Difference and Orientation最新文献

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Planting Gardens in the Data Tsunami 在数据海啸中种植花园
Difference and Orientation Pub Date : 2019-09-15 DOI: 10.7591/cornell/9781501739200.003.0020
A. Kluge
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引用次数: 0
18. Primitive Diversity (2002) 18. 原始多样性(2002)
Difference and Orientation Pub Date : 2019-09-15 DOI: 10.7591/9781501739224-022
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引用次数: 0
8. Word and Film (1965) 8. 文字与电影(1965)
Difference and Orientation Pub Date : 2019-09-15 DOI: 10.7591/9781501739224-012
E. Reitz, A. Kluge, W. Reinke
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引用次数: 0
Storytelling Is the Representation of Differences 讲故事是差异的表现
Difference and Orientation Pub Date : 2019-09-15 DOI: 10.7591/cornell/9781501739200.003.0003
A. Kluge
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引用次数: 0
Frontmatter
Difference and Orientation Pub Date : 2019-09-15 DOI: 10.1515/9781501739224-fm
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引用次数: 0
What Is a Metaphor? 什么是隐喻?
Difference and Orientation Pub Date : 2019-09-15 DOI: 10.7591/cornell/9781501739200.003.0008
A. Kluge
{"title":"What Is a Metaphor?","authors":"A. Kluge","doi":"10.7591/cornell/9781501739200.003.0008","DOIUrl":"https://doi.org/10.7591/cornell/9781501739200.003.0008","url":null,"abstract":"This chapter examines the dialogue between Rainer Stollmann and Alexander Kluge wherein they talked about the power and importance of metaphors. Kluge explains that a metaphor is the creation of a web of ideas. He says that Karl Marx's description of primitive accumulation is one of these webs. That is why Marx let English history serve as his example, even though primitive accumulation assumes a different form in every country, which he also acknowledges. Kluge then argues that one needs to dissolve historically specific metaphors. The creation of metaphors is not an end in itself. Their brevity lasts in the time immediately after they evolve. In later eras, they provide a foil or commentary. Ultimately, metaphors do not reflect observations, but instead provoke questions.","PeriodicalId":345609,"journal":{"name":"Difference and Orientation","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130371322","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Medialization—Musealization Medialization-Musealization
Difference and Orientation Pub Date : 2019-09-15 DOI: 10.7591/cornell/9781501739200.003.0017
Alexander Kluge
{"title":"Medialization—Musealization","authors":"Alexander Kluge","doi":"10.7591/cornell/9781501739200.003.0017","DOIUrl":"https://doi.org/10.7591/cornell/9781501739200.003.0017","url":null,"abstract":"This chapter evaluates Alexander Kluge's discussion of the tension between “medialization” and “musealization.” Kluge thinks that the word “medialization” primarily alludes to “television,” but when all its parts are examined, then the “long-distant vision” that the word “tele-vision” implies has nothing at all to do with any of the television stations he knows. Medialization could be generally translated as mediation, but then there must be immediate experience if there are plenty of mediated experiences on the other side. However, Kluge cannot say that as much immediate experience must be saved, preserved, or organized as possible because the principle of immediate experience is a purely private matter. He then suggests that there is a way of dealing with temporalities and modes of experience that can be quite differentiated. Only when all of these differentiations come together is reality rich, which means they are also all real. The isolation or hegemony of one temporal mode over others, even if it were the polite optative, would essentially be a dictatorship of unreality. This would already be the factual contribution, the machinery, leading to the loss of history. If the concept of “musealization” is taken seriously, understood correctly, and interpreted within this context, then it can only mean labor against the loss of history.","PeriodicalId":345609,"journal":{"name":"Difference and Orientation","volume":"63 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127714180","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Difference 的区别
Difference and Orientation Pub Date : 2019-09-15 DOI: 10.7591/cornell/9781501739200.003.0002
A. Kluge
{"title":"The Difference","authors":"A. Kluge","doi":"10.7591/cornell/9781501739200.003.0002","DOIUrl":"https://doi.org/10.7591/cornell/9781501739200.003.0002","url":null,"abstract":"This chapter details Alexander Kluge's 1985 acceptance speech on the occasion of receiving the Kleist Prize, which had been revived after a half-century hiatus. Kluge claims that if there is anyone in the German literary tradition who insists on the importance of difference then it is Heinrich von Kleist. He then recounts the work of the writer Robert Musil, who is among the award's many recipients. He also discusses the seam between the nineteenth and twentieth centuries, a seam where especially open forms developed. These open forms can be found not only in Kleist's but also Friedrich Hölderlin's work. Kluge claims that “at this seam spanning more than three decades bridging these two antagonistic centuries, three new developments arise while individual forces struggle against one another: popular war, industrialization, and the codification of a new tenderness.” He says “it is important to recognize the changed guises these three elementary processes have assumed, processes that begin in earnest in the early nineteenth century but whose roots go back to the eighteenth century.” Ultimately, Kluge is afraid of the incompetence of new media as well as its destructive power to fill people's heads. In the age of new media, Kluge considers writers as the guardians of difference.","PeriodicalId":345609,"journal":{"name":"Difference and Orientation","volume":"72 4","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120898299","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
28. An Instance of Internet Telephony over the Himalayas (2016) 28. 喜马拉雅山上的互联网电话实例(2016)
Difference and Orientation Pub Date : 2019-09-15 DOI: 10.7591/9781501739224-032
A. Kluge
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引用次数: 0
27. Inventory of a Century: On Walter Benjamin’s Arcades Project (2013) 27. 一个世纪的盘点:论沃尔特·本雅明的拱廊项目(2013)
Difference and Orientation Pub Date : 2019-09-15 DOI: 10.7591/9781501739224-031
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引用次数: 0
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