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Timbre and the "Zone of Entanglement" in Electronic Dance Music 电子舞曲中的音调与 "纠缠区
Dancecult Pub Date : 2023-11-23 DOI: 10.12801/1947-5403.2023.15.01.03
Maria Perevedentseva
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引用次数: 0
Berghain, Techno und die Körperfabrik: Ethnographie eines Stammpublikums (Guillaume Robin) 伯根、技术和人体工厂:普通观众的民族志(纪尧姆-罗宾)
Dancecult Pub Date : 2023-11-23 DOI: 10.12801/1947-5403.2023.15.01.15
Anja Schwanhäußer
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引用次数: 0
The Voice of the Apocalypse 天启之音
Dancecult Pub Date : 2023-11-23 DOI: 10.12801/1947-5403.2023.15.01.04
Graham St John
{"title":"The Voice of the Apocalypse","authors":"Graham St John","doi":"10.12801/1947-5403.2023.15.01.04","DOIUrl":"https://doi.org/10.12801/1947-5403.2023.15.01.04","url":null,"abstract":"The acid house rave scene of the early nineties sought its champions and there was no spruiker more willing, vocal and weird than Terence McKenna, a figure for whom rave was a novelty signal in a forecasted apocalypse. A slate of music collaborations with McKenna in the early nineties had one feature in common. They recorded McKenna speaking in an alien tongue. Releases with The Shamen, Space Time Continuum and Zuvuya featured McKenna emulating the “elf chatter” that had poured from him in entranced states under the influence of powerful psychoactive tryptamines. Subsequently, producers of psychedelic electronica mined the “unEnglishable” sprechen of this surreal psychopomp as if it was precious aural ore. Drawing upon in-depth biographical research, I demonstrate that this strange prediscursive realm has proven appealing into the present era in which McKenna has become a medium—not of language, meaning or ideology, but of the unspeakable. Over three decades, McKenna’s voice has been adopted by audio alchemists sampling from a vast archive of spoken word material to evoke, affect and burlesque states transcending language and history. While McKenna died in 2000, he remains likely the most sampled individual in the history of electronic music. And as illustrated in this article, electronic artists have adopted his voice as a sonic template for the unknown. What I call mckennasploitation intrigues since, as is further demonstrated, it transpires in an era of growing uncertainty. The article suggests that McKenna is the voice of the apocalypse in two interrelated senses. First, the sampling evokes the “apocalypse” of the self, mind and culture that is the perennial desire of ecstatic dance movements. Second, McKenna is posthumously prolific in an era of accelerating crisis and novelty, a circumstance with uncanny echoes of his prophesied “Eschaton”. In psytrance and other psychedelic electronic styles, these strands are woven into a McKennaesque aesthetic.","PeriodicalId":36263,"journal":{"name":"Dancecult","volume":"42 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139245896","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Executive Editor's Introduction 执行编辑简介
Dancecult Pub Date : 2023-11-23 DOI: 10.12801/1947-5403.2023.15.01.00
Graham St John
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引用次数: 0
Dancing through Transformational Music Festivals in Western Canada 在加拿大西部的变革音乐节中翩翩起舞
Dancecult Pub Date : 2023-11-23 DOI: 10.12801/1947-5403.2023.15.01.10
Kelci L Mohr
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引用次数: 0
From Spontinuity to Dream Seeds 从空间连续性到梦想种子
Dancecult Pub Date : 2023-11-23 DOI: 10.12801/1947-5403.2023.15.01.06
C. S. Taylor
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引用次数: 0
Ears as Portals: Alternative Realities of Musical Infrastructures (A CTM Festival 2023 Review) 耳朵是入口:音乐基础设施的另一种现实(2023 年 CTM 音乐节回顾)
Dancecult Pub Date : 2023-11-23 DOI: 10.12801/1947-5403.2023.15.01.16
Luigi Monteanni
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引用次数: 0
Kaos, Kilowatt and Ketamine 卡欧斯、基洛瓦特和氯胺酮
Dancecult Pub Date : 2023-11-23 DOI: 10.12801/1947-5403.2023.15.01.07
Giorgia Gaia
{"title":"Kaos, Kilowatt and Ketamine","authors":"Giorgia Gaia","doi":"10.12801/1947-5403.2023.15.01.07","DOIUrl":"https://doi.org/10.12801/1947-5403.2023.15.01.07","url":null,"abstract":"","PeriodicalId":36263,"journal":{"name":"Dancecult","volume":"18 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139244923","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Other Kinds of Mind There 其他类型的心灵
Dancecult Pub Date : 2023-11-23 DOI: 10.12801/1947-5403.2023.15.01.02
Trace Reddell
{"title":"Other Kinds of Mind There","authors":"Trace Reddell","doi":"10.12801/1947-5403.2023.15.01.02","DOIUrl":"https://doi.org/10.12801/1947-5403.2023.15.01.02","url":null,"abstract":"Cognition in extended brain-body music systems becomes especially agile during psychedelic experience, necessitating a sonic rhetoric emphasizing transformative agency. Rooted in the recursive listening spaces of dub, three forms of psychedelic electronica—ambient house, trip-hop and glitch—foster an echological sensibility unique to records made largely from the bits and pieces of other recordings. In this article, longform albums representing each of these genres are offered as sonic pharmakomedia, pharmacologically activated non-human agencies that sustain psychedelic mind-machine systems. Managing the psychedelic experience by mediating set and setting through music selection is adopted in psychedelic research, therapy sessions and personal practices alike. I consider set and setting in terms of their contributions to a liminal sonic substance that facilitates encounters with non-human agencies. Putting indigenous shamanic practices in conversation with contemporary neuropsychopharmacology, sound studies and psychedelic music production, this article offers a diagnostic inventory of the effects of the sonic substance.","PeriodicalId":36263,"journal":{"name":"Dancecult","volume":"19 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139245009","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
No Way Back 无路可退
Dancecult Pub Date : 2023-11-23 DOI: 10.12801/1947-5403.2023.15.01.09
Michelle Lhook
{"title":"No Way Back","authors":"Michelle Lhook","doi":"10.12801/1947-5403.2023.15.01.09","DOIUrl":"https://doi.org/10.12801/1947-5403.2023.15.01.09","url":null,"abstract":"","PeriodicalId":36263,"journal":{"name":"Dancecult","volume":"18 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139242861","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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