安德烈·波戈柳比斯基神庙建筑中白石的神圣性

Alexandr Ignatevich Skvortsov
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引用次数: 0

摘要

本文论述了十二世纪中叶俄罗斯东北部弗拉基米尔公国突然出现的白石建筑问题,这些问题实际上不受科学的影响。本研究的目的是确定最有可能影响安德烈·博戈柳布斯基统治期间弗拉基米尔·苏兹达尔建筑独特风格的起源和形成过程的来源。研究方法不仅限于对《旧约》文本的分析,大弗拉基米尔王子在建造白石教堂时对这些文本非常熟悉并钦佩他们的英雄,而且还限于对当前形势的特殊性、王子活动的个别事实及其性格的性质的识别,这成为引入白色石头而不是砖块的积极动机,这对安德烈·博戈柳布斯基来说是一个神圣的角色。研究结果如下:首先,白色的象征意义,取自圣经中同体上帝的遗嘱,成为弗拉基米尔王子建筑创作的主旋律;其次,《旧约》中的建筑传统刺激了弗拉基米尔·苏兹达尔白石建筑的原始形式的发展,而这些建筑在整个邻国地区都没有相似之处。鉴于目前白石建筑已被列入联合国教科文组织世界文化遗产,他们的研究不仅为已经确立的解释带来了科学上的新颖性,而且还需要重新思考修复和修复工作的实际方向。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Sacred Nature of White Stone in the Temple Construction of Andrey Bogolyubsky
The article deals with the issues of the sudden appearance of white-stone construction in the middle of the XII century in the North-East of Russia, in the Vladimir Principality, which are practically not affected by science. The purpose of the study is to identify the most likely sources that influenced the process of origin and formation of the unique style of Vladimir-Suzdal architecture during the reign of Andrei Bogolyubsky (1157–1177). The research methods were reduced not only to the analysis of the Old Testament texts, with which the Great Vladimir Prince was well acquainted and admired their heroes during the construction of his white-stone churches, but also to the identification of the peculiarity of the current situation, individual facts of the prince's activity and the nature of his character, which became an active incentive to the introduction of white stone instead of bricks, which took a sacred character for Andrey Bogolyubsky. The result of the study is as follows: first, the symbolism of the white color, drawn from the biblical testaments of the consubstantial God, became the leitmotif for the architectural creations of the Vladimir prince; second, the perceived Old Testament building traditions stimulated the growth of original forms of Vladimir-Suzdal white stone architecture, which have no close analogies in the entire area of neighboring countries. In the light of the current inclusion of white stone buildings in the UNESCO World Cultural Heritage, the aspect of their study not only brings scientific novelty to the already established interpretation, but also entails a rethinking of the practical orientation of restoration and restoration work on them.
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