Journal of Greek Media and Culture最新文献_第2页

Subversive literary representations of 1821 in the Metapolitefsi (1974–81) 《Metapolitefsi》中1821年的颠覆性文学表现

Journal of Greek Media and Culture Pub Date : 2021-10-01 DOI: 10.1386/jgmc_00037_1

Maria Nikolopoulou

{"title":"Subversive literary representations of 1821 in the Metapolitefsi (1974–81)","authors":"Maria Nikolopoulou","doi":"10.1386/jgmc_00037_1","DOIUrl":"https://doi.org/10.1386/jgmc_00037_1","url":null,"abstract":"The article examines the afterlife of the Greek War of Independence during the Transition period in Greece (1974–81), focusing on literature. The military dictatorship (1967–74) presented itself as the heir of this national revolution. Representations of the 1821 were popularized and mediatized through film, paintings and the public spectacles organized by the regime, culminating in the 150-year anniversary in 1971. This triggered an alternative use of these representations, by songwriters, playwrights and writers who aimed to subvert them through mimicry. Focusing on three novels by young writers of the period, Yoryis Yatromanolakis’s Leimonario (The Spiritual Meadow) (1974), Nikos Platis’s Gkount mpai mister pap (‘Goodbye Mr. Pap’) (1976) and Takis Theodoropoulos’s Ο vios stin politeia tou Thodori Kotronithodorikolou (‘Life in the times of Thodoris Kotronithodorikolos’) (1977), the article examines how these young writers subverted the representations of heroism constructed by the dictatorship through the use of surrealist and avant-garde techniques. The use of pastiche, the corporeal and the fantastic by Yatromanolakis creates an alternative discourse of heroism. In the case of Platis and Theodoropoulos, surrealist techniques, and images of transgressive sexuality create a grotesque gallery of heroes, by emphasizing the hybridity and performativity of their identities. These writers also experimented with the ways in which history is represented in narrative, through reversal of temporality, the nightmarish, corporeality and the private. The article also examines the texts’ reception, at a time when new grand narratives of national history were being shaped.","PeriodicalId":36342,"journal":{"name":"Journal of Greek Media and Culture","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41978457","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Athens besieged: Greek and Ottoman perceptions of shifting space during the Greek Revolution of 1821 雅典被围困：1821年希腊革命期间希腊和奥斯曼对空间变化的看法

Journal of Greek Media and Culture Pub Date : 2021-10-01 DOI: 10.1386/jgmc_00040_1

P. Poulos, E. Kolovos

引用次数: 0

From national panegyrics to stage scandal: Athanasios Diakos in history 从国家狂欢到舞台丑闻：历史上的阿萨纳西奥斯·迪亚科斯

Journal of Greek Media and Culture Pub Date : 2021-10-01 DOI: 10.1386/jgmc_00041_1

G. Sampatakakis

引用次数: 0

‘Communal Hellenism’ and ancient tragedy performances in Greece (1975‐95): The ritual quest “公共希腊主义”和希腊的古代悲剧表演(1975 - 95):仪式探索

Journal of Greek Media and Culture Pub Date : 2021-04-01 DOI: 10.1386/jgmc_00028_1

Efthymios Kaltsounas, Tonia Karaoglou, Natalie Minioti, Eleni Papazoglou

{"title":"‘Communal Hellenism’ and ancient tragedy performances in Greece (1975‐95): The ritual quest","authors":"Efthymios Kaltsounas, Tonia Karaoglou, Natalie Minioti, Eleni Papazoglou","doi":"10.1386/jgmc_00028_1","DOIUrl":"https://doi.org/10.1386/jgmc_00028_1","url":null,"abstract":"For the better part of the twentieth century, the quest for a ‘Greek’ continuity in the so-called revival of ancient drama in Greece was inextricably linked to what is termed and studied in this paper as a Ritual Quest. Rituality was understood in two forms: one was aesthetic\u0000 and neoclassicist in its hermeneutic and performative codes, which were established and recycled ‐ and as such: ritualized ‐ in ancient tragedy productions of the National Theatre of Greece from the 1930s to the 1970s; the other, cultivated mainly during the 1980s, was cultural\u0000 and centred around the idea that continuity can be traced and explored through the direct employment of Byzantine and folk ritual elements. Both aimed at eliciting the cohesive collective response of their spectators: their turning into a liminal ritual community. This was a community tied\u0000 together under an ethnocentric identity, that of Greeks participating in a Greek (theatrical) phenomenon. At first through neoclassicism, then through folklore, this artistic phenomenon was seen as documenting a diachronic and essentially political modern Greek desideratum: continuity with\u0000 the ancient past.Such developments were in tune with broader cultural movements in the period under study, which were reflected on the common imaginings of Antiquity in the modern Greek collective ‐ consciousness ‐ a sort of ‘Communal Hellenism’. The press reception\u0000 of performances, apart from being a productive vehicle for the study of the productions as such, provides indispensable indexes to audience reception. Through the study of theatre reviews, we propose to explore the crucial shifts registered in the definition of Greekness and its dynamic connections\u0000 to Antiquity.","PeriodicalId":36342,"journal":{"name":"Journal of Greek Media and Culture","volume":"7 1","pages":"69-103"},"PeriodicalIF":0.0,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41341519","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The vision of an open, transferable, hybrid reading hub in urban Greece 希腊城市开放、可转移、混合阅读中心的愿景

Journal of Greek Media and Culture Pub Date : 2021-04-01 DOI: 10.1386/jgmc_00033_3

Agiatis Benardou, Michalis Kalamaras, Magdalini Sgouridi, G. Tsakonas

引用次数: 0

From governmentality to solidarity: George Drivas’ Laboratory of Dilemmas 从治理到团结:乔治·德里瓦斯的困境实验室

Journal of Greek Media and Culture Pub Date : 2021-04-01 DOI: 10.1386/jgmc_00027_1

Anthi Argyriou

{"title":"From governmentality to solidarity: George Drivas’ Laboratory of Dilemmas","authors":"Anthi Argyriou","doi":"10.1386/jgmc_00027_1","DOIUrl":"https://doi.org/10.1386/jgmc_00027_1","url":null,"abstract":"In the context of current trends in contemporary art on migration, this article undertakes a close analysis of George Drivas’ installation Laboratory of Dilemmas (2017). It delineates the response this work offers to dominant discourses of the so-called ‘refugee crisis’\u0000 and explores how contemporary art can intervene critically in these discourses. In Laboratory of Dilemmas, Drivas articulates an audio-visual narrative in which the dilemma of accepting or rejecting the ‘foreign(er)’ is played out in two distinct registers: that of a biology\u0000 experiment allegedly conducted in the 1960s and that of a millennia-old literary text, Aeschylus’ Suppliant Women. The analysis of the installation will answer the following questions: How do the themes of governmentality, biopolitics and hospitality come into play? In what ways\u0000 does the artwork undermine the established ‘foreign’/‘native’ dichotomy and how does it foster a space of potentiality between incoming and local populations? Looking at the exemplary biopolitical setting of the artwork and taking stock of existing interpretations,\u0000 I propose an alternative reading that sees the work overturning the governmentality paradigm in favour of a profoundly inclusive and relational perspective.","PeriodicalId":36342,"journal":{"name":"Journal of Greek Media and Culture","volume":"7 1","pages":"49-68"},"PeriodicalIF":0.0,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45295177","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Return of Pytheas: Scenes from British and Greek Poetry in Dialogue, Paschalis Nikolaou (2017) 《皮西阿斯的回归:对话中的英国和希腊诗歌场景》，帕斯查利斯·尼古拉(2017)

Journal of Greek Media and Culture Pub Date : 2021-04-01 DOI: 10.1386/jgmc_00031_5

M. Athanasopoulou

引用次数: 0

‘And Bloodshed Must Be Done’: Heavy metal and neo-Nazism in Greece “必须流血”:希腊的重金属和新纳粹主义

Journal of Greek Media and Culture Pub Date : 2021-04-01 DOI: 10.1386/jgmc_00026_1

Dimitrios Bormpoudakis, D. Dalakoglou

引用次数: 2

Mia ‘Yperochos Nothos’ Techni: Poiitikes tis Fotografias (Teli 19ou‐Arches 20ou Aiona) (A ‘Majestically Counterfeit Art’: Poetics of Photography [End of 19th‐Beginning of 20th Centuries]), Kostas Ioannidis (2019) Mia‘Yperochos Nothos’Techni:Poitikes tis Fotografias（Teli 19ou‐Arches 20ou Aiona）（“雄伟的赝品艺术”：摄影诗学[19世纪末-20世纪初]），Kostas Ioannidis（2019）

Journal of Greek Media and Culture Pub Date : 2021-04-01 DOI: 10.1386/jgmc_00032_5

Eleni Papargyriou

引用次数: 0

Idees tis Sklirotitas kai tis Kalosynis: Ethnikismos, Sosialismos, Ratsismos (1897‐1922) (‘Ideas of Cruelty and Kindness: Nationalism, Socialism, Racism [1897‐1922]’), Pantelis Voutouris (2017) Idees tis Sklirotitas kai tis Kalosynis：《民族主义、社会主义、Ratsismos》（1897-1922）（《残酷与善良之道：民族主义、社会主义、种族主义》[1897-1922]），Pantelis Voutoris（2017）

Journal of Greek Media and Culture Pub Date : 2021-04-01 DOI: 10.1386/jgmc_00030_5

Yannis Stamos

引用次数: 0