的区别

A. Kluge
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引用次数: 0

摘要

本章详细介绍了亚历山大·克鲁格1985年接受克莱斯特奖时的获奖感言。克莱斯特奖在中断了半个世纪后重新获得了颁发。克鲁格声称,如果在德国文学传统中有人坚持差异的重要性,那么这个人就是海因里希·冯·克莱斯特。然后,他讲述了作家罗伯特·穆希尔(Robert Musil)的作品,穆希尔是该奖项的众多获奖者之一。他还讨论了19世纪和20世纪之间的缝隙,一个特别开放的形式发展的缝隙。这些开放的形式不仅可以在克莱斯特的作品中找到,也可以在弗里德里希Hölderlin的作品中找到。克鲁格声称,“在跨越这两个敌对世纪的三十多年的接缝上,当个人力量相互斗争时,三个新的发展出现了:人民战争,工业化和新的温柔的编纂。”他说,重要的是要认识到这三个基本过程所呈现的变化,这些过程在19世纪早期正式开始,但其根源可以追溯到18世纪最终,克鲁格担心的是新媒体的无能,以及它填满人们头脑的破坏力。在新媒体时代,克鲁格认为作家是差异的守护者。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Difference
This chapter details Alexander Kluge's 1985 acceptance speech on the occasion of receiving the Kleist Prize, which had been revived after a half-century hiatus. Kluge claims that if there is anyone in the German literary tradition who insists on the importance of difference then it is Heinrich von Kleist. He then recounts the work of the writer Robert Musil, who is among the award's many recipients. He also discusses the seam between the nineteenth and twentieth centuries, a seam where especially open forms developed. These open forms can be found not only in Kleist's but also Friedrich Hölderlin's work. Kluge claims that “at this seam spanning more than three decades bridging these two antagonistic centuries, three new developments arise while individual forces struggle against one another: popular war, industrialization, and the codification of a new tenderness.” He says “it is important to recognize the changed guises these three elementary processes have assumed, processes that begin in earnest in the early nineteenth century but whose roots go back to the eighteenth century.” Ultimately, Kluge is afraid of the incompetence of new media as well as its destructive power to fill people's heads. In the age of new media, Kluge considers writers as the guardians of difference.
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