Renesansowe zbroje płytowe z napierśnikiem bombiastym w dawnym księstwie pomorskim w świetle wybranych zabytków sztuki

A. Puławski
{"title":"Renesansowe zbroje płytowe z napierśnikiem bombiastym w dawnym księstwie pomorskim w świetle wybranych zabytków sztuki","authors":"A. Puławski","doi":"10.23858/khkm67.2019.4.002","DOIUrl":null,"url":null,"abstract":"Renaissance plate armour with a deep-bellied breastplatein the former Duchy of Pomerania in the light of selected works of art \nThe article discussed eleven works of art with images of the most prominent men of the Duchy of Pomerania, shown in suits of armour, which were among the most impressive types of wear of the epoch. All the images are reliefs, ten of them carved in stone (Figures 1–4, 6–11; Catalogue no. 1–4, 6–11) and one in wood (Fig. 5a–5b; Cat. no. 5). Three are foundation plaques (Fig. 1–2, 8; Cat. no. 1–2, 8), seven are tombstones (Fig. 3–4, 6–7, 9–11; Cat. no. 3–4, 6–7, 9–11) and one is an epitaph (Fig. 5a–5b; Cat. no. 5). Three show dukes of Pomerania (Fig. 1–2, 5a–5b; Cat. no. 1–2, 5) and eight — Pomeranian nobles (Fig. 3–4, 6–11; Cat. no. 3–4, 6–11). Eight have survived until today (Fig. 1–3, 7–11; Cat. no. 1–3, 7–11), while the remaining three are known from archival photographs (Fig. 4–6; Cat. no. 4–6). All were intended for places treated as family memorials, such as residences or churches. Of the surviving reliefs five remain in their original locations (Fig. 3, 8–11; Cat. no. 3, 8–11) and three have been transferred (Fig. 1–2, 7; Cat. no. 1–2, 7). The images discussed in this article provide a starting point for research on plate armour in Pomerania in the early decades of the 16th century. All the figures are shown in plate armour with a deep–bellied breastplate, some of them in the most characteristic richly decorated Maximilian suits of armour, which reflected the men’s fashion of the time. Maximilian armour is depicted in four of the cases analysed (Cat. no. 1–3, 6). Another type of armour used at the time had similarly harmonious proportions but was plain (Cat. no. 4, 7–11). The first one of these has a tucked skirt. One of the reliefs shows a costume suit of armour (Cat. no. 5). The analysed iconographic sources bring valuable data on historical armour. The plate armour in the epitaph of Duke Boguslaw X is represented in such detail that it was possible to compare it with a costume suit of armour preserved in Deutsche Historisches Museum in Berlin (inventory no. W 2327) and to conclude that the latter is the armour that used to belong to the Pomeranian Duke and was brought to Berlin in 1731 by King Frederic William I of Prussia.","PeriodicalId":34773,"journal":{"name":"Kwartalnik Historii Kultury Materialnej","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2019-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Kwartalnik Historii Kultury Materialnej","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.23858/khkm67.2019.4.002","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

Renaissance plate armour with a deep-bellied breastplatein the former Duchy of Pomerania in the light of selected works of art The article discussed eleven works of art with images of the most prominent men of the Duchy of Pomerania, shown in suits of armour, which were among the most impressive types of wear of the epoch. All the images are reliefs, ten of them carved in stone (Figures 1–4, 6–11; Catalogue no. 1–4, 6–11) and one in wood (Fig. 5a–5b; Cat. no. 5). Three are foundation plaques (Fig. 1–2, 8; Cat. no. 1–2, 8), seven are tombstones (Fig. 3–4, 6–7, 9–11; Cat. no. 3–4, 6–7, 9–11) and one is an epitaph (Fig. 5a–5b; Cat. no. 5). Three show dukes of Pomerania (Fig. 1–2, 5a–5b; Cat. no. 1–2, 5) and eight — Pomeranian nobles (Fig. 3–4, 6–11; Cat. no. 3–4, 6–11). Eight have survived until today (Fig. 1–3, 7–11; Cat. no. 1–3, 7–11), while the remaining three are known from archival photographs (Fig. 4–6; Cat. no. 4–6). All were intended for places treated as family memorials, such as residences or churches. Of the surviving reliefs five remain in their original locations (Fig. 3, 8–11; Cat. no. 3, 8–11) and three have been transferred (Fig. 1–2, 7; Cat. no. 1–2, 7). The images discussed in this article provide a starting point for research on plate armour in Pomerania in the early decades of the 16th century. All the figures are shown in plate armour with a deep–bellied breastplate, some of them in the most characteristic richly decorated Maximilian suits of armour, which reflected the men’s fashion of the time. Maximilian armour is depicted in four of the cases analysed (Cat. no. 1–3, 6). Another type of armour used at the time had similarly harmonious proportions but was plain (Cat. no. 4, 7–11). The first one of these has a tucked skirt. One of the reliefs shows a costume suit of armour (Cat. no. 5). The analysed iconographic sources bring valuable data on historical armour. The plate armour in the epitaph of Duke Boguslaw X is represented in such detail that it was possible to compare it with a costume suit of armour preserved in Deutsche Historisches Museum in Berlin (inventory no. W 2327) and to conclude that the latter is the armour that used to belong to the Pomeranian Duke and was brought to Berlin in 1731 by King Frederic William I of Prussia.
根据选定的艺术纪念碑,前波美拉尼亚公国的文艺复兴时期带炸弹的板甲
根据选定的艺术作品,前波美拉尼亚公国的文艺复兴时期带深腹胸甲的板甲本文讨论了11件艺术作品,其中包括波美拉尼亚公爵领地最杰出的人物的图像,他们穿着盔甲,这是那个时代最令人印象深刻的穿着类型之一。所有的图像都是浮雕,其中十个是用石头雕刻的(图1-4,6-11;目录编号1-4,6-12),一个是木制的(图5a–5b;目录编号5)。三块是地基牌匾(图1-2、8;目录编号1-2、8),七块是墓碑(图3-4、6-7、9-11;目录编号3-4、6-7和9-11),一块是墓志铭(图5a–5b;目录编号5)。三个展示了波美拉尼亚公爵(图1-2,5a–5b;目录编号1–2,5),八个——波美拉尼亚贵族(图3-4,6-11;目录编号3–4,6-11)。其中8人幸存至今(图1-3、7-11;类别编号1-3、7-111),其余3人从档案照片中已知(图4-6;类别编号4-6)。所有这些都是用于被视为家庭纪念馆的地方,如住宅或教堂。在幸存的浮雕中,有五个保留在原来的位置(图3,8-11;类别编号3,8-111),三个已经转移(图1-2,7;类别编号1-2,7)。本文讨论的图像为研究16世纪初波美拉尼亚的板甲提供了一个起点。所有的人物都穿着带深腹胸甲的板甲,其中一些人穿着最具特色的装饰华丽的马克西米利安盔甲,这反映了当时的男性时尚。马克西米利安盔甲在所分析的四个案例中进行了描述(类别编号1-3,6)。当时使用的另一种盔甲比例相似,但很普通(第4类,第7-11类)。其中第一个有一条褶裥裙。其中一幅浮雕展示了一套盔甲(第5类)。经过分析的图像来源为历史盔甲提供了宝贵的数据。博古斯劳十世公爵墓志铭中的板甲表现得如此详细,以至于可以将其与柏林德意志历史博物馆保存的一套盔甲(库存编号W 2327)进行比较,并得出结论,后者是曾经属于波美拉尼亚公爵的盔甲,1731年由普鲁士国王弗雷德里克·威廉一世带到柏林。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
自引率
0.00%
发文量
11
审稿时长
14 weeks
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:604180095
Book学术官方微信