发布求助
文献互助 智能选刊 最新文献

Moving Image Review and Art Journal最新文献

筛选
英文 中文
Xenogenesis, The Otolith Group, curated by Annie Fletcher 异生，耳石组织，由安妮·弗莱彻策划
Moving Image Review and Art Journal Pub Date : 2023-04-01 DOI: 10.1386/miraj_00111_5
Michael Holly
{"title":"Xenogenesis, The Otolith Group, curated by Annie Fletcher","authors":"Michael Holly","doi":"10.1386/miraj_00111_5","DOIUrl":"https://doi.org/10.1386/miraj_00111_5","url":null,"abstract":"Review of: Xenogenesis , The Otolith Group, curated by Annie Fletcher Reviewed by Michael Holly, University of Sussex Irish Museum of Modern Art (IMMA), Dublin, Ireland, 7 July 2022-12 February 2023","PeriodicalId":36761,"journal":{"name":"Moving Image Review and Art Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135776382","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Negotiating the feminist group: Lizzie Borden’s Regrouping (1976) 谈判女权主义团体:莉齐·波登的《重组》(1976)
Moving Image Review and Art Journal Pub Date : 2022-09-01 DOI: 10.1386/miraj_00095_1
Lily Evans-Hill
{"title":"Negotiating the feminist group: Lizzie Borden’s Regrouping (1976)","authors":"Lily Evans-Hill","doi":"10.1386/miraj_00095_1","DOIUrl":"https://doi.org/10.1386/miraj_00095_1","url":null,"abstract":"This article considers Regrouping, a ‘failed’ film by Lizzie Borden, to think about the dynamics of feminist group-work in the Women’s Liberation Movement. I argue that the film, both in its subject and in the film project, explores conflict in sisterhood through its experimental collaborative approach as well as in its filmic qualities. Using literature surrounding feminist organizational practices, I explore group behaviours present in the film project through the tensions between Borden’s portrait of feminist collective practice and the group’s representation and agency within the process. I also consider the need to reinstate Regrouping, largely unknown and withdrawn from circulation, as an important feminist document that works through the complex negotiations of feminist collaboration that took place in the 1970s.","PeriodicalId":36761,"journal":{"name":"Moving Image Review and Art Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82770742","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Barang-Barang, Erika Tan
Moving Image Review and Art Journal Pub Date : 2022-09-01 DOI: 10.1386/miraj_00099_5
Lucy Reynolds
{"title":"Barang-Barang, Erika Tan","authors":"Lucy Reynolds","doi":"10.1386/miraj_00099_5","DOIUrl":"https://doi.org/10.1386/miraj_00099_5","url":null,"abstract":"Review of: Barang-Barang, Erika Tan\u0000 Stanley Picker Gallery, Kingston University, London, 17 February–9 April 2022","PeriodicalId":36761,"journal":{"name":"Moving Image Review and Art Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74226474","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Still Present! – 12th Berlin Biennale for Contemporary Art, curated by Kader Attia in collaboration with Ana Teixeira Pinto, Đỗ Tường Linh, Marie Helene Pereira, Noam Segal and Rasha Salti 仍然存在!第12届柏林当代艺术双年展，由Kader Attia与Ana Teixeira Pinto， Đỗ Tường Linh, Marie Helene Pereira, Noam Segal和Rasha Salti合作策划
Moving Image Review and Art Journal Pub Date : 2022-09-01 DOI: 10.1386/miraj_00098_5
Maria Walsh
{"title":"Still Present! – 12th Berlin Biennale for Contemporary Art, curated by Kader Attia in collaboration with Ana Teixeira Pinto, Đỗ Tường Linh, Marie Helene Pereira, Noam Segal and Rasha Salti","authors":"Maria Walsh","doi":"10.1386/miraj_00098_5","DOIUrl":"https://doi.org/10.1386/miraj_00098_5","url":null,"abstract":"Review of: Still Present! – 12th Berlin Biennale for Contemporary Art, curated by Kader Attia in collaboration with Ana Teixeira Pinto, Đỗ Tường Linh, Marie Helene Pereira, Noam Segal and Rasha Salti\u0000 Akademie der Künste Hanseatenweg and Pariser Platz; Dekoloniale Memory Culture in the City; Hamburger Bahnhof Museum for Contemporary Art; KW Institute for Contemporary Art; and Stasi Headquarters, Campus for Democracy, Berlin. 11 June–18 September 2022","PeriodicalId":36761,"journal":{"name":"Moving Image Review and Art Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89155907","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Interview with Jasmina Cibic by Chris Clarke 克里斯·克拉克对贾斯米娜·西比克的采访
Moving Image Review and Art Journal Pub Date : 2022-09-01 DOI: 10.1386/miraj_00096_7
C. Clarke, Jasmina Cibic
{"title":"Interview with Jasmina Cibic by Chris Clarke","authors":"C. Clarke, Jasmina Cibic","doi":"10.1386/miraj_00096_7","DOIUrl":"https://doi.org/10.1386/miraj_00096_7","url":null,"abstract":"Jasmina Cibic’s artistic practice across film, performance and installation rigorously interrogates the aesthetics of politics. Her works are situated within grandiose architectural settings of national pride and power, from state assemblies to cultural monuments, while drawing on the historical events and individuals that determine shared conceptions of identity. In this interview, Cibic discusses ideas of soft power in relation to several recent projects, including the 2021 film The Gift, State of Illusion from 2018, and the Nada trilogy of 2016–17. In each of these projects, artistic production is examined in terms of its relationship to propaganda, ideology and identification, the ways in which culture is utilized and whom it is intended to serve.","PeriodicalId":36761,"journal":{"name":"Moving Image Review and Art Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83788917","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Becoming Palestine: Toward an Archival Imagination of the Future, Gil Z. Hochberg (2021) 《成为巴勒斯坦:走向对未来的档案想象》，吉尔·z·霍克伯格(2021)
Moving Image Review and Art Journal Pub Date : 2022-09-01 DOI: 10.1386/miraj_00100_5
Kaelen Wilson-Goldie
{"title":"Becoming Palestine: Toward an Archival Imagination of the Future, Gil Z. Hochberg (2021)","authors":"Kaelen Wilson-Goldie","doi":"10.1386/miraj_00100_5","DOIUrl":"https://doi.org/10.1386/miraj_00100_5","url":null,"abstract":"Review of: Becoming Palestine: Toward an Archival Imagination of the Future, Gil Z. Hochberg (2021)\u0000 Durham, NC and London: Duke University Press, 208 pp.,\u0000 ISBN 978-1-47801-482-9, p/bk, $24.95","PeriodicalId":36761,"journal":{"name":"Moving Image Review and Art Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88593626","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reflections on โลก(ไร้)รูป (Im)material worlds: Tracing creative practice, histories and environmental contexts in artists’ moving image from Southeast Asia and the United Kingdom 对材料世界的反思:追踪来自东南亚和英国艺术家的动态图像中的创作实践、历史和环境背景
Moving Image Review and Art Journal Pub Date : 2022-09-01 DOI: 10.1386/miraj_00097_7
Kitty Anderson, Graiwoot Chulphongsathorn, Emma Dove, T. Fiske, Philippa Lovatt, D. Upton
{"title":"Reflections on โลก(ไร้)รูป (Im)material worlds: Tracing creative practice, histories and environmental contexts in artists’ moving image from Southeast Asia and the United Kingdom","authors":"Kitty Anderson, Graiwoot Chulphongsathorn, Emma Dove, T. Fiske, Philippa Lovatt, D. Upton","doi":"10.1386/miraj_00097_7","DOIUrl":"https://doi.org/10.1386/miraj_00097_7","url":null,"abstract":"","PeriodicalId":36761,"journal":{"name":"Moving Image Review and Art Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75903974","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Jean Otth and video art networks: Exhibitions, festivals, open encounters – About the agency of a medium 让·奥斯与影像艺术网络:展览、节日、公开相遇——关于媒介的代理
Moving Image Review and Art Journal Pub Date : 2022-09-01 DOI: 10.1386/miraj_00094_1
F. Bovier
{"title":"Jean Otth and video art networks: Exhibitions, festivals, open encounters – About the agency of a medium","authors":"F. Bovier","doi":"10.1386/miraj_00094_1","DOIUrl":"https://doi.org/10.1386/miraj_00094_1","url":null,"abstract":"In the early 1970s, Jean Otth played an active role in the constitution and development of a video art scene in French-speaking Switzerland. The art critic and museum director René Berger described these pioneers in the use of a new medium as ‘musketeers of the invisible’. Based on the notion of agency theorised by Alfred Gell, we show in this article how Otth’s work, as well as his curatorial and pedagogical activities, allowed the development of a videosphere (to take up and displace the meaning of a term proposed by Gene Youngblood in 1970). We also propose an analysis of Otth’s early videos and installations, which are traversed by a phenomenological interrogation on the mechanisms of perception and a deconstruction of representation and its conventions. Finally, we integrate Otth’s reflections on television and video from his personal archives to reveal his creative intentions.","PeriodicalId":36761,"journal":{"name":"Moving Image Review and Art Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84887016","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Moving Image as Public Art: Sidewalk Spectators and Modes of Enchantment, Annie Dell’Aria (2021) 作为公共艺术的移动影像:人行道上的观众和迷人的模式，安妮·戴尔·阿里亚(2021)
Moving Image Review and Art Journal Pub Date : 2022-09-01 DOI: 10.1386/miraj_00101_5
Jane Madsen
{"title":"The Moving Image as Public Art: Sidewalk Spectators and Modes of Enchantment, Annie Dell’Aria (2021)","authors":"Jane Madsen","doi":"10.1386/miraj_00101_5","DOIUrl":"https://doi.org/10.1386/miraj_00101_5","url":null,"abstract":"Review of: The Moving Image as Public Art: Sidewalk Spectators and Modes of Enchantment, Annie Dell’Aria (2021)\u0000 Cham: Palgrave Macmillan, 307 pp.,\u0000 ISBN 978-3-03065-906-6, h/bk, £89.99, p/bk, £59.99","PeriodicalId":36761,"journal":{"name":"Moving Image Review and Art Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74788902","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Militant cinema as an energetic alternative in the 1970s in Spain 20世纪70年代在西班牙，激进电影是一种充满活力的选择
Moving Image Review and Art Journal Pub Date : 2022-09-01 DOI: 10.1386/miraj_00093_1
Alberto Berzosa, Jaime Vindel
{"title":"Militant cinema as an energetic alternative in the 1970s in Spain","authors":"Alberto Berzosa, Jaime Vindel","doi":"10.1386/miraj_00093_1","DOIUrl":"https://doi.org/10.1386/miraj_00093_1","url":null,"abstract":"This article will examine the significance of the alternative film scene, as seen in the Spanish militant cinema of this period, through an analysis of the film Les energies (‘The energies’) (1979–80) by the Cooperativa de Cinema Alternatiu (CCA – Alternative Cinema Cooperative) that helped to trigger the debate on the energy question in Spain in the late 1970s and early 1980s. The militant Spanish cinema of that time was produced in some exceptionally precarious conditions as well as had limited access to financial resources and remained marginal to official film industry systems. The article will discuss how these production conditions led the CCA to adopt a specific material filmmaking mode with a low ecological impact. Emerging as a consequence of a production context marked by precariousness and (semi-)clandestinity, it was a mode of production developed in parallel to the rise of environmental awareness in Spain, which had – as the first part of this article explores – a decisive influence on the CCA. In turn, as the article goes on to discuss, the environmentalist discourse would itself end up determining the narrative content of one of the CCA’s most important films, Les energies.\u0000","PeriodicalId":36761,"journal":{"name":"Moving Image Review and Art Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73860853","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
首页 上一页 下一页 尾页
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整，为了账户安全，请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们：info@booksci.cn Book学术提供免费学术资源搜索服务，方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号：481959085
Book学术官方微信