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Moving Image Review and Art Journal最新文献

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The allegorical re-presentation of colonial cinema in Sammy Baloji’s Pungulume (2016) 萨米·巴洛吉的《Pungulume》(2016)对殖民电影的寓言再现
Moving Image Review and Art Journal Pub Date : 2023-04-01 DOI: 10.1386/miraj_00104_1
Sanne Fleur Sinnige
{"title":"The allegorical re-presentation of colonial cinema in Sammy Baloji’s Pungulume (2016)","authors":"Sanne Fleur Sinnige","doi":"10.1386/miraj_00104_1","DOIUrl":"https://doi.org/10.1386/miraj_00104_1","url":null,"abstract":"This article analyses artist Sammy Baloji’s video installation Pungulume (2016) with a focus on its recycling of film clips extracted from an archival colonial film from 1912. Inspired by art historian Georges Didi-Huberman’s anachronic approach to art history, and through a sketch of the history and present-day social and political context in the Congolese Katanga region, this essay contends that these archival clips speak primarily about the present and contain a topical significance. As the author demonstrates, this topical significance can solely be assessed when the viewer is knowledgeable about current political and social debates taking place in the former Katanga province. Additionally, this present-day relevance of the archival film clips also exists in terms of the video installation’s reception – the archival film clips reflect dynamics occurring in the spaces in which the video installation was conceived and continues to be exhibited. Through this reading that ultimately causes the ‘re-presentation’ of the anachronic archival film clips (while acknowledging its indebtment to Congolese popular painting), the author recalls the necessity of considering the historical production context in scholarly analyses of artworks – even when artworks reuse archival documents that stem, for example, from colonial cinema.","PeriodicalId":36761,"journal":{"name":"Moving Image Review and Art Journal","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135776378","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Xenogenesis, The Otolith Group, curated by Annie Fletcher 异生，耳石组织，由安妮·弗莱彻策划
Moving Image Review and Art Journal Pub Date : 2023-04-01 DOI: 10.1386/miraj_00111_5
Michael Holly
{"title":"Xenogenesis, The Otolith Group, curated by Annie Fletcher","authors":"Michael Holly","doi":"10.1386/miraj_00111_5","DOIUrl":"https://doi.org/10.1386/miraj_00111_5","url":null,"abstract":"Review of: Xenogenesis , The Otolith Group, curated by Annie Fletcher Reviewed by Michael Holly, University of Sussex Irish Museum of Modern Art (IMMA), Dublin, Ireland, 7 July 2022-12 February 2023","PeriodicalId":36761,"journal":{"name":"Moving Image Review and Art Journal","volume":"68 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135776382","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Negotiating the feminist group: Lizzie Borden’s Regrouping (1976) 谈判女权主义团体:莉齐·波登的《重组》(1976)
Moving Image Review and Art Journal Pub Date : 2022-09-01 DOI: 10.1386/miraj_00095_1
Lily Evans-Hill
{"title":"Negotiating the feminist group: Lizzie Borden’s Regrouping (1976)","authors":"Lily Evans-Hill","doi":"10.1386/miraj_00095_1","DOIUrl":"https://doi.org/10.1386/miraj_00095_1","url":null,"abstract":"This article considers Regrouping, a ‘failed’ film by Lizzie Borden, to think about the dynamics of feminist group-work in the Women’s Liberation Movement. I argue that the film, both in its subject and in the film project, explores conflict in sisterhood through its experimental collaborative approach as well as in its filmic qualities. Using literature surrounding feminist organizational practices, I explore group behaviours present in the film project through the tensions between Borden’s portrait of feminist collective practice and the group’s representation and agency within the process. I also consider the need to reinstate Regrouping, largely unknown and withdrawn from circulation, as an important feminist document that works through the complex negotiations of feminist collaboration that took place in the 1970s.","PeriodicalId":36761,"journal":{"name":"Moving Image Review and Art Journal","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82770742","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Barang-Barang, Erika Tan
Moving Image Review and Art Journal Pub Date : 2022-09-01 DOI: 10.1386/miraj_00099_5
Lucy Reynolds
{"title":"Barang-Barang, Erika Tan","authors":"Lucy Reynolds","doi":"10.1386/miraj_00099_5","DOIUrl":"https://doi.org/10.1386/miraj_00099_5","url":null,"abstract":"Review of: Barang-Barang, Erika Tan\u0000 Stanley Picker Gallery, Kingston University, London, 17 February–9 April 2022","PeriodicalId":36761,"journal":{"name":"Moving Image Review and Art Journal","volume":"25 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74226474","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Still Present! – 12th Berlin Biennale for Contemporary Art, curated by Kader Attia in collaboration with Ana Teixeira Pinto, Đỗ Tường Linh, Marie Helene Pereira, Noam Segal and Rasha Salti 仍然存在!第12届柏林当代艺术双年展，由Kader Attia与Ana Teixeira Pinto， Đỗ Tường Linh, Marie Helene Pereira, Noam Segal和Rasha Salti合作策划
Moving Image Review and Art Journal Pub Date : 2022-09-01 DOI: 10.1386/miraj_00098_5
Maria Walsh
{"title":"Still Present! – 12th Berlin Biennale for Contemporary Art, curated by Kader Attia in collaboration with Ana Teixeira Pinto, Đỗ Tường Linh, Marie Helene Pereira, Noam Segal and Rasha Salti","authors":"Maria Walsh","doi":"10.1386/miraj_00098_5","DOIUrl":"https://doi.org/10.1386/miraj_00098_5","url":null,"abstract":"Review of: Still Present! – 12th Berlin Biennale for Contemporary Art, curated by Kader Attia in collaboration with Ana Teixeira Pinto, Đỗ Tường Linh, Marie Helene Pereira, Noam Segal and Rasha Salti\u0000 Akademie der Künste Hanseatenweg and Pariser Platz; Dekoloniale Memory Culture in the City; Hamburger Bahnhof Museum for Contemporary Art; KW Institute for Contemporary Art; and Stasi Headquarters, Campus for Democracy, Berlin. 11 June–18 September 2022","PeriodicalId":36761,"journal":{"name":"Moving Image Review and Art Journal","volume":"31 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89155907","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Interview with Jasmina Cibic by Chris Clarke 克里斯·克拉克对贾斯米娜·西比克的采访
Moving Image Review and Art Journal Pub Date : 2022-09-01 DOI: 10.1386/miraj_00096_7
C. Clarke, Jasmina Cibic
{"title":"Interview with Jasmina Cibic by Chris Clarke","authors":"C. Clarke, Jasmina Cibic","doi":"10.1386/miraj_00096_7","DOIUrl":"https://doi.org/10.1386/miraj_00096_7","url":null,"abstract":"Jasmina Cibic’s artistic practice across film, performance and installation rigorously interrogates the aesthetics of politics. Her works are situated within grandiose architectural settings of national pride and power, from state assemblies to cultural monuments, while drawing on the historical events and individuals that determine shared conceptions of identity. In this interview, Cibic discusses ideas of soft power in relation to several recent projects, including the 2021 film The Gift, State of Illusion from 2018, and the Nada trilogy of 2016–17. In each of these projects, artistic production is examined in terms of its relationship to propaganda, ideology and identification, the ways in which culture is utilized and whom it is intended to serve.","PeriodicalId":36761,"journal":{"name":"Moving Image Review and Art Journal","volume":"16 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83788917","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Becoming Palestine: Toward an Archival Imagination of the Future, Gil Z. Hochberg (2021) 《成为巴勒斯坦:走向对未来的档案想象》，吉尔·z·霍克伯格(2021)
Moving Image Review and Art Journal Pub Date : 2022-09-01 DOI: 10.1386/miraj_00100_5
Kaelen Wilson-Goldie
{"title":"Becoming Palestine: Toward an Archival Imagination of the Future, Gil Z. Hochberg (2021)","authors":"Kaelen Wilson-Goldie","doi":"10.1386/miraj_00100_5","DOIUrl":"https://doi.org/10.1386/miraj_00100_5","url":null,"abstract":"Review of: Becoming Palestine: Toward an Archival Imagination of the Future, Gil Z. Hochberg (2021)\u0000 Durham, NC and London: Duke University Press, 208 pp.,\u0000 ISBN 978-1-47801-482-9, p/bk, $24.95","PeriodicalId":36761,"journal":{"name":"Moving Image Review and Art Journal","volume":"13 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88593626","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reflections on โลก(ไร้)รูป (Im)material worlds: Tracing creative practice, histories and environmental contexts in artists’ moving image from Southeast Asia and the United Kingdom 对材料世界的反思:追踪来自东南亚和英国艺术家的动态图像中的创作实践、历史和环境背景
Moving Image Review and Art Journal Pub Date : 2022-09-01 DOI: 10.1386/miraj_00097_7
Kitty Anderson, Graiwoot Chulphongsathorn, Emma Dove, T. Fiske, Philippa Lovatt, D. Upton
{"title":"Reflections on โลก(ไร้)รูป (Im)material worlds: Tracing creative practice, histories and environmental contexts in artists’ moving image from Southeast Asia and the United Kingdom","authors":"Kitty Anderson, Graiwoot Chulphongsathorn, Emma Dove, T. Fiske, Philippa Lovatt, D. Upton","doi":"10.1386/miraj_00097_7","DOIUrl":"https://doi.org/10.1386/miraj_00097_7","url":null,"abstract":"","PeriodicalId":36761,"journal":{"name":"Moving Image Review and Art Journal","volume":"19 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75903974","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Jean Otth and video art networks: Exhibitions, festivals, open encounters – About the agency of a medium 让·奥斯与影像艺术网络:展览、节日、公开相遇——关于媒介的代理
Moving Image Review and Art Journal Pub Date : 2022-09-01 DOI: 10.1386/miraj_00094_1
F. Bovier
{"title":"Jean Otth and video art networks: Exhibitions, festivals, open encounters – About the agency of a medium","authors":"F. Bovier","doi":"10.1386/miraj_00094_1","DOIUrl":"https://doi.org/10.1386/miraj_00094_1","url":null,"abstract":"In the early 1970s, Jean Otth played an active role in the constitution and development of a video art scene in French-speaking Switzerland. The art critic and museum director René Berger described these pioneers in the use of a new medium as ‘musketeers of the invisible’. Based on the notion of agency theorised by Alfred Gell, we show in this article how Otth’s work, as well as his curatorial and pedagogical activities, allowed the development of a videosphere (to take up and displace the meaning of a term proposed by Gene Youngblood in 1970). We also propose an analysis of Otth’s early videos and installations, which are traversed by a phenomenological interrogation on the mechanisms of perception and a deconstruction of representation and its conventions. Finally, we integrate Otth’s reflections on television and video from his personal archives to reveal his creative intentions.","PeriodicalId":36761,"journal":{"name":"Moving Image Review and Art Journal","volume":"60 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84887016","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Moving Image as Public Art: Sidewalk Spectators and Modes of Enchantment, Annie Dell’Aria (2021) 作为公共艺术的移动影像:人行道上的观众和迷人的模式，安妮·戴尔·阿里亚(2021)
Moving Image Review and Art Journal Pub Date : 2022-09-01 DOI: 10.1386/miraj_00101_5
Jane Madsen
{"title":"The Moving Image as Public Art: Sidewalk Spectators and Modes of Enchantment, Annie Dell’Aria (2021)","authors":"Jane Madsen","doi":"10.1386/miraj_00101_5","DOIUrl":"https://doi.org/10.1386/miraj_00101_5","url":null,"abstract":"Review of: The Moving Image as Public Art: Sidewalk Spectators and Modes of Enchantment, Annie Dell’Aria (2021)\u0000 Cham: Palgrave Macmillan, 307 pp.,\u0000 ISBN 978-3-03065-906-6, h/bk, £89.99, p/bk, £59.99","PeriodicalId":36761,"journal":{"name":"Moving Image Review and Art Journal","volume":"506 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74788902","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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