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Arjuna Tapa: A new creation dance 阿诸那塔帕:一个新的创造之舞
Journal of Aesthetics, Creativity and Art Management Pub Date : 2022-10-24 DOI: 10.59997/jacam.v1i2.1832
Ketut Sariada, Gede Oka Surya Negara, Gede Mawan
{"title":"Arjuna Tapa: A new creation dance","authors":"Ketut Sariada, Gede Oka Surya Negara, Gede Mawan","doi":"10.59997/jacam.v1i2.1832","DOIUrl":"https://doi.org/10.59997/jacam.v1i2.1832","url":null,"abstract":": Arjuna Tapa New Creation Dance is a new creation inspired by Arjuna Tapa's story. It is about the sending of Arjuna by Yudhisthira to meditate to Mount Indrakila in the hope of obtaining a powerful weapon, which can be used in the face of a major war against the Kauravas. In the hermitage Arjuna received many temptations such as the temptation of a number of angels from heaven, the temptation of the big pig incarnate Momosimuka, and the temptation of the hunter Kirata. But all the temptations can be overcome properly and finally because of Arjuna's determination, Lord Shiva gave Pasupati's Arrow as a gift that would later be able to destroy his enemies. This dance is performed by seven male dancers, carrying arrows. These seven dancers in certain scenes will be divided into two characters, namely five male characters who play the five pandavas, namely Yudistira, Bima, Arjuna, Nakula, and Sahadewa. While the other two dancers play female characters as Dewi Kunti and Dewi Drupadi. The creation process went through the stages of exploration, experimentation, and formation. The structure of the work consists of four parts, namely pepeson, pengawak, pengecet, and pekaad. The dance moves refer to the line dance movements. This dance is accompanied by a gamelan gong that lasts 12 minutes. The message conveyed in Arjuna Tapa New Creative Dance is that a true warrior will succeed in doing his job well and smoothly if he can overcome all the obstacles and temptations he faces in achieving his goals.","PeriodicalId":342735,"journal":{"name":"Journal of Aesthetics, Creativity and Art Management","volume":"113 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117294233","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Designing a building for music and dance performing arts in Bogor 在茂物设计一座音乐和舞蹈表演艺术建筑
Journal of Aesthetics, Creativity and Art Management Pub Date : 2022-10-24 DOI: 10.59997/jacam.v1i2.1825
Agitia Gunawan, Yuke Ardhiati
{"title":"Designing a building for music and dance performing arts in Bogor","authors":"Agitia Gunawan, Yuke Ardhiati","doi":"10.59997/jacam.v1i2.1825","DOIUrl":"https://doi.org/10.59997/jacam.v1i2.1825","url":null,"abstract":"This research aimed to design a building for music and dance performing arts in Bogor, West Java. In order to support the local government's work program, the building is designed so that art performers can create and express the results of these works and can be enjoyed by modern and contemporary art connoisseurs. Through such a building, West Java cultural arts can be preserved and inherited. The method used in the design refers to descriptive qualitative methods and uses literature studies and precedents, surveys and field observations. This is done in order to obtain complete data, then analyze every problem that exists. The resulting design concept is a building design with a cultural and modern atmosphere that is realized through a design theme, namely Semiotic and Taste Cultures with the intention of using a characteristic style that prioritizes simplicity of form, uses ornaments and follows the shape of the building's function.","PeriodicalId":342735,"journal":{"name":"Journal of Aesthetics, Creativity and Art Management","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114402531","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
Tri Hita Karana: A contemporary sculpture creation Tri Hita Karana:当代雕塑创作
Journal of Aesthetics, Creativity and Art Management Pub Date : 2022-10-24 DOI: 10.59997/jacam.v1i2.1847
Pande Putu Ogy Mega Sanjaya, W. Adnyana, Ketut Muka
{"title":"Tri Hita Karana: A contemporary sculpture creation","authors":"Pande Putu Ogy Mega Sanjaya, W. Adnyana, Ketut Muka","doi":"10.59997/jacam.v1i2.1847","DOIUrl":"https://doi.org/10.59997/jacam.v1i2.1847","url":null,"abstract":"Tri Hita Karana in Hinduism is the understanding of three main things that cause prosperity for human life which consist of Parhyangan, Pawongan, and Palemahan. The phenomenon stimulates creator to create a sculpture that aimed to provide an understanding related to Tri Hita Karana. The method applied in this creation uses five stages, namely the search for ideas, the search for materials, experiments, the embodiment of the work, and the presentation of the work. In this creation of three-dimensional works of art in the form of sculptures, the creator tries to express Tri Hita Karana issues with the concept of recycle, a process to turn used materials into new materials with the aim of preventing waste that can actually be turned into useful goods. The form of the work will be in the form of contemporary sculpture by displaying unique and authentic new forms. \u0000Keywords: Tri Hita Karana, recycle, contemporary sculpture.","PeriodicalId":342735,"journal":{"name":"Journal of Aesthetics, Creativity and Art Management","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130136373","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Technology as a Digital Trace in the Sekar Rare-Based Music Composition 技术在Sekar稀有音乐创作中的数字痕迹
Journal of Aesthetics, Creativity and Art Management Pub Date : 2022-04-17 DOI: 10.59997/jacam.v1i1.1595
Oang Gabriel Matanari, N. Ardini, I. W. Sudirana
{"title":"Technology as a Digital Trace in the Sekar Rare-Based Music Composition","authors":"Oang Gabriel Matanari, N. Ardini, I. W. Sudirana","doi":"10.59997/jacam.v1i1.1595","DOIUrl":"https://doi.org/10.59997/jacam.v1i1.1595","url":null,"abstract":"This study aims to analyze Rare Kebyar's musical composition, including instrumentation (form of presentation and instruments used), analysis of song in the work, and a brief analysis of the related video. It is done in a qualitative design. Its data are taken from interviewing, observing, and documenting. Documentation from YouTube is very important in the study. Rare Kebyar's work was done well because of the role of technology in it. Its video is uploaded on YouTube. The analysis of one of the Gending Rare or Sekar Rare in Rare Kebyar's musical works proves that the Balinese artists have a high intellectual level according to their profession. The music video analysis can be a proof that technology is able to go hand in hand with aspects of tradition.","PeriodicalId":342735,"journal":{"name":"Journal of Aesthetics, Creativity and Art Management","volume":"437 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-04-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122821859","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Utilizing Sand as Glaze in Agung Glazinia Ceramics 砂作为釉料在阿贡釉瓷中的应用
Journal of Aesthetics, Creativity and Art Management Pub Date : 2022-04-17 DOI: 10.59997/jacam.v1i1.1597
Gusti Ngurah Agung Dalem Diatmika, Ketut Muka, Nyoman Suardina
{"title":"Utilizing Sand as Glaze in Agung Glazinia Ceramics","authors":"Gusti Ngurah Agung Dalem Diatmika, Ketut Muka, Nyoman Suardina","doi":"10.59997/jacam.v1i1.1597","DOIUrl":"https://doi.org/10.59997/jacam.v1i1.1597","url":null,"abstract":"This study aims to practice the application of sand to the glaze which is intended to produce glazes with different colors for staining ceramics. Qualitative methods are used with the data collection process through observation, interviews, and documentation. To find out the results resulting from the use of sand to glaze, an experimental method is applied as a reference in this study. The process of making glaze with a mixture of sand is still the same as the process of making glaze in general, starting from preparing tools or materials, mixing materials, applying to burning to find out the results obtained. The sand can produce new effects such as melting glass melts on glazes with certain colors. Characteristics of sand that is difficult to melt produces its own texture from the sand that is mixed into the glass. Sand glaze is very suitable to be applied to ceramic media which needs different shades from the glaze color in general. In the future sand glaze can be one of the glaze options that are in great demand by the public because it can reduce the material costs of making glaze.","PeriodicalId":342735,"journal":{"name":"Journal of Aesthetics, Creativity and Art Management","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-04-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132394321","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
“Nga-wayang”: A New Dance Creation from a Globalized Sociocultural Environment “嘎瓦扬”:全球化社会文化环境下的舞蹈新创作
Journal of Aesthetics, Creativity and Art Management Pub Date : 2022-04-17 DOI: 10.59997/jacam.v1i1.1593
Ni Putu Ari Sidiastini, I. W. Rai S, N. M. Ruastiti
{"title":"“Nga-wayang”: A New Dance Creation from a Globalized Sociocultural Environment","authors":"Ni Putu Ari Sidiastini, I. W. Rai S, N. M. Ruastiti","doi":"10.59997/jacam.v1i1.1593","DOIUrl":"https://doi.org/10.59997/jacam.v1i1.1593","url":null,"abstract":"This scientific article aims to discuss a new dance creation entitled “Nga-wayang”, whose creation idea depicts the character Gatot Kaca in a two-dimensional wayang kulit show. No one has worked on a dance that was transformed from a two-dimensional wayang kulit performance into a new three-dimensional dance creation. The creation of the “Nga-wayang” dance uses qualitative methods. The creation process is carried out in stages: ngarencana, nuasen, makalin, nelesin, and ngebah. The search for ideas was carried out using participatory observation techniques and in-depth interviews with related parties. The deepening of the character of Gatot Kaca's character is carried out through library research and discography. The process of creating this new dance creation is carried out using transformation theory and aesthetic theory. The cultivation of this work of art has resulted in a new dance creation entitled “Nga-wayang”. As a new dance creation, “Nga-wayang” is presented full of new ideas based on the influence of the art ecosystem in the influence of globalization in terms of poses, variety of movements, techniques, dynamics, tempo, and level play based on multimedia such as LCD projectors, LED lights, and smoke. The process of composing this dance has been carried out since this material was developed as a final choreography class assignment, the presentation of which has been continuously refined. “Nga-wayang” is a new dance creation that departs from the experience of the cultural environment in the era of globalization, namely the ecosystem as an art reinforcement.","PeriodicalId":342735,"journal":{"name":"Journal of Aesthetics, Creativity and Art Management","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-04-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121037537","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Iconography of Woman Image in Sri Tanjung Relief at Candi Surowono 坎迪苏洛沃诺斯里丹戎浮雕中的女性形象
Journal of Aesthetics, Creativity and Art Management Pub Date : 2022-04-17 DOI: 10.59997/jacam.v1i1.1591
Giri Nugraha, I. Adnyana, Wayan Karja
{"title":"Iconography of Woman Image in Sri Tanjung Relief at Candi Surowono","authors":"Giri Nugraha, I. Adnyana, Wayan Karja","doi":"10.59997/jacam.v1i1.1591","DOIUrl":"https://doi.org/10.59997/jacam.v1i1.1591","url":null,"abstract":"This study aims to analyze the iconographic woman image in Sri Tanjung relief at Candi Surowono located in Kediri Regency, East Java. The qualitative research done involves understanding, concepts, values, and characteristics attached to the object of research. It uses a humanities approach with Panofsky's Iconology Theory. The relief of one of the panels (1400 AD) carved at Candi Surowono is seen as an embodiment resembling two human figures. One male figure is carved holding a female figure with an expression of body anatomy full of intimacy with each other. The central human figure and the expression of holding this are present on the background of the patra motif, buds, accompanied by leaf tendrils and a motif that looks like a flower resembling a mandala is depicted shading these two human figures. The feeling of love and longing for something that cannot be described (ngalembana) is present in the embodiment of these two figures. This classic visual art presents a shock, as if space and time have melted into one. The theme of the image conveys the wisdom of the ancestors in providing a free perspective on woman, love, and compassion.","PeriodicalId":342735,"journal":{"name":"Journal of Aesthetics, Creativity and Art Management","volume":"56 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-04-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126758073","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
I Wayan Ary Wijaya's Creative Process in Creating Digital Gamelan Music I Wayan Ary Wijaya创造数字佳美兰音乐的创作过程
Journal of Aesthetics, Creativity and Art Management Pub Date : 2022-04-17 DOI: 10.59997/jacam.v1i1.1596
Kadek Wahyudita, I. K. Sudirga, I. W. Suharta
{"title":"I Wayan Ary Wijaya's Creative Process in Creating Digital Gamelan Music","authors":"Kadek Wahyudita, I. K. Sudirga, I. W. Suharta","doi":"10.59997/jacam.v1i1.1596","DOIUrl":"https://doi.org/10.59997/jacam.v1i1.1596","url":null,"abstract":"This paper is to trace the creative process in composing Digital Gamelan Music (DGM) done by I Wayan Ary Wijaya a balinese artist. It a qualitative study by operating observation, documentation, and interview. Interview is done with I Wayan Arsa Wijaya and other related parties. DGM was created by Ary Wijaya from linking gamelan and music technology. DGM is another way to strengthen tradition and at the same time foster creativity by using the gamelan (traditionality) and the technology (modernity) as a medium of inspiration. It is found that DGM is composed using Panca Sthiti Ngawi Sani theory: inspiration stage (ngawirasa); exploration stage (ngawacak); conception stage (ngarencana); execution stage (ngewangun); presentation stage (ngebah). DGM as a terminology is still experiencing struggles in terms of concept definition, form, and creative work process. Besides that, the digital technology belongs to a product of capitalism.","PeriodicalId":342735,"journal":{"name":"Journal of Aesthetics, Creativity and Art Management","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-04-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131236355","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
A Dance Work Representing Ida Bagus Blangsinga’s Life Journey (The Maestro of Kebyar Duduk Dance in Blangsinga Style) 代表艾达·巴格斯·布兰辛加人生旅程的舞蹈作品(布兰辛加风格凯比亚·杜杜克舞蹈大师)
Journal of Aesthetics, Creativity and Art Management Pub Date : 2022-04-17 DOI: 10.59997/jacam.v1i1.1594
Ida Ayu Triana Titania Manuaba, Wayan Dibia, Ketut Sariada
{"title":"A Dance Work Representing Ida Bagus Blangsinga’s Life Journey (The Maestro of Kebyar Duduk Dance in Blangsinga Style)","authors":"Ida Ayu Triana Titania Manuaba, Wayan Dibia, Ketut Sariada","doi":"10.59997/jacam.v1i1.1594","DOIUrl":"https://doi.org/10.59997/jacam.v1i1.1594","url":null,"abstract":"This work aims to represent the figure of Ida Bagus Blangsinga, a master of the Kebyar Duduk dance in Blangsinga style. The method of creation used in this work uses the creation method which includes assessment, experimentation, and formation. This method is easily understood by the stylist to express and visualize several scenes in the work. The form of the chosen work is a new creation dance, because it provides space for development according to the wishes of the stylist. This work is danced by six female dancers and one male dancer using soft make-up and fashion that supports each part of the work. This work uses the fan and reverberation properties. This dance is made as a contribution to the development of Balinese dance especially to the new generation.","PeriodicalId":342735,"journal":{"name":"Journal of Aesthetics, Creativity and Art Management","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-04-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130240539","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Artistic Arrangement as Semiotics of Criminal Messages in the Film “Marlina Si Pembunuh dalam Empat Babak” 电影《Marlina Si Pembunuh dalam Empat Babak》中作为犯罪信息符号学的艺术安排
Journal of Aesthetics, Creativity and Art Management Pub Date : 2022-04-17 DOI: 10.59997/jacam.v1i1.1592
Gea Refika Ayu Zellya, Komang Arba Wirawan, I. Darmawan
{"title":"Artistic Arrangement as Semiotics of Criminal Messages in the Film “Marlina Si Pembunuh dalam Empat Babak”","authors":"Gea Refika Ayu Zellya, Komang Arba Wirawan, I. Darmawan","doi":"10.59997/jacam.v1i1.1592","DOIUrl":"https://doi.org/10.59997/jacam.v1i1.1592","url":null,"abstract":"The purpose of this study is to determine semiotics in the artistic arrangement of criminal messages in the film “Marlina Si Pembunuh dalam Empat Babak” (Marlina the Murderer in Four Acts). It uses a qualitative descriptive method that describes in detail the problems shown in this study. The analysis technique used is Roland Barthes' semiotic analysis where this theory is divided into two i.e. signifier and signified. The concept used is criminal messages in the elements of artistic arrangement, then the theory is the semiotic theory from Roland Barthes. The messages in the film contains many criminal ones. The film has meanings of signifier and signified in each scene. The criminal messages include robbery, murder, rape, assault, and threats. The meaning of the criminal message in this film describes the mistakes in people's lives today. The film has applied good elements of artistic arrangement, which pays attention to the aesthetics of each shot, so that such a film is able to present messages that are in accordance with the reality in society.","PeriodicalId":342735,"journal":{"name":"Journal of Aesthetics, Creativity and Art Management","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-04-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132327056","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
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