Planety v rocaillové architektuře ze zámku ve Lnářích a Johann Georg Hertel

Q4 Arts and Humanities
Radka Nokkala Miltová
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Abstract

The article deals with the analysis of paintings of planets in the château at Lnáře from the period after the middle of the 18th century, which were created according to graphics from the rich Augsburg output of Johann Georg Hertel (1700–1775). The Lnáře remnants of the cycle of planetary gods show a symbiosis of two principles. On the one hand, a long tradition, dating from late antiquity and maintained through late medieval and early modern graphic series; on the other hand, the impulses of progressive astronomical observations. The more or less receptive character of Hertel' series thus shows above all the emphasis on the contemporary fashion Rococo mode in which the figural compositions are embedded.
来自Lnářy城堡和Johann Georg Hertel的罗凯莱建筑中的行星
这篇文章分析了18世纪中期以后在ch图(Lnáře)中绘制的行星画,这些画是根据约翰·格奥尔格·赫特尔(1700-1775)在奥格斯堡丰富的作品中绘制的。行星之神循环的Lnáře遗迹显示了两个原则的共生关系。一方面,悠久的传统,可以追溯到古代晚期,并通过中世纪晚期和现代早期的图形系列保持;另一方面,是不断推进的天文观测的冲动。因此,Hertel系列或多或少具有接受性的特点,首先显示了对当代时尚洛可可模式的强调,其中嵌入了人物构图。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Opuscula Historiae Artium
Opuscula Historiae Artium Arts and Humanities-Visual Arts and Performing Arts
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