{"title":"Mellem blod, lort, kollegaer og ledelse","authors":"Troels Obbekær","doi":"10.7146/pas.v35i84.124939","DOIUrl":"https://doi.org/10.7146/pas.v35i84.124939","url":null,"abstract":"\u0000 \u0000 \u0000This article investigates the ambivalence embedded in the literary motif of the precarious autobiographical narrator’s distanced and solidary gaze on the precarious ‘others’ and their bodies. In analyzing Tragedie plus tid gange ni (2017) and Yarden (2009), the article argues that through ‘precarious narration’ – an unreliable first-person narrator’s inability to understand the other characters and their distress – the novels lead to an understanding of the cultural divisions and work-related experiences of the precariat. \u0000 \u0000 \u0000","PeriodicalId":360035,"journal":{"name":"Passage - Tidsskrift for litteratur og kritik","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128204484","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"En ny, ny kritik – af og i litteraturen","authors":"Johanne Gormsen Schmidt","doi":"10.7146/pas.v35i84.124943","DOIUrl":"https://doi.org/10.7146/pas.v35i84.124943","url":null,"abstract":"Anmeldelse af: \u0000 \u0000 \u0000 \u0000Louise Mønster, Jens Lohfert Jørgensen og Michael Kallesøe Schmidt (red.): En ny kritik, Spring 2019, 209 sider. \u0000 \u0000 \u0000","PeriodicalId":360035,"journal":{"name":"Passage - Tidsskrift for litteratur og kritik","volume":"64 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134073457","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Det’ lig’som teksten sådan bølger","authors":"Louise Rosendal Bang","doi":"10.7146/pas.v35i3.123627","DOIUrl":"https://doi.org/10.7146/pas.v35i3.123627","url":null,"abstract":"This article addresses the practice of shared readings at The Danish Academy of Creative Writing. It argues that these readings represent exploratory talk as a method of reading the aesthetic dimensions of literary texts. Moreover, it points out that both exploratory approaches and aesthetic readings are of increasing interest within the field of didactical research. The article aims to investigate the shared readings at the Danish Academy of Creative Writing as a supplement to the highly analytical classroom conversations about literature in Danish high schools.","PeriodicalId":360035,"journal":{"name":"Passage - Tidsskrift for litteratur og kritik","volume":"77 9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-11-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134021405","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Hvorfor fortælle dig noget, du allerede ved?","authors":"Pernille Meyer Christensen","doi":"10.7146/pas.v35i3.122704","DOIUrl":"https://doi.org/10.7146/pas.v35i3.122704","url":null,"abstract":"Why Tell You Something You Already Know? \u0000 – On Second Person Narratives in Danish Literature \u0000 \u0000In this article, I propose a typology that expands the empirical field of second person narratives to include any narrative, fictional as well as autobiographical, where the “you” is designated, but not addressed. Based on the proposed typology, I investigate the development of second person narratives throughout Danish literary history; from experimental to conventionalized second person narratives.","PeriodicalId":360035,"journal":{"name":"Passage - Tidsskrift for litteratur og kritik","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-11-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131422830","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"At skrive til øret","authors":"Daniel Åberg","doi":"10.7146/pas.v35i83.121609","DOIUrl":"https://doi.org/10.7146/pas.v35i83.121609","url":null,"abstract":"\u0000 \u0000 \u0000The essay discusses the development of the audiobook from the author’s perspective. Åberg writes stories for the Storytel Originals series, which is produced specifically for the audiobook format by the audiobook service Storytel. He explains how writing directly for this format affects the author and how the text must be adjusted to the format. Furthermore, he discusses the cultural status of the author writing only, or primarily, for sound. He argues that since literary culture is still focused on the printed book, the audiobook author risks being overlooked or losing status. \u0000 \u0000 \u0000","PeriodicalId":360035,"journal":{"name":"Passage - Tidsskrift for litteratur og kritik","volume":"47 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-08-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114681443","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Når stemmer brydes på nye måder","authors":"Cecilia Björkén-Nyberg","doi":"10.7146/pas.v35i83.121605","DOIUrl":"https://doi.org/10.7146/pas.v35i83.121605","url":null,"abstract":"\u0000 \u0000 \u0000This article argues that Bakhtin’s concepts of heteroglossia and dialogic imagination are useful for theorising the process of transduction involved in the representation of the printed text in audiobook narration. The fact that new recordings of canonical novels keep being launched is regarded as a means of meeting listener’s urge to literally hear the past and of reconstructing the network of dialogic relations that is present in the original novels but it is also argued that there are pitfalls associated with this endeavour. \u0000 \u0000 \u0000","PeriodicalId":360035,"journal":{"name":"Passage - Tidsskrift for litteratur og kritik","volume":"21 7","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-08-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114096906","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Birgitta Wallin, Katarina Michnik, Catarina Eriksson
{"title":"Lydbogsbrugere og folkebiblioteket","authors":"Birgitta Wallin, Katarina Michnik, Catarina Eriksson","doi":"10.7146/PAS.V35I83.121612","DOIUrl":"https://doi.org/10.7146/PAS.V35I83.121612","url":null,"abstract":"\u0000 \u0000 \u0000The use of audiobooks has risen significantly during the last few years in Sweden, a trend reflected in increasing demands for public libraries to provide their users with these books. Digital books are by no means a new phenomenon in public libraries, but the marked interest in borrowing audiobooks and new ways of distributing have led to changes in public libraries’ digital services and a redistribution of media budgets. This article describes who the audiobook users are and which other media they use. Building on this information, the article asks what challenges the demographic data of audiobook users – such as gender, age, and level of education – may pose for public libraries. Based on a quantitative analysis of survey data from Sweden, it is concluded that audiobook use is more common among young, well-educated people with a high level of digital literacy. Subscription services appear to be more popular among audiobook users, as their sale numbers are higher than lending numbers at public libraries. Nevertheless, the conclusions are that audiobooks have a place in public libraries, as they increase the service to communities and have the potential to reach new users. However, it is unclear if public libraries are reaching new groups by offering audiobooks; although the use of digital public library services is increasing, these services are mainly used by people who are already library visitors, and the public library seems to be primarily associated with the printed book. \u0000 \u0000 \u0000","PeriodicalId":360035,"journal":{"name":"Passage - Tidsskrift for litteratur og kritik","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-08-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129689618","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"I hovedet på en læser","authors":"Julia Pennlert","doi":"10.7146/pas.v35i83.121606","DOIUrl":"https://doi.org/10.7146/pas.v35i83.121606","url":null,"abstract":"\u0000 \u0000 \u0000Reading has historically been framed both as a social and as an individual activity. During the last decade, the development of digital technologies has shed a new light on reading as a social practice, where readers can meet and share their reading experiences with others online. This article aims to chart the social traces that digital audiobook readers leave behind by analyzing reviews posted in the streaming service Storytel’s app and discussions between readers published in the Swedish Facebook-group “Talk about Audiobooks”. Drawing on theoretical insights from i.a. Elizabeth Long and Rita Felski, the article characterizes audiobook-users’ modes of reading and using literature. \u0000 \u0000 \u0000","PeriodicalId":360035,"journal":{"name":"Passage - Tidsskrift for litteratur og kritik","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-08-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128698241","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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