261/pls.2021.11.01.15","DOIUrl":"https://doi.org/10.31261/pls.2021.11.01.15","url":null,"abstract":"U radu se pokušava elaborirati narav paralelizma između dvaju modernizama, onako kako su se znakovi književne epohe očitovali u ovdje izabranim proznim djelima Zofje Nałkowske i Miroslava Krleže. Sama činjenica da je u sinkroniji s uzletom recepcije njezinih djela u domaćoj, poljskoj sredini Nałkowska prevedena na hrvatski jezik nema relevantnost kao književnopovijesni predmet ako se u raspravu ne uključi pitanje, čiji je odgovor krajnji cilj ovoga rada, pripadaju li Nałkowska i Krleža istoj vrsti europskoga modernizma i što taj pojam u poljskoj i hrvatskoj književnosti označuje u međuratnom razdoblju.","PeriodicalId":37155,"journal":{"name":"Przeklady Literatur Slowianskich","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49330842","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Роль перевода в становлении поэтики раннего украинского модернизма начала ХХ в. 翻译在20世纪初乌克兰早期现代主义诗歌的发展中起着重要作用。
Przeklady Literatur Slowianskich Pub Date : 2021-10-07 DOI: 10.31261/pls.2021.11.01.12
Галина Лесная
{"title":"Роль перевода в становлении поэтики раннего украинского модернизма начала ХХ в.","authors":"Галина Лесная","doi":"10.31261/pls.2021.11.01.12","DOIUrl":"https://doi.org/10.31261/pls.2021.11.01.12","url":null,"abstract":"В статье рассмотрен своеобразный переводческий «взрыв», которым отмечены первые десятилетия ХХ в.: необходимость перевода как акта художественного творчества осознавали все поколения украинских писателей. В первую очередь это касается литературных групп «Молодая Муза» и «Украинская хата», стремившихся освоить эстетику модернизма. Их эстетические установки былиориентированы на западноевропейскую философию, поэзию французских символистов, а также на восприятие художественных тенденций, идущих из Польши и России. Будучи инструментом, с помощью которого молодое поколение украинских писателей осваивало новое содержание зарубежных литератур, перевод как вид художественного творчества способствовал обновлению поэтики украинской литературы начала ХХ в. и вёл к новаторским открытиям в ней самой.","PeriodicalId":37155,"journal":{"name":"Przeklady Literatur Slowianskich","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69332261","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Albatross Translation Project 信天翁翻译项目
Przeklady Literatur Slowianskich Pub Date : 2021-09-23 DOI: 10.31261/pls.2021.11.01.06
Žarka Svirčev
{"title":"Albatross Translation Project","authors":"Žarka Svirčev","doi":"10.31261/pls.2021.11.01.06","DOIUrl":"https://doi.org/10.31261/pls.2021.11.01.06","url":null,"abstract":"The paper presents the translation concept of the Library Albatross (1921), the most significant project of today’s canonical Serbian modernists and avant-garde writers. This concept is paradigmatic within the modernist creative tendencies and programs between the two world wars. Although Library published only the translation of Poe’s Tales of Mystery and Imagination, the list of announced translations, the paratexts that accompany the Library’s promotional material, and the translation published, allow us to discuss specific translation strategies of Albatross. Albatross translation practice is a template for more comprehensive thinking about poetic innovations of Serbian literature after First World War. Moreover, the Albatross translation platform allows us to consider the concepts of modern/modernism, periphery/center, and world literature in Serbian culture during the twenties.","PeriodicalId":37155,"journal":{"name":"Przeklady Literatur Slowianskich","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69332187","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Tako rzecze Zaratustra Wacława Berenta: młodopolska maniera czy nowatorski eksperyment? 这就是查拉图斯特拉·瓦斯瓦夫·贝伦特所说的：一种年轻的波兰方式还是一种创新的实验？
Przeklady Literatur Slowianskich Pub Date : 2021-09-23 DOI: 10.31261/pls.2021.11.01.08
Katarzyna Lukas
{"title":"Tako rzecze Zaratustra Wacława Berenta: młodopolska maniera czy nowatorski eksperyment?","authors":"Katarzyna Lukas","doi":"10.31261/pls.2021.11.01.08","DOIUrl":"https://doi.org/10.31261/pls.2021.11.01.08","url":null,"abstract":"Artykuł dotyczy cech stylistycznych Tako rzecze Zaratustra Wacława Berenta — przekładu Also sprach Zarathustra Friedricha Nietzschego. Analiza pokazała, że tłumacz wykorzystuje trzy kody językowo-literackie: styl Młodej Polski, własny poetycki idiolekt oraz język staropolskiej Biblii jako wzorzec archaizacyjny. Ze wzorców tych korzysta jednak wybiórczo i krytycznie, unikając manierystycznych rozwiązań translatorskich. Wyeksponowanie archaizacji i walorów brzmieniowych pozwala upatrywać w tekście Berenta cechy symbolistycznego modelu przekładu, a Tako rzecze Zaratustra jako eksperyment językowy wpisuje się w kontinuum twórczości własnej polskiego pisarza.","PeriodicalId":37155,"journal":{"name":"Przeklady Literatur Slowianskich","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69332195","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Problem sceniczności w polskim przekładzie Trylogii dubrownickiej Iva Vojnovicia Iva Vojnović《杜布罗夫尼克三部曲》波兰语翻译中的舞台问题
Przeklady Literatur Slowianskich Pub Date : 2021-09-23 DOI: 10.31261/pls.2021.11.01.07
M. Ślawska
{"title":"Problem sceniczności w polskim przekładzie Trylogii dubrownickiej Iva Vojnovicia","authors":"M. Ślawska","doi":"10.31261/pls.2021.11.01.07","DOIUrl":"https://doi.org/10.31261/pls.2021.11.01.07","url":null,"abstract":"The aim of the paper is to carry out a comparative analysis of the Polish translation of one of the most important Croatian modernist dramas A Trilogy of Dubrovnik. Ivo Vojnović’s text from 1900 was translated into Polish relatively quickly. Its first excerpts were published as early as 1904. The translation of the entire text by Helena d’Abancourt de Franqueville appeared in the periodical “Przegląd Polski” in 1906, and the book version was published in 1910. In the same year, the play was also staged in the theatre. The article focuses primarily on the problem of the performability of the translation, understood as a reflection of theatrical signs encrypted in the source text and visible in the translation, and shows what translation difficulties are associated with it.","PeriodicalId":37155,"journal":{"name":"Przeklady Literatur Slowianskich","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47629759","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Wilde about Wilde — The Translation of Oscar Wilde’s Salomé in Croatian Literature of the Early 20th Century 关于王尔德的王尔德——20世纪初克罗地亚文学中奥斯卡·王尔德的《萨洛姆》的翻译
Przeklady Literatur Slowianskich Pub Date : 2021-09-16 DOI: 10.31261/pls.2021.11.01.05
I. Medić
{"title":"Wilde about Wilde — The Translation of Oscar Wilde’s Salomé in Croatian Literature of the Early 20th Century","authors":"I. Medić","doi":"10.31261/pls.2021.11.01.05","DOIUrl":"https://doi.org/10.31261/pls.2021.11.01.05","url":null,"abstract":"The Irish writer Oscar Wilde was extremely popular in Croatian culture in the first decades of the 20th century. Although Croatian writers of that time generally did not read the original works of British authors but rather their translations, Wilde’s popularity in Germany and Vienna sparked interest in his works among the Croatian readership and spectatorship. This paper explores the translation of Wilde’s Salomé from German by Julije Benešić and Nikola Andrić, and the complex influence that this translation had on Croatian literature of early modernism, relying primarily on the interpretation of the same motif in the texts of young Fran Galović and Miroslav Krleža. The paper argues that the influence of Wilde’s aestheticism is visible not only in the adoption of typical motifs, characters, or atmosphere but also in the autonomous and self-reflective language play in Krleža’s texts.","PeriodicalId":37155,"journal":{"name":"Przeklady Literatur Slowianskich","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69332093","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Modernistyczna obsceniczność w przekładzie: ukraińskie i rosyjskie tłumaczenia Kochanka Lady Chatterley D.H. Lawrence’a u schyłku ZSRR 现代主义淫秽翻译：乌克兰语和俄语翻译查泰莱·D·H·劳伦斯夫人在苏联末期的情妇
Przeklady Literatur Slowianskich Pub Date : 2021-07-23 DOI: 10.31261/pls.2021.11.01.02
Andrij Saweneć
{"title":"Modernistyczna obsceniczność w przekładzie: ukraińskie i rosyjskie tłumaczenia Kochanka Lady Chatterley D.H. Lawrence’a u schyłku ZSRR","authors":"Andrij Saweneć","doi":"10.31261/pls.2021.11.01.02","DOIUrl":"https://doi.org/10.31261/pls.2021.11.01.02","url":null,"abstract":"The paper focuses on Ukrainian and Russian translations of Lady Chatterley’s Lover by D. H. Lawrence, published in 1989 and 1990. The framework for the analysis is provided by Loren Glass’s idea of a significant role of obscene vocabulary in the aesthetics of the twentieth-century Anglo-American literary modernism. The comparison of the two translations shows significant differences in the translators’ approaches to rendering Lawrence’s sexual-based language.","PeriodicalId":37155,"journal":{"name":"Przeklady Literatur Slowianskich","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47606513","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Potrzeba tłumacza 需要翻译
Przeklady Literatur Slowianskich Pub Date : 2021-07-16 DOI: 10.31261/pls.2021.11.01.03
Barbara Bibik
{"title":"Potrzeba tłumacza","authors":"Barbara Bibik","doi":"10.31261/pls.2021.11.01.03","DOIUrl":"https://doi.org/10.31261/pls.2021.11.01.03","url":null,"abstract":"Z oryginalnych wierszy wstępu do drugiej części Orestei Ajschylosa zachowało się jedynie 21. W tłumaczeniu Jana Kasprowicza natomiast passus ten liczy aż 46 wersów. W pracy nad przekładem tego największego dla modernistycznego poety tragediopisarza korzystał on z edycji i translacji wybitnego niemieckiego badacza — Ulricha Wilamowitz-Moellendorffa. Niniejszy artykuł jest próbą przyjrzenia się polskiemu przekładowi właśnie w kontekście niemieckiego tłumaczenia, ponieważ dopiero porównując mikrocząstki polskiej i niemieckiej wersji, dostrzeżemy różnice i kierunki interpretacji obu. Jakkolwiek bez wątpienia mamy tu do czynienia z przekładem, to jednak pozostawiony indywidualny ślad wielkiego polskiego poety, każe nam się po raz kolejny zastanowić nad wielowymiarowym i podlegającym różnym wpływom procesem tłumaczenia, który niejednokrotnie sam wymaga wytłumaczenia.","PeriodicalId":37155,"journal":{"name":"Przeklady Literatur Slowianskich","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69332011","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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