Etnicheskaia kul''tura最新文献_第7页

Chuvash Folklore in the Creative Work of Performing Musicians and Music Teachers of Chuvashia 楚瓦什民间传说在楚瓦什表演音乐家和音乐教师的创作中

Etnicheskaia kul''tura Pub Date : 2022-03-27 DOI: 10.31483/r-100721

L. Bushueva

{"title":"Chuvash Folklore in the Creative Work of Performing Musicians and Music Teachers of Chuvashia","authors":"L. Bushueva","doi":"10.31483/r-100721","DOIUrl":"https://doi.org/10.31483/r-100721","url":null,"abstract":"The article is devoted to the study of the creative experiences of Chuvash amateur authors – performers and teachers who created compositions based on national musical folklore. The purpose of the work is to draw the attention of musicians of Chuvashia to the valuable Chuvash composer and performer creativity and to promote the introduction of the creative heritage of performers and teachers of the past into the educational process of institutions of additional and professional education. The subject of the study was the compositions of performers and teachers, created by them on the material of Chuvash musical folklore. Based on the methods of theoretical analysis, the author traces the history of the development of pedagogical and instructional direction in Chuvash music, and reviews existing textbooks. The author pays special attention to the Piano Chrestomathy by O. Ya. Agakova. It is concluded that folklore takes a significant place in the creative practice of Chuvash performers and teachers of musical disciplines. This, on the one hand, is due to the powerful potential of folklore and the relatively late formation of Chuvash professional music, on the other. Such developments have educational potential and are a valuable source of performing repertoire. The development of music education in the Chuvash Republic is unthinkable without relying on existing traditions and developing new textbooks.","PeriodicalId":34667,"journal":{"name":"Etnicheskaia kul''tura","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-03-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43838385","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Review: Maksimov, S. A. (2018). North Udmurt-Komi areal linguistic parallels: vocabulary, phonetics, morphology, 336. Izhevsk: Shelest 评论：Maksimov，S.A.（2018）。北乌德穆尔特-科米地区语言相似性：词汇、语音、形态学，336。伊热夫斯克：Shelest

Etnicheskaia kul''tura Pub Date : 2021-12-25 DOI: 10.31483/r-100476

E. A. Tsypanov

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Observance of National Traditions as a Factor of Preservation of Kyrgyz Identity 遵守民族传统是保护吉尔吉斯人身份的一个因素

Etnicheskaia kul''tura Pub Date : 2021-12-25 DOI: 10.31483/r-100680

Rahat Mukambetovna Mukasheva

{"title":"Observance of National Traditions as a Factor of Preservation of Kyrgyz Identity","authors":"Rahat Mukambetovna Mukasheva","doi":"10.31483/r-100680","DOIUrl":"https://doi.org/10.31483/r-100680","url":null,"abstract":"The author emphasizes the importance of national traditions in preserving the Kyrgyz identity. The article represents the Kyrgyz national traditions, which are associated with the birth of a child and celebrated in the first year of life. The work introduces readers to the traditions and customs of the Kyrgyz people of the early XX century, described by Soviet ethnographers, and with their modern versions. The author pays attention to a detailed description of the rituals performed and explains the importance of Kyrgyz traditions for representatives of the Kyrgyz ethnic group. The purpose of the article is to familiarize a wide range of readers with the national traditions of the Kyrgyz people, their origins, and their significance. Research methods: The work is built on the methods of observation and description and uses folk traditions observed by members of the Kyrgyz ethnic group as a basis. As a result of this analysis, the author concludes that the traditions of ancient times are of importance to the Kyrgyz people. The author also notes the importance of preserving and observing folk traditions for the people's self-identification as a single ethnic group, not only for the Kyrgyz living on the ancestral territory but also for the Kyrgyz living outside their homeland.","PeriodicalId":34667,"journal":{"name":"Etnicheskaia kul''tura","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47207916","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Moscow Mari: Ethnic Culture in the Internal Diaspora 莫斯科马里:内部散居的民族文化

Etnicheskaia kul''tura Pub Date : 2021-12-25 DOI: 10.31483/r-100695

M. Kutsaeva

{"title":"Moscow Mari: Ethnic Culture in the Internal Diaspora","authors":"M. Kutsaeva","doi":"10.31483/r-100695","DOIUrl":"https://doi.org/10.31483/r-100695","url":null,"abstract":"The article deals with the problem of maintaining and preserving Mari ethnic culture in the conditions of an internal diaspora. The purpose of the article is to identify the conditions for maintaining and to determine the prospects for preserving Moscow Maris’ ethnic culture in Moscow’s multicultural urban space. Methods. In 2019–2021, the author of the article conducted a sociolinguistic survey in the Mari diaspora of the Moscow region; the selective sample includes 106 respondents (100 respondents belong to the first generation of the Mari diaspora, six to the second). One of the aspects of the survey was to study markers of ethnic identity in two generations of the diaspora. Results. The results, obtained in the interviews, reveal that Mari culture (knowledge and observance of Mari traditions and customs) is one of the key markers of ethnic identity in the first generation (coming only third after the small homeland and the Mari language markers). Respondents in the second generation demonstrate remnant knowledge of ethnic cultural practices due to a weak intergenerational transmission of the Mari language. The author concludes that in order to preserve ethnic traditions and customs in the diaspora, it is extremely important to maintain an ethnic language; at the same time, as the world practice of revitalizing minority languages shows, ethnic culture can be viewed as a source of initiation into an ethnic language, and later become a channel for its maintenance.","PeriodicalId":34667,"journal":{"name":"Etnicheskaia kul''tura","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43863199","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Ethnocultural Relations in the Republics of the Middle-Volga Region 中伏尔加地区各共和国的民族文化关系

Etnicheskaia kul''tura Pub Date : 2021-12-25 DOI: 10.31483/r-99742

Veronika Jur'evna Arestova

引用次数: 0

Dialogue of Cultures in the Early Lyrics of the Udmurt Poet Flor Vasiliev 乌德穆尔特诗人弗洛尔·瓦西里耶夫早期歌词中的文化对话

Etnicheskaia kul''tura Pub Date : 2021-12-25 DOI: 10.31483/r-100406

V. Shibanov

{"title":"Dialogue of Cultures in the Early Lyrics of the Udmurt Poet Flor Vasiliev","authors":"V. Shibanov","doi":"10.31483/r-100406","DOIUrl":"https://doi.org/10.31483/r-100406","url":null,"abstract":"The article is devoted to the analysis of lyrics by Flor Vasiliev (1934–1978) which is a new page in the history of Udmurt Soviet poetry. The young poet went beyond the generally accepted standards thanks to the rich literary context. This article is devoted to the study of the early lyrics of Flor Vasilyev in the aspect of the dialogue of cultures. The subject of analysis is poems written in the early 1960s. The purpose of the study is to identify and describe literary contacts with representatives of different cultures. The method of analysis is comparative studies. The result of the study is as follow: Flor Vasiliev introduces the names Remarque, Picasso, Grieg, Rembrandt into his poems to depict the general cultural atmosphere of Russia in the 1950s – 1960s, the poet follows the tradition of Russian pop lyrics. Interest in impressionism (Renoir and others) helps to hone style when portraying landscapes and the inner world of the hero. Irony begins to play a large role in the poems of early Flor Vasiliev, the poet learns in this direction from Heinrich Heine. Thus, thanks to the dialogue of cultures, there is a transition from «loud» to «quiet lyrics», humanistic traditions raise the poetry of Flor Vasiliev to a new qualitative level.","PeriodicalId":34667,"journal":{"name":"Etnicheskaia kul''tura","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49042503","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Creating the "The Goddess of the Hearth" Panel Using Collage Technique 使用拼贴技术制作“灶台女神”面板

Etnicheskaia kul''tura Pub Date : 2021-12-25 DOI: 10.31483/r-100643

S. G. Sokolova

{"title":"Creating the \"The Goddess of the Hearth\" Panel Using Collage Technique","authors":"S. G. Sokolova","doi":"10.31483/r-100643","DOIUrl":"https://doi.org/10.31483/r-100643","url":null,"abstract":"The purpose of the article is to describe one of the forms of professional training of future leaders of the studio of decorative-applied art, namely, the implementation of a creative project of ethnocultural orientation. Students of the Chuvash State Institute of Culture and Arts made a panel in the collage technique «The Goddess of the hearth». At the first stage of the project, the literature on the topic of Chuvash mythology was studied. Based on the analysis of literary sources – the works of P.V. Denisov, V.K. Magnitsky, D. Mesarosh, A.K. Salmin the main characteristics of the deity «Hertsurt» were identified, which is the keeper of the hearth, the goddess of the right ordering of domesticity in Chuvash mythology. The article provides a technical and technological substantiation of the manufacturing process and describes in detail the sequence of creating the panel «The Goddess of the hearth». The author emphasizes that authentic patterns for embroidery were used, as well as traditional for the Chuvash colors, elements of clothing, utensils. It is noted that the project as a whole contributed to the formation of the main professional competencies of future leaders of the studio of decorative-applied art – to have the skills of making art products in folk traditions.","PeriodicalId":34667,"journal":{"name":"Etnicheskaia kul''tura","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43888481","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Russian Orthodox Churches in Birlya and Taburnoe Villages of the Ulyanovsk Oblast 乌里扬诺夫斯克州Birlya村和Taburnoe村的俄罗斯东正教教堂

Etnicheskaia kul''tura Pub Date : 2021-12-25 DOI: 10.31483/r-100337

E. Burdin, Kirill Vladimirovich Safin

{"title":"Russian Orthodox Churches in Birlya and Taburnoe Villages of the Ulyanovsk Oblast","authors":"E. Burdin, Kirill Vladimirovich Safin","doi":"10.31483/r-100337","DOIUrl":"https://doi.org/10.31483/r-100337","url":null,"abstract":"The article reflects the results of research on the topic «History and cultural heritage of the settlements of the Ulyanovsk region.\" The subject of the research is the history of the St. Michael the Archangel's Church and the Kazan-Mother of God church in the villages of Birlya and Taburnoe (now belonging to Melekessky district of the Ulyanovsk region). The purpose of the article is to identify the most important periods of the above-mentioned churches from the end of the 19-th century to the 1950-s, to establish the composition of the clergy, and the educational work of the clergy among the population. Analysis of unpublished documents from the Central State Archives of the Samara Region allowed to establish: the ethnic composition of the settlements, socio-economic status of inhabitants, reasons and patterns of migration of the local population; the foundation and liquidation dates of the churches, facts of life of church ministers and parish; statistical data on the economic structure of the clergy. The Mikhailo-Arkhangelsk and Kazan-Mother of God churches in the villages of Birlya and Taburnoye are lost monuments of the Orthodox cultural heritage. Mikhailo-Arkhangelsk and Kazan-Mother of God churches were built, respectively, at the end of the 19th century. and destroyed in the first half of the 1950-s. in connection with the construction of the Kuibyshev hydroelectric power station, and their location is flooded by a reservoir.","PeriodicalId":34667,"journal":{"name":"Etnicheskaia kul''tura","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48710787","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Review: Abuseitova M.Kh. (2020). Kazakh Khanate, 344

Etnicheskaia kul''tura Pub Date : 2021-09-25 DOI: 10.31483/r-99456

G. Mukanova

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The Sacred Nature of White Stone in the Temple Construction of Andrey Bogolyubsky 安德烈·波戈柳比斯基神庙建筑中白石的神圣性

Etnicheskaia kul''tura Pub Date : 2021-09-25 DOI: 10.31483/r-98924

Alexandr Ignatevich Skvortsov

{"title":"The Sacred Nature of White Stone in the Temple Construction of Andrey Bogolyubsky","authors":"Alexandr Ignatevich Skvortsov","doi":"10.31483/r-98924","DOIUrl":"https://doi.org/10.31483/r-98924","url":null,"abstract":"The article deals with the issues of the sudden appearance of white-stone construction in the middle of the XII century in the North-East of Russia, in the Vladimir Principality, which are practically not affected by science. The purpose of the study is to identify the most likely sources that influenced the process of origin and formation of the unique style of Vladimir-Suzdal architecture during the reign of Andrei Bogolyubsky (1157–1177). The research methods were reduced not only to the analysis of the Old Testament texts, with which the Great Vladimir Prince was well acquainted and admired their heroes during the construction of his white-stone churches, but also to the identification of the peculiarity of the current situation, individual facts of the prince's activity and the nature of his character, which became an active incentive to the introduction of white stone instead of bricks, which took a sacred character for Andrey Bogolyubsky. The result of the study is as follows: first, the symbolism of the white color, drawn from the biblical testaments of the consubstantial God, became the leitmotif for the architectural creations of the Vladimir prince; second, the perceived Old Testament building traditions stimulated the growth of original forms of Vladimir-Suzdal white stone architecture, which have no close analogies in the entire area of neighboring countries. In the light of the current inclusion of white stone buildings in the UNESCO World Cultural Heritage, the aspect of their study not only brings scientific novelty to the already established interpretation, but also entails a rethinking of the practical orientation of restoration and restoration work on them.","PeriodicalId":34667,"journal":{"name":"Etnicheskaia kul''tura","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48342000","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0