Difference and Orientation最新文献

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No Farewell to Yesterday 不告别昨天
Difference and Orientation Pub Date : 2019-09-15 DOI: 10.7591/cornell/9781501739200.003.0014
A. Kluge
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引用次数: 0
The Role of Fantasy 幻想的作用
Difference and Orientation Pub Date : 2019-09-15 DOI: 10.7591/cornell/9781501739200.003.0021
A. Kluge
{"title":"The Role of Fantasy","authors":"A. Kluge","doi":"10.7591/cornell/9781501739200.003.0021","DOIUrl":"https://doi.org/10.7591/cornell/9781501739200.003.0021","url":null,"abstract":"This chapter focuses on fantasy and reaches back to Alexander Kluge's days as an honorary professor lecturing on film and television at Goethe University Frankfurt in 1973. Kluge explains that fantasy is a divided product in the society. He then looks at what Karl Marx has to say about the original concept of labor. Marx mentions it twice, for example, when he explains that a craftsman, when making something like a chair, first forms an image of the chair in his mind and makes a plan before then setting to work with his hands to make this plan a reality. This is an example of the unified path of labor between the activity of the mind and the activity of the hands. Kluge also discusses the imaginative capacity. Sigmund Freud described this imaginative capacity not only in terms of psychoanalytic theory or out of a specific therapeutic interest. Rather, Freud described it and pursued it on account of a general theoretical interest. Freud said that the law of this imaginative capacity exists in people. It is the law of the human mind. Freud said not only that it is influenced by libidinal control and the negotiation of reality, but also that the brain triggers the perception of actual circumstance and then remembers something from the past, a conflict, a desired situation, or a wish. From there, a projection of a concrete action is cast onto the future.","PeriodicalId":345609,"journal":{"name":"Difference and Orientation","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116886438","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
List of Illustrations 插图一览表
Difference and Orientation Pub Date : 2019-09-15 DOI: 10.7591/9781501739224-002
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引用次数: 0
The Guardian of Difference 差异的守护者
Difference and Orientation Pub Date : 2019-09-15 DOI: 10.7591/CORNELL/9781501739200.003.0001
Richard Langston
{"title":"The Guardian of Difference","authors":"Richard Langston","doi":"10.7591/CORNELL/9781501739200.003.0001","DOIUrl":"https://doi.org/10.7591/CORNELL/9781501739200.003.0001","url":null,"abstract":"This introductory chapter provides a background of the essayist Alexander Kluge. Born in 1932 in the central German city of Halberstadt, the German polymath Alexander Kluge is certainly known both at home and abroad for wearing many hats. Above all, his career as one of New German Cinema's most cerebral filmmakers still commands international acclaim. First and foremost a writer of stories, Kluge returned to writing in earnest in 2000 and has generated since then an astonishing complex corpus of storybooks that has grown more than twice the size of what he published during his first robust literary phase. A filmmaker, author, and television producer, Kluge is, however, more than just the sum of this triumvirate. He is also recognized as a trained musician and lawyer, an accomplished theorist with roots in the Frankfurt School, a savvy media activist and entrepreneur, and a celebrated public intellectual of the highest stature. Kluge is also arguably one of Germany's great essayists of the late twentieth- and twenty-first centuries. Collected in the present volume are twenty-eight examples of Kluge's essayistic thinking that attest to his long-standing commitment to “intellectual freedom.” The chapter then looks at the concepts of difference and orientation, which are recurrent themes throughout all of Kluge's thought.","PeriodicalId":345609,"journal":{"name":"Difference and Orientation","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123825098","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Frontmatter
Difference and Orientation Pub Date : 2019-09-15 DOI: 10.7591/9781501739224-fm
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引用次数: 0
16. Medialization—Musealization (1990) 16. Medialization-Musealization (1990)
Difference and Orientation Pub Date : 2019-09-15 DOI: 10.7591/9781501739224-020
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引用次数: 0
The Function of the Distorted Angle in the Destructive Intention 扭曲角度在破坏性意图中的作用
Difference and Orientation Pub Date : 2019-09-15 DOI: 10.7591/cornell/9781501739200.003.0022
A. Kluge
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引用次数: 0
14. An Answer to Two Opera Quotations (1983/84) 14. 两段歌剧语录的答案(1983/84)
Difference and Orientation Pub Date : 2019-09-15 DOI: 10.7591/9781501739224-018
A. Kluge
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引用次数: 0
The Art of Drawing Distinctions 区分的艺术
Difference and Orientation Pub Date : 2019-09-15 DOI: 10.7591/cornell/9781501739200.003.0025
A. Kluge
{"title":"The Art of Drawing Distinctions","authors":"A. Kluge","doi":"10.7591/cornell/9781501739200.003.0025","DOIUrl":"https://doi.org/10.7591/cornell/9781501739200.003.0025","url":null,"abstract":"This chapter highlights the individual's capacity for differentiation. Imagine the human body: take, for example, the mouth, whose capacity for differentiation would be called a sensation. The largest organ, the skin, also has sensation. The ear: therein lies musicality, the sense of balance, the sense of hearing, and rhythm. These sensations are divided between two cerebral hemispheres. All of these sensations play a role in an encounter with another person. The moment when related sensations reach a decision about another human being is called feeling. This is not something sentimental, but rather is subject to the sentimentalization and commercialization of the nineteenth century. In reality, feeling is something very human. It is what a person adds to an objective relation. In order to be able to convey more clearly the difference between sensation and feeling, Alexander Kluge introduces another term: passion. There is the passion of the mind and there is the mind of passion. This is the intensification of the will, feeling, the sum of various feelings pointed in a single direction.","PeriodicalId":345609,"journal":{"name":"Difference and Orientation","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125336651","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
1. The Difference (1985) 1. 《差异》(1985)
Difference and Orientation Pub Date : 2019-09-15 DOI: 10.7591/9781501739224-005
H. Kleist
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引用次数: 0
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