Moving Image Review and Art Journal最新文献_第4页

Questions of imagination and process: The potential of film practice pedagogy to challenge existing modes of production in the context of the climate emergency 想象力和过程的问题:电影实践教学法在气候紧急情况下挑战现有生产模式的潜力

Moving Image Review and Art Journal Pub Date : 2021-09-01 DOI: 10.1386/miraj_00065_1

A. Vallance, R. Hardcastle

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‘Behaviour: Marking’: Charlotte Prodger’s territoriality “行为:标记”:Charlotte Prodger的领地性

Moving Image Review and Art Journal Pub Date : 2021-09-01 DOI: 10.1386/miraj_00061_1

Tom Cuthbertson

{"title":"‘Behaviour: Marking’: Charlotte Prodger’s territoriality","authors":"Tom Cuthbertson","doi":"10.1386/miraj_00061_1","DOIUrl":"https://doi.org/10.1386/miraj_00061_1","url":null,"abstract":"This article analyses single-channel videos by the Turner Prize-winning artist Charlotte Prodger (b.1974), identifying in these works very particular forms of territoriality. As part of the broader drive towards accumulation found in Prodger’s autobiographical filmmaking, these videos continually collect new territories: characterized by a restless spatial mobility, they move repeatedly from location to location, amassing huge amounts of spatial information. This information is arranged in an ever-expanding matrix – a grid-like structure that allows Prodger to bring the very different spaces she assembles into active conversation, amongst themselves and with her. As she fosters deeply subjective dialogues and connections between these spaces, Prodger marks them, leaving traces behind in ways that deliberately mimic recognizably animal territorial practices and patterns of behaviour. Merging human and non-human behaviours, Prodger investigates the disruptive possibilities of what Jack Halberstam has presented as a queer form of ‘wildness’, and unsettles categories of gender and sexuality along with the spatialized mechanisms of sexual difference that support them. By marking territory in such ‘wild’ ways, Prodger proposes other modes of knowing and understanding, found at the meeting point of the subjective, the social and the environmental. In so doing, Prodger challenges the rules dictating which bodies, lives and behaviours belong where, as well as who is allowed to occupy and lay claim to certain spaces.","PeriodicalId":36761,"journal":{"name":"Moving Image Review and Art Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80528594","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Experimental Film and Photochemical Practices, Kim Knowles (2020) 《实验胶片与光化学实践》，金·诺尔斯(Kim Knowles, 2020)

Moving Image Review and Art Journal Pub Date : 2021-09-01 DOI: 10.1386/miraj_00077_5

J. Snazell

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Beyond the World’s End: Arts of Living at the Crossing, T. J. Demos (2020) 《超越世界尽头:十字路口的生活艺术》，t·j·德莫斯(2020)

Moving Image Review and Art Journal Pub Date : 2021-09-01 DOI: 10.1386/miraj_00075_5

Matthias Kispert

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The animate, cosmopolitics and global displacement in Artavazd Pelechian’s films, from The Inhabitants to La Nature 从《居民》到《自然》，阿尔塔瓦兹德·佩勒希安电影中的动画、世界政治和全球位移

Moving Image Review and Art Journal Pub Date : 2021-09-01 DOI: 10.1386/miraj_00071_1

A. Doyle

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Radical Mainstream: Independent Film, Video and Television in Britain, 1974–1990, Colin Perry (2020) 激进主流:1974-1990年英国独立电影、录像和电视，科林·佩里(2020)

Moving Image Review and Art Journal Pub Date : 2021-09-01 DOI: 10.1386/miraj_00073_5

M. Connolly

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Shezad Dawood in conversation with Lucy Reynolds 谢扎德·达伍德与露西·雷诺兹的谈话

Moving Image Review and Art Journal Pub Date : 2021-09-01 DOI: 10.1386/miraj_00064_7

L. Reynolds

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Our petrified present: Pablo Weber’s Homage to the Work of Philip Henry Gosse 我们的石化礼物:巴勃罗·韦伯向菲利普·亨利·戈斯的作品致敬

Moving Image Review and Art Journal Pub Date : 2021-09-01 DOI: 10.1386/miraj_00066_1

Federico Windhausen

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Propositional futurisms: A roundtable discussion 命题未来主义:圆桌讨论

Moving Image Review and Art Journal Pub Date : 2021-09-01 DOI: 10.1386/miraj_00069_1

Diann Bauer, Olaf Grawert, Stefanie Hessler, Bahar Noorizadeh, L. Rogers, Natalia Zuluaga

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Field work: Ogawa Productions as farmer–filmmakers 实地工作:小川制作公司的农民电影制作人

Moving Image Review and Art Journal Pub Date : 2021-09-01 DOI: 10.1386/miraj_00063_1

Becca Voelcker

{"title":"Field work: Ogawa Productions as farmer–filmmakers","authors":"Becca Voelcker","doi":"10.1386/miraj_00063_1","DOIUrl":"https://doi.org/10.1386/miraj_00063_1","url":null,"abstract":"This article considers the value of the leftist filmmaking collective Ogawa Productions’ interdisciplinary practice, which combined filmmaking and farming as an activist project of advocacy for social and environmental justice in 1980s Japan. It argues that Ogawa Pro, as the collective was known, integrated agriculture and film culture to construct a radically inclusive ecosystemic understanding of humans, plants, animals and the climate. Viewed today, their approach exemplifies an early model of ecological thinking that speaks to the recent multispecies turn in the arts, humanities and social sciences. But Ogawa Pro’s turn to the land is also riddled with ambivalence: the films harbour agrarian romanticism bordering on a politics of nostalgia and ethnic environmentalism. Torn between what we might today call progressive and reactionary traditionalist politics, Ogawa Pro’s enmeshed filming and farming practices constitute an important example of what I call Land Cinema – that is, film entangled in territorial, ecological and aesthetic aspects of land. Though the collective’s earlier and more militant films have received critical acclaim in recent years, its later land-based work merits further attention for the way it exposes political tensions over how to cultivate, represent and share space responsibly.","PeriodicalId":36761,"journal":{"name":"Moving Image Review and Art Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83650480","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0