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Sound Systems at the George Floyd Protests in Minneapolis During the Summer of 2020 2020年夏天，明尼阿波利斯乔治·弗洛伊德抗议活动的音响系统
Dancecult Pub Date : 2020-11-16 DOI: 10.12801/1947-5403.2020.12.01.06
T. Symmes
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引用次数: 0
Good Vibes Friday: Reflections on Livestreaming During the COVID-19 Lockdown 周五的好气氛:在COVID-19封锁期间对直播的思考
Dancecult Pub Date : 2020-11-16 DOI: 10.12801/1947-5403.2020.12.01.05
Samantha Warren
{"title":"Good Vibes Friday: Reflections on Livestreaming During the COVID-19 Lockdown","authors":"Samantha Warren","doi":"10.12801/1947-5403.2020.12.01.05","DOIUrl":"https://doi.org/10.12801/1947-5403.2020.12.01.05","url":null,"abstract":"In the Key of She is the title of my Leverhulme Trust Fellowship, exploring career experiences of female, female-identifying and gender minority electronic music (self) producers to shed light on the persistent male dominance of digital-creative cultural production. The music industry recognises its gender balance problem with various initiatives to balance festival and gig line-ups, such as the Keychange initiative. When we consider the more technical roles in the industry, things get even more unbalanced. For example, according to the Annenberg Inclusion Initiative, only around 2% of music producers are women (Smith et al. 2019). With electronic music production increasingly being seen as a source of reputational capital for contemporary DJs, if women are not producing and/or releasing their own tracks, they will struggle to compete with their male peers (Reitsamer 2011).","PeriodicalId":36263,"journal":{"name":"Dancecult","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-11-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77019358","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Transformation Through Connection? Insights From a Pilot Study of Story Sharing Cubes at Burning Man Events 通过连接实现转型?从火人节活动的故事分享立方体的试点研究的见解
Dancecult Pub Date : 2020-11-16 DOI: 10.12801/1947-5403.2020.12.01.07
Terje Toomistu, J. Heikkilä
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引用次数: 0
Genre in Practice: Categories, Metadata and Music-Making in Psytrance Culture 实践中的体裁:精神文化中的类别、元数据和音乐制作
Dancecult Pub Date : 2020-11-16 DOI: 10.12801/1947-5403.2020.12.01.09
C. Charles
{"title":"Genre in Practice: Categories, Metadata and Music-Making in Psytrance Culture","authors":"C. Charles","doi":"10.12801/1947-5403.2020.12.01.09","DOIUrl":"https://doi.org/10.12801/1947-5403.2020.12.01.09","url":null,"abstract":"","PeriodicalId":36263,"journal":{"name":"Dancecult","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-11-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88062245","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Bring the Break-Beat Back! Authenticity and the Politics of Rhythm in Drum ‘n’ Bass 把霹雳舞带回来!《鼓与贝斯》中节奏的真实性与政治
Dancecult Pub Date : 2020-11-16 DOI: 10.12801/1947-5403.2020.12.01.08
C. Christodoulou
{"title":"Bring the Break-Beat Back! Authenticity and the Politics of Rhythm in Drum ‘n’ Bass","authors":"C. Christodoulou","doi":"10.12801/1947-5403.2020.12.01.08","DOIUrl":"https://doi.org/10.12801/1947-5403.2020.12.01.08","url":null,"abstract":"This article focuses on the critical divergences between rhythm and repetition in contemporary drum ‘n’ bass music in three key ways. First, it shows how the characteristic “chopping” and acceleration of sampled break-beats emphasises continuity with the past, thereby placing the genre in a continuum of Black Atlantic cultural practice that articulates historical recuperation as a political priority, while signifying the discontinuity of time in an accelerated culture. Secondly, it addresses the persistent use of live break-beats as an impulse within the genre to emphasise competing discourses of authenticity in the context of Black Atlantic cultural memory. Thirdly, having examined the embodied performativity valorised in the sampling of live break-beats, the article shows how the critical valuation of rhythmic characteristics can function as a catalyst of genre mutation and sub-genre development in drum ‘n’ bass and other electronic dance music genres.","PeriodicalId":36263,"journal":{"name":"Dancecult","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-11-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77807692","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Moon Juice Stomper: A Novel (Goa 1987-96) (Ray Castle) 《踩月果汁者:一部小说》(果阿1987- 1996)(雷·卡斯尔)
Dancecult Pub Date : 2020-11-16 DOI: 10.12801/1947-5403.2020.12.01.14
Graham St John
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引用次数: 0
An Interview with Genesis Breyer P-Orridge 采访Genesis Breyer P-Orridge
Dancecult Pub Date : 2019-11-11 DOI: 10.12801/1947-5403.2019.11.01.12
Tristan Rodin Kneschke
{"title":"An Interview with Genesis Breyer P-Orridge","authors":"Tristan Rodin Kneschke","doi":"10.12801/1947-5403.2019.11.01.12","DOIUrl":"https://doi.org/10.12801/1947-5403.2019.11.01.12","url":null,"abstract":"","PeriodicalId":36263,"journal":{"name":"Dancecult","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88260689","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Relentless Pursuit of Tone: Timbre in Popular Music (Robert Fink, Melinda Latour & Zachary Wallmark, eds.) 对音调的不懈追求:流行音乐的音色(罗伯特·芬克，梅林达·拉图尔和扎卡里·沃尔马克主编)
Dancecult Pub Date : 2019-11-11 DOI: 10.12801/1947-5403.2019.11.01.09
Maria Perevedentseva
{"title":"The Relentless Pursuit of Tone: Timbre in Popular Music (Robert Fink, Melinda Latour & Zachary Wallmark, eds.)","authors":"Maria Perevedentseva","doi":"10.12801/1947-5403.2019.11.01.09","DOIUrl":"https://doi.org/10.12801/1947-5403.2019.11.01.09","url":null,"abstract":"","PeriodicalId":36263,"journal":{"name":"Dancecult","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79592122","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 10
Baby Raves: Youth, Adulthood and Ageing in Contemporary British EDM Culture 婴儿狂欢:当代英国EDM文化中的青年、成年和老龄化
Dancecult Pub Date : 2019-11-11 DOI: 10.12801/1947-5403.2019.11.01.04
Zoe Armour
{"title":"Baby Raves: Youth, Adulthood and Ageing in Contemporary British EDM Culture","authors":"Zoe Armour","doi":"10.12801/1947-5403.2019.11.01.04","DOIUrl":"https://doi.org/10.12801/1947-5403.2019.11.01.04","url":null,"abstract":"This article begins with a reconsideration of the parameters of age in translocal EDM sound system and (super)club culture through the conceptualisation of a fluid multigenerationality in which attendees at EDM-events encompass a spectrum of ages from 0–75 years. Since the 1980s, it remains the case that the culture is fuelled through a constant influx of newcomers who are predominantly emerging youth, yet there are post-youth members in middle adulthood and later life that are also a growing body that continues to attend EDM-events. In this context, the baby rave initiative (2004–present) has capitalised on a gap in the family entertainment market and created a new chapter in (super)club and festival culture. I argue that the event is a catalyst for live heritage in which the accompanying children (aged from 0–12 years) temporarily become the beneficiaries of their parent’s attendee heritage and performance of an unauthored heritage.","PeriodicalId":36263,"journal":{"name":"Dancecult","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83988494","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Irony and the Ecstasy: The Queer Ageing of Pet Shop Boys and LCD Soundsystem in Electronic Dance Music 讽刺与狂喜:宠物店男孩的古怪老化与电子舞曲中的LCD音响系统
Dancecult Pub Date : 2019-11-11 DOI: 10.12801/1947-5403.2019.11.01.03
Larissa Wodtke
{"title":"The Irony and the Ecstasy: The Queer Ageing of Pet Shop Boys and LCD Soundsystem in Electronic Dance Music","authors":"Larissa Wodtke","doi":"10.12801/1947-5403.2019.11.01.03","DOIUrl":"https://doi.org/10.12801/1947-5403.2019.11.01.03","url":null,"abstract":"The English duo Pet Shop Boys and American group LCD Soundsystem are notable for their representation as artists who entered and succeeded in the predominately youthful market of popular music and the hedonistic aesthetic of electronic dance music (EDM) at ages considered old for the industry: 32 for vocalists/lyricists Neil Tennant (Pet Shop Boys) and James Murphy (LCD Soundsystem). Neither of these bands makes straightforward EDM—Pet Shop Boys fall under pop and LCD Soundsystem can be considered post-punk—but both are influenced by the New York City dance scene of the late 70s and early 80s, and are characterized as ironic. I argue that Pet Shop Boys and LCD Soundsystem are ironic because of their belated, knowing position in a genre that privileges the infinite present and unproductive reproduction through repetition. In light of Lee Edelman’s claim that irony is the queerest of rhetorical devices, the ambivalence of Pet Shop Boys’ and LCD Soundsystem’s ostensible lack of youth and the youthful temporality of their EDM aesthetic place them in a queer tension between notions of immediate authenticity and the distance of age.","PeriodicalId":36263,"journal":{"name":"Dancecult","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89528009","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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