Kwartalnik Historii Kultury Materialnej最新文献_第9页

Testamenty jako narzędzia władzy. Wnioski z analizy późnośredniowiecznych krakowskich testamentów 遗嘱是权力的工具。中世纪晚期克拉考遗嘱分析的结论

Kwartalnik Historii Kultury Materialnej Pub Date : 2021-07-31 DOI: 10.23858/khkm69.2021.1.002

Jakub Wysmułek

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„By umarłą widzieć… okno się musiało w trunnie wyrząć”. Rozważania o początkach portretu trumiennego “看到一个死去的女人……后备箱的窗户一定碎了。”关于棺木画像开端的思考

Kwartalnik Historii Kultury Materialnej Pub Date : 2021-07-31 DOI: 10.23858/khkm69.2021.1.004

A. Jankowski

引用次数: 1

Poznański Odwach z XVIII wieku: historia — architektura — autorstwo 18世纪的PoznańOdwach：历史、建筑、作者

Kwartalnik Historii Kultury Materialnej Pub Date : 2020-12-14 DOI: 10.23858/khkm68.2020.4.004

R. Mączyński

{"title":"Poznański Odwach z XVIII wieku: historia — architektura — autorstwo","authors":"R. Mączyński","doi":"10.23858/khkm68.2020.4.004","DOIUrl":"https://doi.org/10.23858/khkm68.2020.4.004","url":null,"abstract":"The Poznan Guardhouse is, from an artistic point of view, a historic monument of very fine quality. It is easily recognizable due to its location at the centre of tourist routes. It is also frequently visited, and is now the seat of the Museum of the Wielkopolska Uprising 1918–1919 – a branch of the Wielkopolska Museum of the Struggle for Independence. In previous scholarly works, its design and construction have been misattributed to Johann Christian Kamsetezer, an architect of King Stanislaus Augustus. Established attributions of monuments dating from the reign of Stanislaus Augustus have been repeated many times and therefore are long-lived. Nonetheless, many of them have been made without being confirmed on the basis of source documents, or without even taking into consideration the artist’s or the epoch’s specific background. They were based on loose associations, without putting forward any arguments. Sometimes they contributed to whole sequences of attributions arising. One speculation led to another, and they were repeated in print, thereby creating ‘indisputable facts’. The Poznan Guardhouse is a good example of such a train of thought.The idea of building a brick Guardhouse in Poznan evolved in 1784, inspired by matters related to organizing the stationing of troops in Warsaw. The Boni Ordinis Committee supervised the project and Kazimierz Raczynski, the Starosta Generalny of Wielkopolska, was also personally responsible. It was Raczynski who donated funds from his personal property to supplement municipal funds derived from the property tax. He also commissioned the design to Stanislaw Zawadzki, with whom he was personally acquainted and who was also architect to the Royal Army. Major Zawadzki’s competencies included designing all the military construction projects undertaken in towns. The architectural and sculptural solutions used in the building attest to such an attribution, as they had been used previously in the architect’s work. In 1787, the Guardhouse in Poznan was built and adorned with sculptures probably made, according to Zawadzki’s designs, by the Poznan sculptor Augustinus Schops.","PeriodicalId":34773,"journal":{"name":"Kwartalnik Historii Kultury Materialnej","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68900564","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

„Gierada” według Ius municipale Magdeburgense Pawła Szczerbica a pozycja kobiety w rodzinie rzemieślniczej w początkach nowożytności PawełSzczerbic的《马格德堡市议会》中的“Gierada”以及现代性开始时女性在工艺家庭中的地位

Kwartalnik Historii Kultury Materialnej Pub Date : 2020-01-01 DOI: 10.23858/khkm68.2020.4.003

U. Sowina

引用次数: 0

Tureckie fantazje: seks, przemoc i turystyka w XVIII wieku 土耳其的幻想：18世纪的性、暴力和旅游业

Kwartalnik Historii Kultury Materialnej Pub Date : 2020-01-01 DOI: 10.23858/khkm68.2020.3.004

P. Dobrowolski

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Terra incognita? Nie tylko o wytwórstwie broni na pograniczu Śląska, Wielkopolski, Brandenburgii i Łużyc w późnym średniowieczu Terra隐姓埋名？不仅是关于中世纪晚期西里西亚、维尔科波尔斯卡、勃兰登堡和卢萨蒂亚边境的武器生产

Kwartalnik Historii Kultury Materialnej Pub Date : 2020-01-01 DOI: 10.23858/khkm68.2020.4.001

Arkadiusz Michalak

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Gdańskie testamenty reciproce i praktyka tworzenia inwentarzy mienia w XVII–XVIII w. 17–18世纪格但斯克的互惠遗嘱与财产清查实践。

Kwartalnik Historii Kultury Materialnej Pub Date : 2020-01-01 DOI: 10.23858/khkm68.2020.2.005

Edmund Kizik

{"title":"Gdańskie testamenty reciproce i praktyka tworzenia inwentarzy mienia w XVII–XVIII w.","authors":"Edmund Kizik","doi":"10.23858/khkm68.2020.2.005","DOIUrl":"https://doi.org/10.23858/khkm68.2020.2.005","url":null,"abstract":"Obowiązujące w Gdańsku, podobnie jak z niewielkimi wyjątkami w pozostałych miastach Prusach Królewskich, prawo chełmińskie (ius culmense, Kulmer Recht)2, stosunkowo dobrze zabezpieczało interesy materialne wdów, jak i wdowców na wypadek śmierci współmałżonka. Co istotne, postępowanie spadkowe w żadnym stopniu nie umniejszało roli kobiet, wdów i córek w postępowaniu spadkowym, traktując je na równi z męskimi spadkobiorcami3. Zasady alienacji majątków po zmarłych dla mniejszych miast pomorskich okresu nowożytnego omówił wyczerpująco w swojej niedawnej dysertacji Piotr Kitowski4 Dlatego też przypomnę jedynie, że włączenie za wywodzącym się z XIII w. prawem starochełmińskim5 do nowożytnych partykularnych spisów ius culmense (lidzbarska — 1566 r.6, nowomiejska — 1580 r.7 oraz toruńska z 1594 r.8), zasady tzw. sukcesji flamandzkiej, upowszechniło tak charakterystyczną dla nowożytnych miast Prus Królewskich małżeńską wspólnotę majątkową. Przewidywała ona, że po śmierci współmałżonka w każdym przypadku beztestamentowym (ab intestato) lub z testamentem, dzielono cały dotychczasowy majątek małżeństwa po połowie. Jedną połowę zatrzymywał w całości pozostały przy życiu małżonek (wdowa, wdowiec), z drugiej części majątku po zmarłym uposażano po równo wszystkich pozostałych, powołanych do spadkobrania.","PeriodicalId":34773,"journal":{"name":"Kwartalnik Historii Kultury Materialnej","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68900506","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Kwartalnik Historii Kultury Materialnej R. 52 Nr 2 物质文化史季刊R.52第2期

Kwartalnik Historii Kultury Materialnej Pub Date : 2020-01-01 DOI: 10.23858/khkm68.2020.2

Polska Akademia Nauk. Instytut Archeologii i Etnologii, Polska Akademia Nauk. Instytut Historii Kultury Materialnej

引用次数: 1

Puck i Lębork. Dwa warianty kształtowania się wytwórczości garncarskiej w małych miastach Pomorza Gdańskiego w późnym średniowieczu Puck和LÉbork。中世纪晚期波美拉尼亚-格但斯克小镇陶器生产的两种变体

Kwartalnik Historii Kultury Materialnej Pub Date : 2019-12-30 DOI: 10.23858/khkm67.2019.4.001

Michał Starski

引用次数: 0

Renesansowe zbroje płytowe z napierśnikiem bombiastym w dawnym księstwie pomorskim w świetle wybranych zabytków sztuki 根据选定的艺术纪念碑，前波美拉尼亚公国的文艺复兴时期带炸弹的板甲

Kwartalnik Historii Kultury Materialnej Pub Date : 2019-12-30 DOI: 10.23858/khkm67.2019.4.002

A. Puławski

{"title":"Renesansowe zbroje płytowe z napierśnikiem bombiastym w dawnym księstwie pomorskim w świetle wybranych zabytków sztuki","authors":"A. Puławski","doi":"10.23858/khkm67.2019.4.002","DOIUrl":"https://doi.org/10.23858/khkm67.2019.4.002","url":null,"abstract":"Renaissance plate armour with a deep-bellied breastplatein the former Duchy of Pomerania in the light of selected works of art \u0000The article discussed eleven works of art with images of the most prominent men of the Duchy of Pomerania, shown in suits of armour, which were among the most impressive types of wear of the epoch. All the images are reliefs, ten of them carved in stone (Figures 1–4, 6–11; Catalogue no. 1–4, 6–11) and one in wood (Fig. 5a–5b; Cat. no. 5). Three are foundation plaques (Fig. 1–2, 8; Cat. no. 1–2, 8), seven are tombstones (Fig. 3–4, 6–7, 9–11; Cat. no. 3–4, 6–7, 9–11) and one is an epitaph (Fig. 5a–5b; Cat. no. 5). Three show dukes of Pomerania (Fig. 1–2, 5a–5b; Cat. no. 1–2, 5) and eight — Pomeranian nobles (Fig. 3–4, 6–11; Cat. no. 3–4, 6–11). Eight have survived until today (Fig. 1–3, 7–11; Cat. no. 1–3, 7–11), while the remaining three are known from archival photographs (Fig. 4–6; Cat. no. 4–6). All were intended for places treated as family memorials, such as residences or churches. Of the surviving reliefs five remain in their original locations (Fig. 3, 8–11; Cat. no. 3, 8–11) and three have been transferred (Fig. 1–2, 7; Cat. no. 1–2, 7). The images discussed in this article provide a starting point for research on plate armour in Pomerania in the early decades of the 16th century. All the figures are shown in plate armour with a deep–bellied breastplate, some of them in the most characteristic richly decorated Maximilian suits of armour, which reflected the men’s fashion of the time. Maximilian armour is depicted in four of the cases analysed (Cat. no. 1–3, 6). Another type of armour used at the time had similarly harmonious proportions but was plain (Cat. no. 4, 7–11). The first one of these has a tucked skirt. One of the reliefs shows a costume suit of armour (Cat. no. 5). The analysed iconographic sources bring valuable data on historical armour. The plate armour in the epitaph of Duke Boguslaw X is represented in such detail that it was possible to compare it with a costume suit of armour preserved in Deutsche Historisches Museum in Berlin (inventory no. W 2327) and to conclude that the latter is the armour that used to belong to the Pomeranian Duke and was brought to Berlin in 1731 by King Frederic William I of Prussia.","PeriodicalId":34773,"journal":{"name":"Kwartalnik Historii Kultury Materialnej","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46801305","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0