Meter's Influence on Theoretical and Corpus-Derived Harmonic Grammars

C. White
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引用次数: 2

Abstract

Harmonic changes both inform how we hear metrically strong beats, and contribute to the ways composers express metric emphasis, at least so says a certain consensus of music researchers and pedagogues. Even in previous centuries, theorists such as Koch and Kirnberger suggested that harmonic changes should align with metric emphases,1 and in recent decades several researchers have constructed theories in which tonal changes at various time scales should ideally support the music’s meter.2 These kinds of insights have been supported by music cognition research which finds that harmonic changes or fluctuations in tonal stability influence participants’ understanding of a passage’s meter.3 Even music-theory pedagogy encourages students to consider using harmonic changes to support a meter: when teaching chorale-style model composition, textbooks instruct
格律对理论和声语法和语料库衍生和声语法的影响
和声的变化既告诉我们如何听到韵律强烈的节拍,也有助于作曲家表达韵律强调的方式,至少音乐研究人员和教师的某种共识是这样说的。甚至在之前的几个世纪里,像Koch和Kirnberger这样的理论家就认为和声的变化应该与韵律的重点保持一致,近几十年来,一些研究人员构建了一些理论,在这些理论中,不同时标的音调变化应该理想地支持音乐的节拍这些见解得到了音乐认知研究的支持,该研究发现,和声的变化或音调稳定性的波动会影响参与者对一段乐段的节拍的理解甚至音乐理论教学法也鼓励学生考虑使用和声变化来支持一个拍子:当教授赞美诗风格的模型作曲时,教科书会这样指导
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