Onthel Bicycle: Creation Model of Experimental Photography using Iwan Zahar Method

Dennis Penn Yohan Kayansa, I. N. Wirakesuma
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Abstract

In Indonesia, the development of bicycles was heavily influenced by the colonialists, especially the Dutch. They brought bicycles produced in their country to use around to enjoy the fresh nature of Indonesia. This habit was transmitted to the aborigines with blue blood. Finally, the bicycle became a prestigious means of transportation. Onthel bicycles were a means of transportation that were relatively expensive before the independence period. Onthel bicycles, also known as camel bicycles, kebo bicycles, or pit pancal, are standard bicycles with 28-inch tires that were commonly used by urban communities until the 1970s. The heritage factor and the classic shape of the bicycle are interesting to be used as an experimental bicycle photography work. Starting from this phenomenon, the authors argue that research related to bicycles is necessary and interesting to do because in the globalization or modern era which is full of modern lifestyle offers, bicycles actually choose a classic lifestyle.
Onthel Bicycle: Iwan Zahar方法下的实验摄影创作模式
在印度尼西亚,自行车的发展深受殖民主义者的影响,尤其是荷兰人。他们带着自己国家生产的自行车四处骑行,享受印尼的新鲜自然。这种习惯传给了蓝血统的土著人。最后,自行车成为了一种享有盛誉的交通工具。在独立之前,自行车是一种相对昂贵的交通工具。Onthel自行车,也被称为骆驼自行车、kebo自行车或pit pancal,是20世纪70年代之前城市社区普遍使用的28英寸轮胎的标准自行车。将自行车的传承因素和经典造型作为一个实验性的自行车摄影作品是很有趣的。从这一现象出发,作者认为与自行车相关的研究是必要的和有趣的,因为在全球化或充满现代生活方式的现代时代,自行车实际上选择了一种经典的生活方式。
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