Yessica Yosia Virginia Simanjuntak, I. G. Yudarta
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摘要

Gondang Sabangunan是一种音乐合奏类型,作为Toba Batak人传统仪式的伴奏。贡当香珠木拉木拉社区的贡当萨班古南表演与其他贡当形式相比具有不同的形式特征。贡当贤珠穆拉-穆拉社区的贡当萨班古南表演,在使用电子键盘等现代乐器的贡当萨班古南表演形式不断变化的情况下,仍然保持着原始乐器的使用。贡当香珠穆拉-穆拉社区的贡当萨班古南表演值得深入研究,以了解贡当萨班古南的形式和审美价值。本文旨在探讨《贡当萨班古南》的形式和审美价值。本文采用定性的方法和美学的方法进行探讨,结果发现贡当撒丁表演的三部分形式与巴塔克族的传统仪式、传统仪式和社会制度有关,而所发现的审美价值则是基于巴塔克族达里汉纳托鲁血缘哲学的纯粹价值和额外的审美价值。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Aesthetic Values of Batak Toba Gondang Sadinding Music Performances at Gondang Sianjur Mula-mula Community
Gondang Sabangunan is one of a musical ensemble type that functions as an accompaniment to traditional ceremonies of the Toba Batak people. The Gondang Sabangunan performance by Gondang Sianjur Mula-Mula community has different form characteristics compared to other forms of Gondang. The performance of Gondang Sabangunan by Gondang Sianjur Mula-Mula community still maintains the use of original musical instruments amidst the rampant changes in the form of Gondang Sabangunan performances that use a mixture of modern musical instruments such as electric keyboard. The Gondang Sabangunan performance of the Gondang Sianjur Mula-Mula community is interesting to be studied more deeply to see the form and the aesthetic values of Gondang Sabangunan. This paper aims to find out the form and aesthetic value of Gondang Sabangunan. This article uses qualitative methods with an aesthetic approach The results of the discussion found that the form of three parts in the Gondang Sadinding performance related to traditional rituals, traditional ceremonies and social systems of the Batak people, while the aesthetic values found were pure values and extra aesthetic values based on Dalihan Na Tolu as the philosophy of kinship of the Batak community.
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