Baby Raves: Youth, Adulthood and Ageing in Contemporary British EDM Culture

Q2 Arts and Humanities
Zoe Armour
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引用次数: 0

Abstract

This article begins with a reconsideration of the parameters of age in translocal EDM sound system and (super)club culture through the conceptualisation of a fluid multigenerationality in which attendees at EDM-events encompass a spectrum of ages from 0–75 years. Since the 1980s, it remains the case that the culture is fuelled through a constant influx of newcomers who are predominantly emerging youth, yet there are post-youth members in middle adulthood and later life that are also a growing body that continues to attend EDM-events. In this context, the baby rave initiative (2004–present) has capitalised on a gap in the family entertainment market and created a new chapter in (super)club and festival culture. I argue that the event is a catalyst for live heritage in which the accompanying children (aged from 0–12 years) temporarily become the beneficiaries of their parent’s attendee heritage and performance of an unauthored heritage.
婴儿狂欢:当代英国EDM文化中的青年、成年和老龄化
本文首先重新考虑跨地区EDM音响系统和(超级)俱乐部文化中的年龄参数,通过概念化流动的多代性,其中EDM活动的参与者包括0-75岁的年龄范围。自20世纪80年代以来,这种文化一直受到以新兴青年为主的新来者不断涌入的推动,然而,中年和晚年的后青年成员也是一个不断壮大的群体,他们继续参加edm活动。在这种背景下,婴儿狂欢活动(2004年至今)利用了家庭娱乐市场的空白,开创了(超级)俱乐部和节日文化的新篇章。我认为,这个活动是现场遗产的催化剂,在这个活动中,陪同的孩子(0-12岁)暂时成为他们父母的出席遗产和未授权遗产表演的受益者。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Dancecult
Dancecult Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.60
自引率
0.00%
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0
审稿时长
32 weeks
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