Historical Ethnology最新文献

From the history of the Muslim parishes of the Urmaevo village (mid-18th – early 20th centuries) 乌尔马埃沃村穆斯林教区的历史（18 世纪中叶至 20 世纪初）

Historical Ethnology Pub Date : 2024-07-23 DOI: 10.22378/he.2024-9-2.224-232

Khalida Z. Bagautdinova

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Parsuna “Syuyumbike with her son Utyamysh”: a real image or fiction? 帕苏娜 "叙永比克和她的儿子乌恰米什"：真实形象还是虚构？

Historical Ethnology Pub Date : 2024-07-23 DOI: 10.22378/he.2024-9-2.159-173

Dina F. Gatina-Shafikova

{"title":"Parsuna “Syuyumbike with her son Utyamysh”: a real image or fiction?","authors":"Dina F. Gatina-Shafikova","doi":"10.22378/he.2024-9-2.159-173","DOIUrl":"https://doi.org/10.22378/he.2024-9-2.159-173","url":null,"abstract":"The object of the study is the parsuna “Syuyumbike with her son Utyamysh” as a historical and ethnographic source. The relevance of studying this type of visual materials lies in the possibility of identifying the transformation of Tatar women's costume. Taking into account the accumulated experience of ethnographic research and the preserved early written and visual materials, the article provides a comparative historical analysis of parsuna. The given piece, according to some estimates, dates back to the 17th–18th centuries. According to the author of the article, it was written no earlier than the beginning of the 19th century. The proposed dating is explained by the absence of characteristic elements of the Tatar woman's costume complex on the depicted Syuyumbike, which were present in drawn works of the earlier period. The image of Syuyumbike is reproduced in a young lady’s head-dress, which consists of a cone-shaped hat and a veil, and the woman next to her is wearing a women’s multi-piece head-dress. Taking into account the traditions of varying degrees of head coverage in the complexes of different age groups of Tatar women, we can conclude that the age of the depicted figures is clearly identifiable in the parsuna. The standing child, who is considered Utyamish, taking into account the early traditions of dressing boys in women’s clothing, is dressed in a girlish complex, repeating the image of a mother and a married woman. This is not typical of the traditional culture. In the 1850s edition, a similar piece was published, but “Syuyumbike” was not indicated in the title, which allows us to assume that that image was later included in an already existing image with reproduction of the clothes of young Tatar girls and married women.","PeriodicalId":350692,"journal":{"name":"Historical Ethnology","volume":"130 12","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141811660","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Author’s ballet on stage of M.Jalil Tatar Academic State Opera and Ballet Theatre in Soviet and post-Soviet periods 作者在苏联和后苏联时期的 M.Jalil Tatar 国家歌剧和芭蕾舞学术剧院舞台上表演的芭蕾舞剧

Historical Ethnology Pub Date : 2024-07-23 DOI: 10.22378/he.2024-9-2.303-313

Luisa R. Petrova

{"title":"Author’s ballet on stage of M.Jalil Tatar Academic State Opera and Ballet Theatre in Soviet and post-Soviet periods","authors":"Luisa R. Petrova","doi":"10.22378/he.2024-9-2.303-313","DOIUrl":"https://doi.org/10.22378/he.2024-9-2.303-313","url":null,"abstract":"The article is devoted to the analysis of the activities of the ballet troupe of M.Jalil Tatar Academic State Opera and Ballet Theater in the Soviet and post-Soviet periods. It shows that after the premiere of the first ballet “Vain Precaution” by P.Hertel in 1939, the troupe continued to master the performances of the classical heritage “Giselle” by A.Adam (1945) and “Swan Lake” by P.Tchaikovsky (1947). At the same time, the troupe was working on creating a national ballet performance. Turning to the historical past and folklore, the authors of the libretto and choreographers immersed the viewer in the life and culture of the Tatar people, and the composers built the score based on centuries-old musical traditions. All this was expressed in the ballets “Shurale” by F.Yarullin (1945) and “Zyugra” by N.Zhiganov (1946). At this time, new productions appear in the repertoire, reflecting the current ideas of Soviet art at the time of creation. These are “Bakhchisarai Fountain” by B.Asafiev (1946) and “Laurencia” by A.Crane (1953). In the 2000s, a number of premieres took place produced for the Kazan ballet stage – “The Tale of Yusuf” (2001) by L.Lyubovskiy, choreography by N.Boyarchikov, G.Kovtun; “Peer Gynt” (2003) by E.Grieg, “The Golden Horde” (2013), R.Akhiyarova – choreography by G.Kovtun; “Сarmina Вurana, or the Wheel of Fortune” (2013) by K.Orff, choreography by A.Polubentsev. The author sets the task of identifying trends in the development of the repertoire in the post-Soviet period. His focus is on original ballet performances. The conclusion was that the result of the search for choreographers on the Kazan stage, expressed in the synthesis of genres, styles, and appeal to new subjects for the ballet theater, was the enrichment of the repertoire of M.Jalil Tatar Academic State Opera and Ballet Theater and entertainment culture in general.","PeriodicalId":350692,"journal":{"name":"Historical Ethnology","volume":"139 38","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141810813","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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The ritual of “qoʻsh chiqarish” among Uzbeks and its territorial features (on the example of the Fergana Valley) 乌兹别克人的 "qoʻsh chiqarish "仪式及其地域特征（以费尔干纳谷地为例）

Historical Ethnology Pub Date : 2024-07-23 DOI: 10.22378/he.2024-9-2.214-223

Abdilatip A. Sarimsokov

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Informative opportunities of audiovisual sources in exploration of the history and culture of the Tatar people 视听资料在探索鞑靼人历史和文化方面的信息机会

Historical Ethnology Pub Date : 2024-07-23 DOI: 10.22378/he.2024-9-2.174-183

A. Galimzyanova

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Postcards with images of French dolls in regional attires – a graphic source on the history of traditional constume 印有身着地方服饰的法国娃娃图像的明信片 - 传统建筑历史的图文资料

Historical Ethnology Pub Date : 2024-07-23 DOI: 10.22378/he.2024-9-2.139-158

Anna Zhabreva

{"title":"Postcards with images of French dolls in regional attires – a graphic source on the history of traditional constume","authors":"Anna Zhabreva","doi":"10.22378/he.2024-9-2.139-158","DOIUrl":"https://doi.org/10.22378/he.2024-9-2.139-158","url":null,"abstract":"The article is devoted to the study of postcards with images of dolls in the regional costumes of France. The visual appearance of the postcards, the nature of the images, and dolls’ garments have been analysed. The source base of the research is the author's philocartical collection, which is a part of the personal collection of ethnographic dolls \"Peoples and attires\". Single and serial postcards issued throughout the 20th century recorded the existence of exquisite, perfectly made miniature people, which makes these publications a historical source. Some of the postcards were printed for advertising purposes and reflected the products of a particular company; others captured museum and private collections. The postcards demonstrate a variety of regional costumes, the main details of which, although similar throughout the territory of France, differed in colour, shape or finishing details in each historical region, city, canton, and commune. A comparison of a real and a doll costume shows some conventionality of the latter and the fact that the creators focused on hats. The dolls reflect the following features of costume making: handwork, the use of natural fabrics and lace – the results of work by artisans of different specialties. With some reservations, postcards with images of costume dolls can be viewed as visual materials for studying costumes from different regions of France, as well as an important graphic source on this issue.","PeriodicalId":350692,"journal":{"name":"Historical Ethnology","volume":"17 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141810401","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Visual sources about new Soviet rituals in a Tatar village in the 1970s 关于 20 世纪 70 年代鞑靼村庄新的苏维埃仪式的视觉资料

Historical Ethnology Pub Date : 2024-07-23 DOI: 10.22378/he.2024-9-2.184-200

I. Khanipova

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Cooperative organisations of northern Karelians in the 1920s (based on the example of the Ukhta District) 20 世纪 20 年代卡累利阿北部的合作组织（以乌赫塔地区为例）

Historical Ethnology Pub Date : 2024-07-23 DOI: 10.22378/he.2024-9-2.233-248

E. V. Dianova

{"title":"Cooperative organisations of northern Karelians in the 1920s (based on the example of the Ukhta District)","authors":"E. V. Dianova","doi":"10.22378/he.2024-9-2.233-248","DOIUrl":"https://doi.org/10.22378/he.2024-9-2.233-248","url":null,"abstract":"This article presents the activities of cooperative organisations in the Ukhta District in the 1920s. The main objective of the research is to consider the various types and forms of cooperative associations of residents of the Ukhta District of Karelia and establish the most important areas of their activities. The leading research methods are historical narrative, analysis and synthesis of information identified in archival and printed materials, methods of microhistory and regional studies. The main sources of the research are documents from the funds of the National Archives of the Republic of Karelia. The scientific novelty of the study lies in the fact that, using the example of the Ukhta District, inhabited by northern Karelians, it examines the development of various types of cooperative peasant associations in Karelia, taking into account not only the national specifics, but also natural environment and climatic and foreign policy factors. In this regard, the difficulties of restoring the economy at the beginning of the New Economic Policy in the Ukhta District, which suffered from military operations and bad weather conditions, are revealed. Using the example of the Kemsk-Ukhta District Union of Cooperatives, distinctive features in the work of cooperative societies in the border zone were discovered and general shortcomings of consumer cooperation in the 1920s were detected. Other types of cooperative associations created in Ukhta district have been established: credit partnership, agricultural commune, land reclamation partnership. The peculiarity of peasant cooperatives in northern villages, where reindeer herding partnerships were created, was clarified; the importance of peasant cooperation for the economic growth of Ukhta district is shown.","PeriodicalId":350692,"journal":{"name":"Historical Ethnology","volume":"20 8","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141813593","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Traditions associated with honouring the elders in the Turkmen rural community 土库曼农村社区与敬老有关的传统

Historical Ethnology Pub Date : 2024-07-23 DOI: 10.22378/he.2024-9-2.201-213

Toyly B. Khommyyev, Annagul Sh. Abdyrakhmanova

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“The adventures of Khoja Nasreddin in Tatarstan”: history and modernity on theatre stage "Khoja Nasreddin 在鞑靼斯坦的历险记"：戏剧舞台上的历史与现代性

Historical Ethnology Pub Date : 2024-07-23 DOI: 10.22378/he.2024-9-2.295-302

Aigul R. Salikhova

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