Gea Refika Ayu Zellya, Komang Arba Wirawan, I. Darmawan
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引用次数: 2
摘要
本研究的目的是确定符号学在电影“Marlina Si Pembunuh dalam Empat Babak”(四幕谋杀者Marlina)中犯罪信息的艺术安排。它使用定性描述方法,详细描述了本研究中显示的问题。所使用的分析技术是罗兰·巴特的符号学分析,该理论分为两部分,即能指和所指。所使用的概念是犯罪信息中的艺术要素安排,其理论则是罗兰·巴特的符号学理论。影片中的信息包含了许多犯罪信息。电影在每个场景中都有能指和所指的意义。犯罪信息包括抢劫、谋杀、强奸、袭击和威胁。这部电影中犯罪信息的含义描述了当今人们生活中的错误。影片运用了很好的艺术安排元素,注重每一个镜头的美学,使得这样一部电影能够呈现出符合社会现实的信息。
Artistic Arrangement as Semiotics of Criminal Messages in the Film “Marlina Si Pembunuh dalam Empat Babak”
The purpose of this study is to determine semiotics in the artistic arrangement of criminal messages in the film “Marlina Si Pembunuh dalam Empat Babak” (Marlina the Murderer in Four Acts). It uses a qualitative descriptive method that describes in detail the problems shown in this study. The analysis technique used is Roland Barthes' semiotic analysis where this theory is divided into two i.e. signifier and signified. The concept used is criminal messages in the elements of artistic arrangement, then the theory is the semiotic theory from Roland Barthes. The messages in the film contains many criminal ones. The film has meanings of signifier and signified in each scene. The criminal messages include robbery, murder, rape, assault, and threats. The meaning of the criminal message in this film describes the mistakes in people's lives today. The film has applied good elements of artistic arrangement, which pays attention to the aesthetics of each shot, so that such a film is able to present messages that are in accordance with the reality in society.