在数据海啸中种植花园

A. Kluge
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引用次数: 0

摘要

本章评估了艾宾浩斯和亚历山大·克鲁格之间的对话,其中他们谈到了互联网。当互联网以其压倒性的海量信息淹没人们的同时,它也引发了一种反作用:人们倾向于摒弃一切对他们来说多余和不重要的东西。根据克鲁格的说法,这种反应呈现出一种新的智力形式,同时也对艺术提出了挑战。人们对可持续性有了新的渴望,对新的“hortus conusus”(一个用围墙围起来的花园)的渴望;人们对边界和容器的兴趣日益浓厚。这是艺术的新使命。艺术将把歌剧、油画和文学文本曾经独自完成的一切联系起来,根据一种服从无形力量的星象戏剧重新安排材料。艺术的新挑战是创造光的灯塔、港口和木筏。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Planting Gardens in the Data Tsunami
This chapter assesses the dialogue between Uwe Ebbinghaus and Alexander Kluge wherein they talked about the Internet. While the Internet floods people with its overwhelming mass of information, it evokes a counterreaction at the same time: people tend to dismiss everything that is superfluous and unimportant to them. According to Kluge, this reaction presents a new form of intelligence, and it also poses a challenge to art. There is a new longing for sustainability and a longing for a new “hortus conclusus,” a walled-off garden; a heightened interest in boundaries and containers has emerged. This is art's new calling. Art will connect everything that opera, oil paintings, and literary texts once accomplished on their own by rearranging the material according to a constellative dramaturgy that obeys nonvisible forces. The new challenge for art is to create beacons of light, harbors, and rafts.
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