Opuscula Historiae Artium最新文献

"Murenulas aureas Vermiculatas argento" : das Thesenblatt zur Disputation von Othmar Daniel Zinke (1689) als Würdigung von Abt Thomas Sartorius und Verbildlichung benediktinischer Bau- und Ausstattungstätigkeit 《murenuas aureas显着缺乏远见的阿金托》(1689年)赞扬奥瑟马·丹尼尔·滕克关于缺乏远见的辩论，并赞扬班尼迪克的建筑宣传活动

Opuscula Historiae Artium Pub Date : 2022-01-01 DOI: 10.5817/oha2022-1-2-10

Anke Schlecht

{"title":"\"Murenulas aureas Vermiculatas argento\" : das Thesenblatt zur Disputation von Othmar Daniel Zinke (1689) als Würdigung von Abt Thomas Sartorius und Verbildlichung benediktinischer Bau- und Ausstattungstätigkeit","authors":"Anke Schlecht","doi":"10.5817/oha2022-1-2-10","DOIUrl":"https://doi.org/10.5817/oha2022-1-2-10","url":null,"abstract":"This article examines a thesis print created in 1689 to announce the disputation of Othmar Daniel Zinke (1664–1738), member of the Benedictine monasteryof Břevnov-Broumov, at the end of his studies at the Archbishop's Seminary in Prague. It was engraved by Balthasar van Westerhout (1656–1728) after a model by Johann Jakob Steinfels (1651–1730). At that time Steinfels was at the start of his career as a fresco painter. The thesis print is dedicated to Zinke's patron, abbot Thomas Sartorius (1630–1700). The programme is developed around a portrait of the abbot with Divina Providentia, St Benedict, St Wenceslas, the two monastic saints Margaret and Adalbert. Sartorius' virtues are honoured by personifications with accompanying emblems (including specific Benedictine virtues such as Humilitas and Fides benedictina). His functions and activities are summarised emblematically, especially in the field of architecture as a client. The analysis of the iconography shows in an exemplary manner how fundamental knowledge of the historical context is when deciphering emblems and the thesis print as a whole. Finally, the print can be read as an early programme of Zinke's own ideas on the role of art and architecture in the post of abbot – from 1700 Zinke himself became abbot of Břevnov-Broumov.","PeriodicalId":35074,"journal":{"name":"Opuscula Historiae Artium","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71352283","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Anton Martin Lublinský, that is Karl Dankwart : a few words about the painting Martin Středa as defender of Brno and its author Anton Martin Lublinský，即Karl Dankwart：关于Martin Středa作为布尔诺及其作者的辩护人的画作的几句话

Opuscula Historiae Artium Pub Date : 2022-01-01 DOI: 10.5817/oha2022-1-2-13

Andrzej Kozieł

引用次数: 0

Petr Brandl – rukopis jeho podpisem : poznámky k Brandlovu malířskému rukopisu Petr Brandl–签名手稿：关于Brandl绘画手稿的注释

Opuscula Historiae Artium Pub Date : 2022-01-01 DOI: 10.5817/oha2022-1-2-11

Andrea Steckerová

{"title":"Petr Brandl – rukopis jeho podpisem : poznámky k Brandlovu malířskému rukopisu","authors":"Andrea Steckerová","doi":"10.5817/oha2022-1-2-11","DOIUrl":"https://doi.org/10.5817/oha2022-1-2-11","url":null,"abstract":"In the field of hanging paintings of the second half of the 17th and the first half of the 18th century in Bohemia, the work of Peter Brandl (1668–1735) stood out for its stylistic and brushwork concept. From the beginning of his work, the painter gravitated above all to an energetic very dynamic presentation expressed through a divided brushwork and lively work with a brush. From the beginning, he applied dense layers of paint only to some parts of a painting – he tested his technical approaches on compositions with figures of old people – similar to Rembrandt. Since the 1720s whole compositions have been formed using the impasto technique – also evident is engraving with the brush handle or fingernail and the touch of fingers on the still-drying layer of paint. The study tries to answer questions about Brandl's brushwork style, which has always been valued by art historians as original and modern – but could it also have been perceived as such in its own time? The brushwork style was already connected by historiographers of the 17th century with an artist's nature and his \"spirit\", but the very topic of the work could also have had an effect on it. The point of view of the client, who may have required a certain style of brushwork, cannot be ignored either. These and other aspects are addressed in this study, which focuses mainly on the works of Brandl's peak period – that is, on the 1720s.","PeriodicalId":35074,"journal":{"name":"Opuscula Historiae Artium","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71352454","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Die "Taufe Christi" im Werk von Johann Lucas Kracker 约翰·卢卡斯·克拉克作品中的“基督洗礼”

Opuscula Historiae Artium Pub Date : 2022-01-01 DOI: 10.5817/oha2022-1-2-8

Anna Jávor

{"title":"Die \"Taufe Christi\" im Werk von Johann Lucas Kracker","authors":"Anna Jávor","doi":"10.5817/oha2022-1-2-8","DOIUrl":"https://doi.org/10.5817/oha2022-1-2-8","url":null,"abstract":"In recent years, the set of drawings by Johann Lucas Kracker (1719–1779) has been enlarged with 12 pieces. The sheets preserved in the museum of Debrecen include a sketch showing the baptism of Christ in the Jordan. It is the first variant of the high altar of the Premonstratensian abbey in Jasov. Two exquisite painted oil sketches for the enormous picture of the high altar signed in 1762 (Košice / Jasov, Bratislava, Slovak National Gallery) have long been known. The drawing is a far simpler composition with few figures, reminiscently of Daniel Gran's painting for the high altar of Vienna's church of the Brothers Hospitallers (1736). The painted sketches were extended with genre figures from the motivic set of Paul Troger (1698–1762) and with the large angel holding a drapery behind Jesus. Kracker painted another two reduced versions on the basis of the sketches: for a side altar in the remonstratensian church in Nová Říše and a small mural for the church of Rancířov (1763). To the picture of the high altar in Jasov a monumental fresco cycle belongs narrating the legend of John the Baptist; their epic character suggests the inspiration of the Gospels according to Matthew, Mark and Luke, while the drawn sketch was presumably inspired by St John's Gospel. The commission was given by abbot Andreas Sauberer (1700–1779).","PeriodicalId":35074,"journal":{"name":"Opuscula Historiae Artium","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71352250","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Planety v rocaillové architektuře ze zámku ve Lnářích a Johann Georg Hertel 来自Lnářy城堡和Johann Georg Hertel的罗凯莱建筑中的行星

Opuscula Historiae Artium Pub Date : 2022-01-01 DOI: 10.5817/oha2022-1-2-15

Radka Nokkala Miltová

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"afermo quanto di sopra con mio giuramento" : dvanáct benátských malířů osvědčuje v roce 1714 pravost obrazů 1714年，十二位威尼斯画家证明了画作的真实性

Opuscula Historiae Artium Pub Date : 2022-01-01 DOI: 10.5817/oha2022-1-2-16

Lubomír Slavíček

{"title":"\"afermo quanto di sopra con mio giuramento\" : dvanáct benátských malířů osvědčuje v roce 1714 pravost obrazů","authors":"Lubomír Slavíček","doi":"10.5817/oha2022-1-2-16","DOIUrl":"https://doi.org/10.5817/oha2022-1-2-16","url":null,"abstract":"The article publishes an interesting cultural and historical document, a list one hundred paintings by Italian, Dutch and German artists from the 15th to the 17th centuries, compiled in the autumn of 1714 by twelve Venetian painters, mostly members of the local Collegio dei Pittori. This notarized certificate (today at the Archive of the National Gallery in Prague), in which they confirmed with their signatures the authenticity of the pictures under assessment and the authenticity of their authorship as declared, was donated in 1934 to the Society of Patriotic Friends of Art, predecessor of the National Gallery in Prague, by collector Joe Hloucha (1881–1957). However, its earlier provenance has yet to be determined. The introductory text sheds light on the emergence of similar experts' reports, which in Venice were a necessary precondition for the trade in Old Masters paintings. At the same time, it seeks to present the personalities of well-known but now more or less forgotten painters who compiled the certificate, bringing us closer to the authorial, thematic and genre mix of the picture collection, and last but not least to indicate the possible identification of some of the works of art recorded in the listing.","PeriodicalId":35074,"journal":{"name":"Opuscula Historiae Artium","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71352013","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Jezuitská kolej v Olomouci a neznámá skica Jana Kryštofa Handkeho 奥洛穆克耶稣会学院与扬·克里希托夫·汉德克的一幅未知素描

Opuscula Historiae Artium Pub Date : 2022-01-01 DOI: 10.5817/oha2022-1-2-14

Tomáš Valeš

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Gottfried von Rotenstein besucht Ende des 18. Jahrhunderts Südmähren 圣戈弗里德·冯·罗顿斯坦世纪Südmähren

Opuscula Historiae Artium Pub Date : 2022-01-01 DOI: 10.5817/oha2022-1-2-17

Mária Pötzl-Malíková

{"title":"Gottfried von Rotenstein besucht Ende des 18. Jahrhunderts Südmähren","authors":"Mária Pötzl-Malíková","doi":"10.5817/oha2022-1-2-17","DOIUrl":"https://doi.org/10.5817/oha2022-1-2-17","url":null,"abstract":"The contribution reports on the ennobled Bratislava pharmacist Johann Gottfried Stegmüller, who published reports from his numerous travels in Central Europe in the 1780s and 1790s under the name Gottfried Edler von Rotenstein. In particular, he visited with great interest luxurious aristocratic dwellings, where he then described with unusual precision every detail of their furnishings. The quantity of information contained in his descriptions is appreciated especially by art historians, who have thereby gained many interesting findings. In addition, his descriptions of major festivities are also interesting for the study of social change in the 18th century. In September 1782, Rotenstein undertook a tour of southern Moravia, to which the second part of the paper is devoted. His journey passed through Valtice, Lednice, Židlochovice to Brno, and from there to Austerlitz by Brno. With the exception of Lednice, where he found the gates closed, he could view all the châteaux mentioned in detail. He also gave attention to their large parks and gardens. A second journey to Moravia was made by Rotenstein in November 1790. In his report, he focused on a description of several days of festivities at the château in Valtice, on the occasion of the visit of Ferdinand I of the Two Sicilies.","PeriodicalId":35074,"journal":{"name":"Opuscula Historiae Artium","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71352067","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Maulbertsch's "Liberation of the Virgin" in the Moravian Gallery in Brno : on the relationship of Franz Anton Maulbertsch to Peter Paul Rubens 在布尔诺的摩拉维亚画廊展出的毛尔伯特奇的《解放圣母》:论弗朗茨·安东·毛尔伯特奇与彼得·保罗·鲁本斯的关系

Opuscula Historiae Artium Pub Date : 2022-01-01 DOI: 10.5817/oha2022-1-2-3

Ivo Krsek

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"mit gleicher andacht alle Ins gesambt Täglich betten" : nástěnné malby Josefa Sterna v kapli Paláce šlechtičen v Brně “mit gleicher andacht alle Ins gesambt Tagätig betten”：约瑟夫·斯特恩在布尔诺贵族宫小教堂的壁画

Opuscula Historiae Artium Pub Date : 2022-01-01 DOI: 10.5817/oha2022-1-2-7

Michaela Šeferisová Loudová

引用次数: 0