发布求助
文献互助 智能选刊 最新文献

Moving Image Review and Art Journal最新文献

筛选
英文 中文
Memory and Intermediality in Artists’ Moving Image, Sarah Durcan (2021) 艺术家运动影像中的记忆与中间性，莎拉·杜肯(2021)
Moving Image Review and Art Journal Pub Date : 2022-04-01 DOI: 10.1386/miraj_00089_5
Catherine Fowler
{"title":"Memory and Intermediality in Artists’ Moving Image, Sarah Durcan (2021)","authors":"Catherine Fowler","doi":"10.1386/miraj_00089_5","DOIUrl":"https://doi.org/10.1386/miraj_00089_5","url":null,"abstract":"Review of: Memory and Intermediality in Artists’ Moving Image, Sarah Durcan (2021)Cham: Palgrave Macmillan, 250 pp., ISBN 978-3-03047-395-2, h/bk, £79.99","PeriodicalId":36761,"journal":{"name":"Moving Image Review and Art Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90215904","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Biennale de l’Image en Mouvement (Biennial of Moving Image) ’21: A Goodbye Letter, A Love Song, A Wake-Up Call, curated by DIS and Andrea Bellini 21年影像双年展:一封告别信，一首情歌，一个叫醒电话，由DIS和Andrea Bellini策划
Moving Image Review and Art Journal Pub Date : 2022-04-01 DOI: 10.1386/miraj_00087_5
Maria Walsh
{"title":"Biennale de l’Image en Mouvement (Biennial of Moving Image) ’21: A Goodbye Letter, A Love Song, A Wake-Up Call, curated by DIS and Andrea Bellini","authors":"Maria Walsh","doi":"10.1386/miraj_00087_5","DOIUrl":"https://doi.org/10.1386/miraj_00087_5","url":null,"abstract":"Biennale de l’Image en Mouvement (Biennial of Moving Image) ’21: A Goodbye Letter, A Love Song, A Wake-Up Call, curated by DIS and Andrea BelliniCentre d’Art Contemporain Genève, Geneva, 12 November 2021‐20 February 2022","PeriodicalId":36761,"journal":{"name":"Moving Image Review and Art Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79355560","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Between presence and absence in Tuni Chatterji’s Okul Nodi 在Tuni Chatterji的Okul Nodi的存在和缺席之间
Moving Image Review and Art Journal Pub Date : 2022-04-01 DOI: 10.1386/miraj_00083_1
Priyanka Basu
{"title":"Between presence and absence in Tuni Chatterji’s Okul Nodi","authors":"Priyanka Basu","doi":"10.1386/miraj_00083_1","DOIUrl":"https://doi.org/10.1386/miraj_00083_1","url":null,"abstract":"This article examines the layers of vistas of landscape, archival audio, ambient sound and documentation of history and culture in Los Angeles‐based filmmaker Tuni Chatterji’s experimental documentary film Okul Nodi (Endless River) (2012). Chatterji’s\u0000 film consists mainly of luminous shots of boatmen travelling along Bangladeshi rivers. During key sequences, recordings of Bangladeshi boatmen’s songs known as bhatiyali are heard on the soundtrack. Interspersed among these shots and tracks are brief interview scenes with anthropologists\u0000 and archivists of this musical form and musicians who perform or study the genre. This article shows how the film fuses experimental filmic approaches from artisanal to structural with documentary, ethnographic and archival modes, including that of ‘ecocinema’, highlighting questions\u0000 of seeing and knowing. It also traces how the film obliquely brings to light a history of twentieth-century engagement with and archiving of this musical genre on the part of collectors of folk and Indigenous music, as well as radical subcontinental modern artists, thinkers and activists across\u0000 Partition’s borders.","PeriodicalId":36761,"journal":{"name":"Moving Image Review and Art Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83317945","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Soundings and shadows from immaterial worlds: A post-festival conversation with Lucy Davis and Alia Syed 来自非物质世界的声音和阴影:节后与露西·戴维斯和阿丽亚·赛义德的对话
Moving Image Review and Art Journal Pub Date : 2022-04-01 DOI: 10.1386/miraj_00086_1
L. Davis, Alia Syed
{"title":"Soundings and shadows from immaterial worlds: A post-festival conversation with Lucy Davis and Alia Syed","authors":"L. Davis, Alia Syed","doi":"10.1386/miraj_00086_1","DOIUrl":"https://doi.org/10.1386/miraj_00086_1","url":null,"abstract":"","PeriodicalId":36761,"journal":{"name":"Moving Image Review and Art Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76017532","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The most beautiful film ever made 有史以来最美丽的电影
Moving Image Review and Art Journal Pub Date : 2022-04-01 DOI: 10.1386/miraj_00085_1
Manuel Ramos
{"title":"The most beautiful film ever made","authors":"Manuel Ramos","doi":"10.1386/miraj_00085_1","DOIUrl":"https://doi.org/10.1386/miraj_00085_1","url":null,"abstract":"","PeriodicalId":36761,"journal":{"name":"Moving Image Review and Art Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78789802","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Vision Machines, Peggy Ahwesh, curated by Robert Leckie and Erika Balsom 视觉机器，Peggy Ahwesh，由Robert Leckie和Erika Balsom策划
Moving Image Review and Art Journal Pub Date : 2022-04-01 DOI: 10.1386/miraj_00088_5
Lauren Houlton
{"title":"Vision Machines, Peggy Ahwesh, curated by Robert Leckie and Erika Balsom","authors":"Lauren Houlton","doi":"10.1386/miraj_00088_5","DOIUrl":"https://doi.org/10.1386/miraj_00088_5","url":null,"abstract":"Vision Machines, Peggy Ahwesh, curated by Robert Leckie and Erika BalsomSpike Island, Bristol, 25 September 2021‐16 January 2022","PeriodicalId":36761,"journal":{"name":"Moving Image Review and Art Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73401633","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
London’s Arts Labs and the 60s Avant-Garde, David Curtis (2020) 伦敦艺术实验室与60年代前卫艺术，大卫·柯蒂斯(2020)
Moving Image Review and Art Journal Pub Date : 2022-04-01 DOI: 10.1386/miraj_00090_5
N. Hamlyn
{"title":"London’s Arts Labs and the 60s Avant-Garde, David Curtis (2020)","authors":"N. Hamlyn","doi":"10.1386/miraj_00090_5","DOIUrl":"https://doi.org/10.1386/miraj_00090_5","url":null,"abstract":"Review of: London’s Arts Labs and the 60s Avant-Garde, David Curtis (2020)Artists’ Film, David Curtis (2021)New Barnet: John Libbey, 170 pp., ISBN 978-0-86196-748-3, p/bk, £24.99 eISBN 978-0-86196-979-1, e-book, £17.20London: Thames\u0000 and Hudson, 338 pp., ISBN 978-0-50020-473-3, p/bk, £16.99","PeriodicalId":36761,"journal":{"name":"Moving Image Review and Art Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76277322","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘A long meandering slide’: Feminist critique, genderqueerness, sexual agency and Crip subjectivity in Stephen Dwoskin’s late works “漫长曲折的滑梯”:斯蒂芬·德沃斯金晚期作品中的女权主义批判、性别酷儿、性代理和跛脚主体性
Moving Image Review and Art Journal Pub Date : 2022-04-01 DOI: 10.1386/miraj_00081_1
Jenny Chamarette
{"title":"‘A long meandering slide’: Feminist critique, genderqueerness, sexual agency and Crip subjectivity in Stephen Dwoskin’s late works","authors":"Jenny Chamarette","doi":"10.1386/miraj_00081_1","DOIUrl":"https://doi.org/10.1386/miraj_00081_1","url":null,"abstract":"Stephen Dwoskin was a prolific experimental filmmaker from the mid-1960s until his death in 2012. Commonly associated with the New York underground film scene and the London Filmmakers’ Co-Op, which he co-founded in 1966, Jewish-American Dwoskin was also a childhood survivor of polio and a disability rights activist. Though an enduring oral legacy of feminist criticism of Dwoskin’s work remains since the 1980s, Dwoskin’s later work from the 1990s and 2000s is acutely understudied. In this article, I recontextualize earlier feminist positions in light of the ‘cripping’ of sexuality and gender proposed by recent critical disability studies, applied to two of Dwoskin’s later works. Adopting archival evidence of feminist critique, feminist art histories and Crip approaches to sexuality, I examine androgyny and genderqueerness in Dwoskin’s photomontages from Ha, Ha! La Solution Imaginaire (1993) and conflations of critical medical and BDSM-structured care in the film Intoxicated by My Illness (2001). I conclude that Dwoskin’s work invites rich epistemological re-evaluation of both feminist critique and entrenched sociocultural conceptions of gendered subjectivity, intimacy and sexual agency.","PeriodicalId":36761,"journal":{"name":"Moving Image Review and Art Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88750448","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Exhibition as cinema, cinema as exhibition: Philippe Parreno and the moving image in the museum 展览即电影院，电影院即展览:菲利普·帕雷诺与博物馆中的动态影像
Moving Image Review and Art Journal Pub Date : 2022-04-01 DOI: 10.1386/miraj_00082_1
Olga Smith
{"title":"Exhibition as cinema, cinema as exhibition: Philippe Parreno and the moving image in the museum","authors":"Olga Smith","doi":"10.1386/miraj_00082_1","DOIUrl":"https://doi.org/10.1386/miraj_00082_1","url":null,"abstract":"This article situates a number of Philippe Parreno’s moving image installations within the developments that led in the 1990s to the establishment of film as one of the pre-eminent forms of display in the museum of contemporary art. From here, a clear yet unexplored relation is\u0000 established between cinema’s relocation to the museum and artistic practices promoted under the conceptual label of relational aesthetics, with which Parreno was closely associated throughout the 1990s. Conceived as a part of the structural whole comprising an exhibition and embedded\u0000 in a specific location, film installation was used by Parreno to raise questions concerning the visibility of the artwork and the duration of the viewing encounter. The fluid interactions between temporal and spatial categories in these installations invite a re-examination of the categories\u0000 of museum and exhibition, as well as the material limits of the medium of the moving image.","PeriodicalId":36761,"journal":{"name":"Moving Image Review and Art Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73577644","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Material Frampton1 材料Frampton1
Moving Image Review and Art Journal Pub Date : 2022-04-01 DOI: 10.1386/miraj_00084_1
Rachel Moore
{"title":"Material Frampton1","authors":"Rachel Moore","doi":"10.1386/miraj_00084_1","DOIUrl":"https://doi.org/10.1386/miraj_00084_1","url":null,"abstract":"","PeriodicalId":36761,"journal":{"name":"Moving Image Review and Art Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90685376","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
首页 上一页 下一页 尾页
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整，为了账户安全，请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们：info@booksci.cn Book学术提供免费学术资源搜索服务，方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号：481959085
Book学术官方微信