Journal of Aesthetics, Creativity and Art Management最新文献

Cultural Inheritance of Joged Pingitan Dance in Pengosekan, Ubud 乌布蓬古关慢跑弹跳的文化传承

Journal of Aesthetics, Creativity and Art Management Pub Date : 2023-05-13 DOI: 10.59997/jacam.v2i1.2353

Agus Made Wira Hadi Kusuma, Gusti Ayu Marcela Dewi, Gusti Ayu Ratih Candra Giri, Ni Putu Putri Ditha Sumaridewi Oka, Ni Putu Candra Dewi Cahyanti, Ni Luh Putu Winda Sari Maharani K. A., Ni Wayan Somawati

{"title":"Cultural Inheritance of Joged Pingitan Dance in Pengosekan, Ubud","authors":"Agus Made Wira Hadi Kusuma, Gusti Ayu Marcela Dewi, Gusti Ayu Ratih Candra Giri, Ni Putu Putri Ditha Sumaridewi Oka, Ni Putu Candra Dewi Cahyanti, Ni Luh Putu Winda Sari Maharani K. A., Ni Wayan Somawati","doi":"10.59997/jacam.v2i1.2353","DOIUrl":"https://doi.org/10.59997/jacam.v2i1.2353","url":null,"abstract":"This study discusses the existence of Joged Pingitan dance in Banjar Pengosekan, Mas Village, Ubud, Bali. Joged Pingitan dance is included in the sacred dance which is believed to have strong religious and magical values by the people of Pengosekan Costumary Village. The religious value possessed by Joged Pingitan dance can be seen from its function as a wali/sacred dance to accompany the ceremony. This study raises three main issues, namely the history of Joged Pingitan dance, the functions of Joged Pingitan dance, and the values contained therein and the inheritance of Joged Pingitan dance in the globalization era. The purpose of this research is to answer all the problem formulations and dig deeper about Joged Pingitan dance. The method used is descriptive qualitative method with data collection techniques using observation and interview techniques. The results of this study explained that Joged Pingitan dance in Banjar Pengosekan is still preserved today, has the main function of being an accompaniment and complement during religious ceremonies and contains many values such as aesthetic values which are is the value of beauty, religious value, educational value, and social value.","PeriodicalId":342735,"journal":{"name":"Journal of Aesthetics, Creativity and Art Management","volume":"22 5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130675427","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Gending Aesthetics in Janger Menyali Dance in Sawan District, Buleleng Regency 布列楞县沙湾区长格舞中的性别美学

Journal of Aesthetics, Creativity and Art Management Pub Date : 2023-05-11 DOI: 10.59997/jacam.v2i1.2322

Ketut Tara Listiawan, Ni Luh Sustiawati, I. K. Sariada

{"title":"Gending Aesthetics in Janger Menyali Dance in Sawan District, Buleleng Regency","authors":"Ketut Tara Listiawan, Ni Luh Sustiawati, I. K. Sariada","doi":"10.59997/jacam.v2i1.2322","DOIUrl":"https://doi.org/10.59997/jacam.v2i1.2322","url":null,"abstract":"Janger dance is a variety of Balinese art which is classified as a type of social dance for young people in the form of groups (between 16-20 people), very popular among Balinese people. During the dance, groups of female dancers (janger) and groups of male dancers (kecak) dance and sing in unison (mutual sinawurin) with humorous and sometimes romantic songs. The gamelan that is usually used to accompany the Janger dance is called Batel (Tetamburan) which is equipped with a pair of gender puppets. The dance moves are still based on the aesthetic principles of Balinese dance, and the clothing uses the typical janger. Janger dance can adapt to contemporary developments, so janger activists have the freedom to interpret its form, melodies with song lyrics, musical accompaniment, and choreography. In the Janger Menyali dance, the uniqueness of this dance is in terms of the clothes that look quirky, resembling the clothes of the Dutch soldiers when they docked at the Buleleng customs, and the name for the dancers, namely for male dancers it is called jipak, while for female dancers it is called parik. In this study, it is more specific to the aesthetics of gending in the Janger Menyali dance regarding the two pieces that must be performed, namely Dewa Ayu Janger and Mepamit Ring Ratu Gusti Ayu which have the meaning of inviting Dewa Ayu Janger to attend the performance and returning Dewa Ayu Janger to return to his stana with the use of sekar alit banten properties and also kuwud mepayas.","PeriodicalId":342735,"journal":{"name":"Journal of Aesthetics, Creativity and Art Management","volume":"46 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130179143","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Onthel Bicycle: Creation Model of Experimental Photography using Iwan Zahar Method Onthel Bicycle: Iwan Zahar方法下的实验摄影创作模式

Journal of Aesthetics, Creativity and Art Management Pub Date : 2023-05-11 DOI: 10.59997/jacam.v2i1.2320

Dennis Penn Yohan Kayansa, I. N. Wirakesuma

引用次数: 0

Pemedal Agung at the Kertha Gosa Site, Klungkung, Bali (A Study of the Shape of the Statue) 巴厘klunkung, Kertha Gosa遗址的Pemedal Agung(雕像形状的研究)

Journal of Aesthetics, Creativity and Art Management Pub Date : 2023-05-11 DOI: 10.59997/jacam.v2i1.2346

Putu Putra Suryadana, I. Mudra

{"title":"Pemedal Agung at the Kertha Gosa Site, Klungkung, Bali (A Study of the Shape of the Statue)","authors":"Putu Putra Suryadana, I. Mudra","doi":"10.59997/jacam.v2i1.2346","DOIUrl":"https://doi.org/10.59997/jacam.v2i1.2346","url":null,"abstract":"Pemedal Agung is one of the historic buildings located on the Kertha Gosa site, founded by the founder of power and the first throne holder of the Klungkung kingdom in Semarapura, namely Ida I Dewa Agung Jambe. The identity of Pemedal Agung has very unique forms of statues and ornaments. The uniqueness of the statues in Pemedal Agung can be seen from the use of ideas which certainly have their own uniqueness from the use of the idea of placing statues as ornaments or decorative elements in traditional architecture in Bali in general. The existence of the statues at the Kertha Gosa site, especially at the foot of Pemedal Agung, is not known specifically regarding the form of its embodiment, so this study is considered important to answer the proposed phenomenon. The purpose of this study was to find out the shape of the statues on the foot of Pemedal Agung at the Kertha Gosa Klungkung site. This study uses a qualitative descriptive approach, with data collection methods, namely observation and documentation. Data collection will be carried out in 2023 at the Kertha Gosa Klungkung Bali site, as the whereabouts of the research subject. The results of the study show that the shape of the statues found at the foot of Pemedal Agung at the Kertha Gosa site is one of the decorative elements of architectural heritage from the royal era in Bali. Researchers hope that this study can provide an overview in the form of science related to the existence of statues at the foot of Pemedal Agung at the Kertha Gosa site which is a decorative element of architectural heritage from the royal era in Klungkung.","PeriodicalId":342735,"journal":{"name":"Journal of Aesthetics, Creativity and Art Management","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124487811","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Everyday Life of Women Workers in Badung Market (A Documentary Photography Study) 巴东市场女工的日常生活(纪实摄影研究)

Journal of Aesthetics, Creativity and Art Management Pub Date : 2023-05-11 DOI: 10.59997/jacam.v2i1.2345

Febrian Putra, I. G. Yudarta, I. Mudra

{"title":"Everyday Life of Women Workers in Badung Market (A Documentary Photography Study)","authors":"Febrian Putra, I. G. Yudarta, I. Mudra","doi":"10.59997/jacam.v2i1.2345","DOIUrl":"https://doi.org/10.59997/jacam.v2i1.2345","url":null,"abstract":"Capturing the everyday life of women workers in the badung market through documentary photography is a work that reveals the lives of women workers in the Badung Market in a powerful and effective way by using visual storytelling techniques. This technique involves using images and narration that complement each other to bring the audience into the story presented in images that can be used to present the lives of women workers in the Badung Market, while narration can be used to provide background on the lives of these women workers, as well as describe conflicts. they face in carrying out their work. The purpose of creating this work is to provide a visual depiction of the daily life of female workers, to use documentary photography as a medium to reveal the beauty and dignity of the work of female laborers as porters at Badung Market, Bali. The research method used in this study is a qualitative method with a case study approach. Data analysis techniques used include descriptive analysis, qualitative analysis, and thematic analysis. The result of creating this work focuses on the lives of female laborers transporting goods at the Badung Market in raising awareness about social issues, able to describe the activities carried out by women workers in the Badung Market in each photo so that they can provide in-depth information.","PeriodicalId":342735,"journal":{"name":"Journal of Aesthetics, Creativity and Art Management","volume":"45 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134374774","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Aesthetic Values of Batak Toba Gondang Sadinding Music Performances at Gondang Sianjur Mula-mula Community

Journal of Aesthetics, Creativity and Art Management Pub Date : 2023-05-11 DOI: 10.59997/jacam.v2i1.2347

Yessica Yosia Virginia Simanjuntak, I. G. Yudarta

{"title":"Aesthetic Values of Batak Toba Gondang Sadinding Music Performances at Gondang Sianjur Mula-mula Community","authors":"Yessica Yosia Virginia Simanjuntak, I. G. Yudarta","doi":"10.59997/jacam.v2i1.2347","DOIUrl":"https://doi.org/10.59997/jacam.v2i1.2347","url":null,"abstract":"Gondang Sabangunan is one of a musical ensemble type that functions as an accompaniment to traditional ceremonies of the Toba Batak people. The Gondang Sabangunan performance by Gondang Sianjur Mula-Mula community has different form characteristics compared to other forms of Gondang. The performance of Gondang Sabangunan by Gondang Sianjur Mula-Mula community still maintains the use of original musical instruments amidst the rampant changes in the form of Gondang Sabangunan performances that use a mixture of modern musical instruments such as electric keyboard. The Gondang Sabangunan performance of the Gondang Sianjur Mula-Mula community is interesting to be studied more deeply to see the form and the aesthetic values of Gondang Sabangunan. This paper aims to find out the form and aesthetic value of Gondang Sabangunan. This article uses qualitative methods with an aesthetic approach The results of the discussion found that the form of three parts in the Gondang Sadinding performance related to traditional rituals, traditional ceremonies and social systems of the Batak people, while the aesthetic values found were pure values and extra aesthetic values based on Dalihan Na Tolu as the philosophy of kinship of the Batak community.","PeriodicalId":342735,"journal":{"name":"Journal of Aesthetics, Creativity and Art Management","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133524893","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Aesthetic hybridity of the song “Jali-jali” in Gambang Kromong music 甘帮克罗蒙音乐中歌曲“Jali-jali”的审美杂交性

Journal of Aesthetics, Creativity and Art Management Pub Date : 2022-10-24 DOI: 10.59997/jacam.v1i2.1828

Yusuf Arrahman, N. Ardini, I. K. Sudirga

{"title":"Aesthetic hybridity of the song “Jali-jali” in Gambang Kromong music","authors":"Yusuf Arrahman, N. Ardini, I. K. Sudirga","doi":"10.59997/jacam.v1i2.1828","DOIUrl":"https://doi.org/10.59997/jacam.v1i2.1828","url":null,"abstract":"\"Jali-jali\" in Gambang Kromong (Kromong Xylophone) music is a very popular Betawi song. This song is the result of acculturation of Betawi and Chinese culture. The popularity of “Jali-jali” is inversely proportional to the existing literature about this song. This study aimed to understand its specificity thoroughly. It is a type of field research by describing the data qualitatively and the selection of theory is based on data in the field. The type of data in this study is qualitative data. Research data sources consist of primary and secondary data sources. Data were collected through interview, observation, documentation and literature studies. Data analysis was carried out by data reduction, data presentation, and data verification. The results show that in \"Jali-jali\" the hybridity of Chinese and Betawi culture can be seen from the cultural aspects, namely ideas, activities, and artifacts. There is also a musical aspect in the playing of Tehyan which has a diatonic scale and Gambang Kromong which has a pentatonic scale. The form of \"Jali-jali\" in Gambang Kromong music is A-B-A-B-C, has 10 sentences and 5 periods. The aesthetics of \"Jali-jali\" is found in the melodic tone that sounds distinctive because the differences in the hybridity of Betawi music and Chinese music produce a contrasting melody, from which there is a very distinctive harmonization so that \"Jali-jali\" in Gambang Kromong music is closely related to Betawi cultural identity.","PeriodicalId":342735,"journal":{"name":"Journal of Aesthetics, Creativity and Art Management","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132891159","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

Arjuna Tapa: A new creation dance 阿诸那塔帕:一个新的创造之舞

Journal of Aesthetics, Creativity and Art Management Pub Date : 2022-10-24 DOI: 10.59997/jacam.v1i2.1832

Ketut Sariada, Gede Oka Surya Negara, Gede Mawan

{"title":"Arjuna Tapa: A new creation dance","authors":"Ketut Sariada, Gede Oka Surya Negara, Gede Mawan","doi":"10.59997/jacam.v1i2.1832","DOIUrl":"https://doi.org/10.59997/jacam.v1i2.1832","url":null,"abstract":": Arjuna Tapa New Creation Dance is a new creation inspired by Arjuna Tapa's story. It is about the sending of Arjuna by Yudhisthira to meditate to Mount Indrakila in the hope of obtaining a powerful weapon, which can be used in the face of a major war against the Kauravas. In the hermitage Arjuna received many temptations such as the temptation of a number of angels from heaven, the temptation of the big pig incarnate Momosimuka, and the temptation of the hunter Kirata. But all the temptations can be overcome properly and finally because of Arjuna's determination, Lord Shiva gave Pasupati's Arrow as a gift that would later be able to destroy his enemies. This dance is performed by seven male dancers, carrying arrows. These seven dancers in certain scenes will be divided into two characters, namely five male characters who play the five pandavas, namely Yudistira, Bima, Arjuna, Nakula, and Sahadewa. While the other two dancers play female characters as Dewi Kunti and Dewi Drupadi. The creation process went through the stages of exploration, experimentation, and formation. The structure of the work consists of four parts, namely pepeson, pengawak, pengecet, and pekaad. The dance moves refer to the line dance movements. This dance is accompanied by a gamelan gong that lasts 12 minutes. The message conveyed in Arjuna Tapa New Creative Dance is that a true warrior will succeed in doing his job well and smoothly if he can overcome all the obstacles and temptations he faces in achieving his goals.","PeriodicalId":342735,"journal":{"name":"Journal of Aesthetics, Creativity and Art Management","volume":"113 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117294233","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

Designing a building for music and dance performing arts in Bogor 在茂物设计一座音乐和舞蹈表演艺术建筑

Journal of Aesthetics, Creativity and Art Management Pub Date : 2022-10-24 DOI: 10.59997/jacam.v1i2.1825

Agitia Gunawan, Yuke Ardhiati

引用次数: 4

Tri Hita Karana: A contemporary sculpture creation Tri Hita Karana:当代雕塑创作

Journal of Aesthetics, Creativity and Art Management Pub Date : 2022-10-24 DOI: 10.59997/jacam.v1i2.1847

Pande Putu Ogy Mega Sanjaya, W. Adnyana, Ketut Muka

引用次数: 1