{"title":"Litteraturen rykker nordpå","authors":"Emilie Dybdal","doi":"10.7146/pas.v36i85.127978","DOIUrl":"https://doi.org/10.7146/pas.v36i85.127978","url":null,"abstract":"\u0000 \u0000 \u0000This article investigates Greenland as a setting in new Danish prose. I make the case that Danish literature about Greenland is a significant trend in the 2010s, and that the books can be divided into three dimensions: past, present and future. Focusing on space and place, I exemplify this division through short analyses of the novels Rød mand/Sort mand (2018) by Kim Leine, Godhavn (2014) by Iben Mondrup and Korsveje i Nord (2015) by Bjarne Ljungdahl, which are set in the past, present and future, respectively. \u0000 \u0000 \u0000","PeriodicalId":360035,"journal":{"name":"Passage - Tidsskrift for litteratur og kritik","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120917440","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Lediggangens spøgelse","authors":"Mathies Græsborg Aarhus","doi":"10.7146/pas.v35i84.124934","DOIUrl":"https://doi.org/10.7146/pas.v35i84.124934","url":null,"abstract":"\u0000 \u0000 \u0000The article traces the emotional history of unemployment through various analyses of British and American fiction: Walter Greenwood’s Love on the Dole (1933), John Steinbeck’s The Grapes of Wrath (1939), Allan Sillitoe’s Saturday Night and Sunday Morning (1958) and James Kelman’s How Late It Was, How Late (1994). The article develops a concept of a specific literary form (the unemployment novel) and a parallel set of emotional norms (the genre of unemployment), which it defines as the constellation of feelings connected to unemployment. \u0000 \u0000 \u0000","PeriodicalId":360035,"journal":{"name":"Passage - Tidsskrift for litteratur og kritik","volume":"87 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114536886","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Produktionens skyggespil","authors":"Simon Rosenstand","doi":"10.7146/PAS.V35I84.124933","DOIUrl":"https://doi.org/10.7146/PAS.V35I84.124933","url":null,"abstract":"\u0000 \u0000 \u0000The production novel is widely considered to be the most exemplary socialist-realist genre regarding ideological and narrative conformity. The scholarly reception of the genre has hitherto paid little attention to its many incongruent stylistic features, including its striking Gothic motifs. I argue that they carry both literary and political imports, which are yet to be explored in depth. In this article, I pursue the Gothic motifs in the genre’s first and most exemplary incarnation, Feodor Gladkov’s Cement from 1925. \u0000 \u0000 \u0000","PeriodicalId":360035,"journal":{"name":"Passage - Tidsskrift for litteratur og kritik","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132459720","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Da fabrikkerne lukkede","authors":"Mikkel Jensen","doi":"10.7146/pas.v35i84.124938","DOIUrl":"https://doi.org/10.7146/pas.v35i84.124938","url":null,"abstract":"\u0000 \u0000 \u0000This article presents readings of three American films that engage with American histories of deindustrialization: Gung Ho, Roger & Me and 8 Mile. Since the publication of Barry Bluestone and Bennett Harrison’s The Deindustrialization of America in 1982, much research has explored important economic and social-historical aspects concerning the waning number of industrial jobs in the U.S. and the impact of factory closings on many cities in the so-called Rust Belt. This paper explores a cultural side of that story, especially taking its cue from Sherry Lee Linkon’s The Half-Life of Deindustrialization (2018). The paper explores how Gung Ho’s comedic depiction of deindustrialization all but elides important class tensions, how Roger & Me, among other things, intervenes in discussions regarding priorities in leftist discourse in the U.S. and how 8 Mile explores a tension between industrial and creative work in the 1990s in Detroit. It closes by pointing to the relevance of further research into the cultural aspects of deindustrialization. \u0000 \u0000 \u0000","PeriodicalId":360035,"journal":{"name":"Passage - Tidsskrift for litteratur og kritik","volume":"101 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121799289","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"At fotografere arbejde","authors":"Kirsten Folke Harrits","doi":"10.7146/pas.v35i84.124942","DOIUrl":"https://doi.org/10.7146/pas.v35i84.124942","url":null,"abstract":"Kirsten Folke Harrits on the photographs published in this issue. ","PeriodicalId":360035,"journal":{"name":"Passage - Tidsskrift for litteratur og kritik","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115075193","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘Jeg ser en lighed mellem mig og kartofler’","authors":"Elisabeth Friis","doi":"10.7146/pas.v35i84.124937","DOIUrl":"https://doi.org/10.7146/pas.v35i84.124937","url":null,"abstract":"\u0000 \u0000 \u0000This article discusses the motif of reproductive work as it pops up in Scandinavian poetry in the 1960s and 70s. Shopping for groceries, the peeling and cooking of potatoes and the like are activities that the works of for instance Inger Christensen, Kirsten Thorup, Vita Andersen and Sonja Åkesson mark with a conspicuous poetic intensity that revaluates domestic/reproductive work as work proper. \u0000 \u0000 \u0000","PeriodicalId":360035,"journal":{"name":"Passage - Tidsskrift for litteratur og kritik","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128760951","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Bygder og barakker","authors":"Emilie Dybdal, Anders Grønlund","doi":"10.7146/pas.v35i84.124935","DOIUrl":"https://doi.org/10.7146/pas.v35i84.124935","url":null,"abstract":"\u0000 \u0000 \u0000This article examines how work plays a major role in Danish literature about Greenland – often with the workplace as a zone of conflict. At first, a short history of Danish litera- ture about Greenland is presented followed by an analysis of Jørgen Liljensøe’s novel Barakkerne (1977). Lastly, we will discuss the latest Danish literature about Greenland by Kim Leine and Iben Mondrup. Our approach will primarily be informed by theories on space and place but also involve postcolonialism. \u0000 \u0000 \u0000","PeriodicalId":360035,"journal":{"name":"Passage - Tidsskrift for litteratur og kritik","volume":"75 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115231370","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"EU og arbejdspladsromanen","authors":"J. Kjærgård","doi":"10.7146/pas.v35i84.124940","DOIUrl":"https://doi.org/10.7146/pas.v35i84.124940","url":null,"abstract":"\u0000 \u0000 \u0000The article presents a comparative analysis of two contemporary EU novels, Robert Menasse’s Die Hauptstadt (2017) and Michel Houellebecq’s Sérotonine (2019). Based on the observation that both novels investigate the bureaucracy of the EU and the changing framework conditions of European farmers, this article argues that Menasse and Houellebecq present a peculiar EU power distribution that can be summed up in the formula sovereignty without a sovereign. In investigating the dynamics of this distribution, the novels are shown to combine elements from various novelistic genres, including the proletarian novel, the picaresque and the multiperspectival novel. \u0000 \u0000 \u0000","PeriodicalId":360035,"journal":{"name":"Passage - Tidsskrift for litteratur og kritik","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128732169","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Arbejdets æstetik og politik i Stig Sjödins lyrik","authors":"Magnus Nilsson","doi":"10.7146/pas.v35i84.124936","DOIUrl":"https://doi.org/10.7146/pas.v35i84.124936","url":null,"abstract":"\u0000 \u0000 \u0000This article analyses one of the most prominent motifs in Swedish working-class writer Stig Sjödin’s (1917-1993) poetry, namely that of work. The main argument is that Sjödin’s attitudes toward work were conditioned both by his Marxist world-view and by the different audiences for which he was writing. The poetry that he published in the labor-movement press aimed at creating class consciousness among workers and presented work both as something marked by oppression and injustice and as a source of pride. In his poetry collections, he presented industrial labor to an audience of non-workers with the aim of making them aware of the plight of the working class. Here, work was presented in a more univocally negative way than in the poetry printed in the labor-movement press. \u0000 \u0000 \u0000","PeriodicalId":360035,"journal":{"name":"Passage - Tidsskrift for litteratur og kritik","volume":"179 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115306396","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
求助内容：
应助结果提醒方式：