Comparative Literature East West最新文献_第5页

“Doing” ecocriticism: Oppressions of nature and animals in Philip Larkin’s poetry “做”的生态批评:菲利普·拉金诗歌中对自然和动物的压迫

IF 0.1 3区文学

Comparative Literature East West Pub Date : 2021-01-02 DOI: 10.1080/25723618.2021.1943768

M. Idrus, Iyad Mukahal

引用次数: 3

Indirect Influence in Literature: The Case of Edgar Allan Poe, Charles Baudelaire, and Han Mac Tu 文学中的间接影响:埃德加·爱伦·坡、查尔斯·波德莱尔和韩马克·图的案例

IF 0.1 3区文学

Comparative Literature East West Pub Date : 2021-01-02 DOI: 10.1080/25723618.2021.1886440

To Mai Hoang

引用次数: 0

Tang Xianzu and Philip Sidney: A Comparative Study of Chinese and English Drama Theories 汤显祖与菲利普·西德尼:中英戏剧理论比较研究

IF 0.1 3区文学

Comparative Literature East West Pub Date : 2021-01-02 DOI: 10.1080/25723618.2021.1943607

Huimin Wang

引用次数: 0

Cultural Unconscious And L2 Writer’s Identity Construction—A Case Study On Ha Jin 文化无意识与第二语言作家的身份建构——以哈金为例

IF 0.1 3区文学

Comparative Literature East West Pub Date : 2020-07-02 DOI: 10.1080/25723618.2021.1882085

Lu Zhang

引用次数: 1

“Trust neither the Horse, nor Modernity”: Explicating Mahmoud Darwish’s Allusions to Babylon, Sodom and Ancient Indians in “Counterpoint: Edward Said” “不信马，也不信现代”:解读马哈茂德·达尔维什在《对位:爱德华说》中对巴比伦、所多玛和古印度人的暗示

IF 0.1 3区文学

Comparative Literature East West Pub Date : 2020-07-02 DOI: 10.1080/25723618.2020.1844114

Ahmad Qabaha

引用次数: 2

General Variation Theory: A Perspective of Generalized Science 一般变分理论:一个广义科学的视角

IF 0.1 3区文学

Comparative Literature East West Pub Date : 2020-07-02 DOI: 10.1080/25723618.2020.1844118

Shunqing Cao, Jinzheng Li, Q. Yang

{"title":"General Variation Theory: A Perspective of Generalized Science","authors":"Shunqing Cao, Jinzheng Li, Q. Yang","doi":"10.1080/25723618.2020.1844118","DOIUrl":"https://doi.org/10.1080/25723618.2020.1844118","url":null,"abstract":"ABSTRACT The representative discussion on “variation” originates from Life Science; however, “variation” also exists in the fields of Natural Science, and Humanities and Social Science. And each of these three fields has certain continuity and internal consistency in their “arche” (ἀρχή) and “variation” processes. Particle variation, gene variation, and meme variation occur in nature, life, and culture respectively; they all start with “hereditary” with specific structure and evolve into various things that can be perceived by experience in various fields via the “selection” of an “invisible hand.” This process is clearly described in natural philosophy and metaphysical realism, which can be summarized as the generation theoretical and dualistic “ontology-variant” variation view. Through a full view of generalized science, a knowledge chain of “variation” is extracted, which is referred to as “general variation theory” in this article. This theoretical concept consists of four closely related parts: basic variation, nature variation, life variation, and cultural variation. Each of them has its own independent question domain and knowledge model; while, at the same time, there is a certain continuous, inclusive, and integrated relationship running through these four parts, thus generating a universal explanatory effectiveness in this sense.","PeriodicalId":34832,"journal":{"name":"Comparative Literature East West","volume":"38 1","pages":"86 - 105"},"PeriodicalIF":0.1,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88791530","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Reflections on Martin Buber’s Approach to Upaniʂads and Vedānta 马丁·布伯对Upani和Vedānta研究方法的思考

IF 0.1 3区文学

Comparative Literature East West Pub Date : 2020-07-02 DOI: 10.1080/25723618.2020.1854415

Vikas Baniwal

引用次数: 0

Social Position of Victorian Women: Villette and Emma 维多利亚时代女性的社会地位:维莱特和艾玛

IF 0.1 3区文学

Comparative Literature East West Pub Date : 2020-07-02 DOI: 10.1080/25723618.2021.1876970

Aycan Gökçek

{"title":"Social Position of Victorian Women: Villette and Emma","authors":"Aycan Gökçek","doi":"10.1080/25723618.2021.1876970","DOIUrl":"https://doi.org/10.1080/25723618.2021.1876970","url":null,"abstract":"ABSTRACT This paper aims to point out to the social position of women in early 19th century England with references to Jane Austen’s Emma and Charlotte Bronte’s Villette. In the first part, in addition to the definition of the ideal Victorian woman, limited educational, economic, and social opportunities of women will also be pointed out. In the second part, Villette will be handled in terms of its approach to the social problems of women such as their limited job and educational opportunities. Social norms drawn for an ideal Victorian woman and the significance of the institution of marriage for women will also be scrutinized. In the third part, Emma will be studied in terms of its reflection of the social position of women. With the analyses of two novels, the paper aims to conclude that in the Victorian Era, women were seen as social inferiors because of the prejudice against them in society. Examining how Charlotte Bronte and Jane Austen became the voice of the injustice and prejudices against women, the paper concludes that Victorian women could only justify their presence on earth by dedicating themselves to others through self-effacement, duty, and sacrifice. In addition to this, the paper also points out that in early 19th century England, women faced many difficulties to obtain social, economic, and educational rights that are equal to those of men. This paper is dedicated to the examination of the social position of Victorian women because although this issue is referred to superficially in many articles, few articles handle the subject thoroughly. Hereby, the paper aims to engage in a scrutinized study of the issue on two novels of the period both of which provide fruitful and clear examples to the object of the study.","PeriodicalId":34832,"journal":{"name":"Comparative Literature East West","volume":"19 1","pages":"143 - 155"},"PeriodicalIF":0.1,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81768161","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Theory, Cultural Studies And Cross-Disciplinary Research: A Dialogue With Jonathan Arac 理论、文化研究与跨学科研究:与乔纳森·阿拉克对话

IF 0.1 3区文学

Comparative Literature East West Pub Date : 2020-07-02 DOI: 10.1080/25723618.2021.1871797

Jiazhao Lin, J. Arac

引用次数: 0

Shakespeare’s Macbeth and Vishal Bhardwaj’s Maqbool: A Comparative Analysis 莎士比亚的《麦克白》与维沙尔·巴德瓦吉的《马克布尔》:比较分析

IF 0.1 3区文学

Comparative Literature East West Pub Date : 2020-07-02 DOI: 10.1080/25723618.2020.1844932

Fatimah Javed

{"title":"Shakespeare’s Macbeth and Vishal Bhardwaj’s Maqbool: A Comparative Analysis","authors":"Fatimah Javed","doi":"10.1080/25723618.2020.1844932","DOIUrl":"https://doi.org/10.1080/25723618.2020.1844932","url":null,"abstract":"ABSTRACT The dramas of William Shakespeare have been one of the potential sources for adaptation and appropriation. He dramatized basic issues like love, marriage, familial relationships, race, class, humor, betrayal, evil, revenge, murder and death. He crafted unforgettable characters, from lowly thieves to lofty kings, who have become archetypes of modern drama, but still remain people with whom we can relate. These basic concepts and eternal characters provide filmmakers with the finest raw material to create great visual treats. The notable director Vishal Bhardwaj received much critical acclaim for his trilogy, Maqbool inspired by Macbeth, Omkara by Othello, and Haider adapted from Shakespeare’s Hamlet. However, Bhardwaj has taken certain liberties to mold the story according to his cinematic demands. The present article analyzes Vishal Bhardwaj’s Maqbool and Shakespeare’s Macbeth in the light of comparative analysis. It begins by defining comparative literature in brief and moves on to discuss the opening scenes, the art of characterization, the different dramatic devices that are being employed, the setting and the ending. It also explores the points of contact and departure between the adaptation (Maqbool) and the original source text (Macbeth).","PeriodicalId":34832,"journal":{"name":"Comparative Literature East West","volume":"111 1","pages":"106 - 117"},"PeriodicalIF":0.1,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80692415","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 4