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Fuzzy Boundaries in Classical Sonata Expositions: The Main Theme→Transition Thematic Complex 古典奏鸣曲的模糊界限:主旋律→过渡主位复合体
Indiana Theory Review Pub Date : 2020-10-01 DOI: 10.2979/inditheorevi.36.1-2.03
J. Mackay
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引用次数: 0
Beethoven’s “Tempest” Sonata: Ambiguity and Largo-Allegro Hybrid Passages 贝多芬的“暴风雨”奏鸣曲:歧义和大快板混合段落
Indiana Theory Review Pub Date : 2020-10-01 DOI: 10.2979/inditheorevi.36.1-2.04
David Molk
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引用次数: 0
Interdisciplinary Assignments in the Music Fundamentals Classroom 音乐基础课堂的跨学科作业
Indiana Theory Review Pub Date : 2020-10-01 DOI: 10.2979/inditheorevi.36.1-2.01
C. Hamm
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引用次数: 0
Hidden Polyphony, Linear Hierarchy, and Scale-Degree Associations in Galant Schemata Galant图式中的隐藏复调、线性层次和音阶度关联
Indiana Theory Review Pub Date : 2020-07-01 DOI: 10.2979/inditheorevi.36.1-2.05
Gilad Rabinovitch
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引用次数: 3
Reprise Structures in Haydn’s Op. 50 Minuets 海登作品50分钟的重播结构
Indiana Theory Review Pub Date : 2020-07-01 DOI: 10.2979/inditheorevi.36.1-2.02
Samantha M. Inman
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引用次数: 0
What's Notation Got to Do with It? Enharmonic Modulations Reconsidered 记谱法和它有什么关系?重新考虑谐波调制
Indiana Theory Review Pub Date : 2019-02-22 DOI: 10.2979/INDITHEOREVI.35.1-2.05
J. Muniz
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引用次数: 0
Schumann's Musical Seams: The Expressive Logic of Disruption 舒曼的音乐接缝:破坏的表达逻辑
Indiana Theory Review Pub Date : 2019-02-22 DOI: 10.2979/INDITHEOREVI.35.1-2.01
Jeremy Orosz
{"title":"Schumann's Musical Seams: The Expressive Logic of Disruption","authors":"Jeremy Orosz","doi":"10.2979/INDITHEOREVI.35.1-2.01","DOIUrl":"https://doi.org/10.2979/INDITHEOREVI.35.1-2.01","url":null,"abstract":"It has long been argued that disruption and interruption are essential to Schumann’s idiolect, especially that of his early character pieces. Although early critics were quick to dismiss the jarring contrasts of both key and affect between movements within collections as incoherent, or even incomprehensible,1 this aspect of his works is now most typically viewed not as a blemish, but as a manifestation of Schumann’s literary bent. Siegel argued nearly fifty years ago that the style of these pieces “still puzzles both critic and player alike because it is not derived from any musical source but from a literary one: the novels of Schumann’s idol, Jean Paul Richter.”2 Similarly, Anthony Newcomb suggests that these cycles share deep stylistic affinities with early Romantic fiction because “Schumann, like Jean Paul, avoids clear linear narrative through a stress on interruption, embedding, digression, and willful reinterpretation.”3","PeriodicalId":363428,"journal":{"name":"Indiana Theory Review","volume":"102 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123060343","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Rameau's Experiments in Génération harmonique and His Material Mangle 拉莫在gsamimac和声中的实验与他的材料变形
Indiana Theory Review Pub Date : 2019-02-22 DOI: 10.2979/INDITHEOREVI.35.1-2.02
Abigail Shupe
{"title":"Rameau's Experiments in Génération harmonique and His Material Mangle","authors":"Abigail Shupe","doi":"10.2979/INDITHEOREVI.35.1-2.02","DOIUrl":"https://doi.org/10.2979/INDITHEOREVI.35.1-2.02","url":null,"abstract":"","PeriodicalId":363428,"journal":{"name":"Indiana Theory Review","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121032032","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Modeling Analysis and the Musical Text Generation Process: An Analysis of Chopin's Prelude in B♭ Major, Op. 28, No. 21 建模分析与音乐文本生成过程——肖邦《B大调前奏曲》作品28第21号分析
Indiana Theory Review Pub Date : 2019-02-22 DOI: 10.2979/INDITHEOREVI.35.1-2.06
P. Rosato
{"title":"Modeling Analysis and the Musical Text Generation Process: An Analysis of Chopin's Prelude in B♭ Major, Op. 28, No. 21","authors":"P. Rosato","doi":"10.2979/INDITHEOREVI.35.1-2.06","DOIUrl":"https://doi.org/10.2979/INDITHEOREVI.35.1-2.06","url":null,"abstract":"This paper proposes a new modeling approach to the analysis of tonal music, using Chopin’s Prelude in B♭ major, Op. 28, No. 21 as a case study. The method, with its focus on the use of empirical procedures, treats music as an organic phenomenon. “Model,” in this context, means a configuration of musical components (such as melodic, harmonic, and rhythmic) that demonstrate the generation process of a given piece of music.1 Nicolas Ruwet2 and Jean-Jacques Nattiez3 created and developed paradigmatic analysis between the 1960s and 1990s, building on","PeriodicalId":363428,"journal":{"name":"Indiana Theory Review","volume":"35 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130957736","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Performer Choice and Earle Brown's String Quartet (1965): The Formal and Aural Implications of Open Form 表演者选择和厄尔·布朗的弦乐四重奏(1965):开放形式的形式和听觉含义
Indiana Theory Review Pub Date : 2019-02-22 DOI: 10.2979/INDITHEOREVI.35.1-2.03
B. S. Green
{"title":"Performer Choice and Earle Brown's String Quartet (1965): The Formal and Aural Implications of Open Form","authors":"B. S. Green","doi":"10.2979/INDITHEOREVI.35.1-2.03","DOIUrl":"https://doi.org/10.2979/INDITHEOREVI.35.1-2.03","url":null,"abstract":"","PeriodicalId":363428,"journal":{"name":"Indiana Theory Review","volume":"70 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123016023","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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