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Anamnesis and queer poe(/li)tics: Dissident sexualities and the erotics of transgression in Cyprus 健忘症和酷儿症:塞浦路斯不同的性行为和越轨的情色

Journal of Greek Media and Culture Pub Date : 2018-10-01 DOI: 10.1386/JGMC.4.2.239_1

S. Karayanni

{"title":"Anamnesis and queer poe(/li)tics: Dissident sexualities and the erotics of transgression in Cyprus","authors":"S. Karayanni","doi":"10.1386/JGMC.4.2.239_1","DOIUrl":"https://doi.org/10.1386/JGMC.4.2.239_1","url":null,"abstract":"This article examines queer Cyprus issues in terms of national and sexual identity politics, queer historiography and a transgressive aesthetic of desire. It relies on the premise that focusing on the personal experience of desire offers a mode of narrative that may mitigate the displacement of queer experience and subvert systemic oppression. At various moments and most prominently in Part D, the writing attempts a discursive performance whose context, tone and character adjust themselves to the article’s engagement with queer politics of Cyprus. As an ultimate goal, this performance seeks to contribute less to the much-rehearsed debates on sexual identities and more to their attendant politics of power and to the poetics of desire. Along with the pursuit of sexual fulfilment, the poetics of desire become fundamental elements in constructing a sense of personal sexual history. As I examine the legacies of colonial orientalism within the context of queer desire, I explore the possibility of spaces where dissenting sexualities may inscribe a trajectory while in the grip of strictures that determine gender, sexual and national performance. By turning attention to personal spaces, this article delineates a subjective consciousness whose personal imaginings expand into queer embodiments that unfold across and beyond.","PeriodicalId":36342,"journal":{"name":"Journal of Greek Media and Culture","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41695362","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Rap in Greece: Gendered configurations of power in-between the rhymes 希腊说唱:韵脚间权力的性别配置

Journal of Greek Media and Culture Pub Date : 2018-10-01 DOI: 10.1386/JGMC.4.2.205_1

Alkisti Efthymiou, Haris Stavrakakis

{"title":"Rap in Greece: Gendered configurations of power in-between the rhymes","authors":"Alkisti Efthymiou, Haris Stavrakakis","doi":"10.1386/JGMC.4.2.205_1","DOIUrl":"https://doi.org/10.1386/JGMC.4.2.205_1","url":null,"abstract":"Hip hop culture in Greece – and especially rap music – seems to be going through a period of bloom. Since 2010, a new generation of Greek-based non-commercial rap artists has surged in popularity, making rhymes and tunes about their everyday experiences (drugs, sex, nightlife, violence, poverty), while self-producing their records and maintaining a critical stance towards mainstream culture and media. In the lyrics of most artists of the genre, misogynist and homophobic assumptions are frequently reproduced, despite the rappers’ expressed militancy against all forms of authority. The article examines this dissonance – created when sexist language is employed in critiques against power – and traces the intersections of gender, sexuality and political resistance within contemporary non-commercial rap in Greece. The authors focus on the produced masculinities and femininities, on the political subjects interpellated by the lyrics and on points of destabilizing regulatory gender norms. More specifically, they highlight the ways in which heteronormative masculinity is reinforced (even) in ‘politically conscious’ Greek-speaking rap and, within the same music genre, we look for its undoing.","PeriodicalId":36342,"journal":{"name":"Journal of Greek Media and Culture","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1386/JGMC.4.2.205_1","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66726646","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 5

Queering the archive of Greek laments 整理希腊哀歌的档案

Journal of Greek Media and Culture Pub Date : 2018-10-01 DOI: 10.1386/JGMC.4.2.223_1

Marios Chatziprokopiou

{"title":"Queering the archive of Greek laments","authors":"Marios Chatziprokopiou","doi":"10.1386/JGMC.4.2.223_1","DOIUrl":"https://doi.org/10.1386/JGMC.4.2.223_1","url":null,"abstract":"Lament in Greece has been historically linked to notions of cultural continuity and national belonging. As a literary genre or mode of performance, but also as a rhetorical trope, it has had a constitutive role in shaping national identity. Within this ideological context, Greek laments were strategically used by nineteenth- and early twentieth-century folklorists as survivals of an uninterrupted oral tradition, and hence as original proofs of continuity between modern Greeks and their supposed ancestors. Yet, the archives of oral poetry in general were extensively edited – but also partially constructed – by early folklorists in order to serve ideological purposes related to the construction of national identity, and to the promotion of the nation’s image according to Western European notions of Hellenism. Furthermore, it was not unusual for these scholars to create themselves quasi-demotic songs, in the manner and style of oral tradition. This was the case, for instance, of Georgios Tertsetis, whose quasi-demotic song ‘The Fair Retribution’ (H Δικαία Eκδίκησις) raises issues regarding desire between men, but also upon the impossibility of the subjects of such a desire to be mourned and lamented. Departing from an analysis of ‘The Fair Retribution’, and after offering a selective overview of the discourses of early folklorists regarding the use of Greek laments in the nationalist project, this article proceeds with a self-reflexive account of my lecture-performance Poustia kai Ololygmos: Selections from the Occult Songs of the Greek People. Enacting a pseudo-scientific persona, in this performance I announced the fictive discovery of an archive of Greek laments, which addresses issues of queer mourning and desire, while also bringing to the fore the absence of lament when it comes to queer subjectivities, in the past, but also in the present.","PeriodicalId":36342,"journal":{"name":"Journal of Greek Media and Culture","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1386/JGMC.4.2.223_1","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47868857","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

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