{"title":"Performer Choice and Earle Brown's String Quartet (1965): The Formal and Aural Implications of Open Form","authors":"B. S. Green","doi":"10.2979/INDITHEOREVI.35.1-2.03","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":363428,"journal":{"name":"Indiana Theory Review","volume":"70 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Indiana Theory Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2979/INDITHEOREVI.35.1-2.03","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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