{"title":"Pepe-Lamartine Una polemica letteraria e un duello per il Risorgimento","authors":"G. Paolini","doi":"10.34102/itde/2019/5555","DOIUrl":"https://doi.org/10.34102/itde/2019/5555","url":null,"abstract":"Il saggio ricostruisce le reazioni provocate a Firenze dalla pubblicazione di Le dernier chant du pelerinage d’Harold di Alphonse de Lamartine (1825), ispirato all'opera incompiuta di Lord Byron. Il ritratto dell'assoluta decadenza dell'Italia contemporanea, con la definizione dei suoi abitanti di \"polvere d'uomini\", indignò gli intellettuali, che avrebbero voluto rispondere nell'Antologia di Vieusseux, il periodico più importante dell'epoca. Pietro Giordani intendeva anche rispondere a Lamartine pubblicando un saggio sulle Operette Morali del giovane (e ancora sconosciuto) Giacomo Leopardi, interpretato come un grande e vivente italiano. La censura ha impedito questa e altre risposte, ma non un aspro riferimento contenuto in un opuscolo dell'esiliiato napoletano Gabriele Pepe. Ferito nell'orgoglio, Lamartine (all'epoca responsabile dell'ambasciata francese a Firenze) sfidò Pepe a duello. La vittoria di Pepe suscitò un grande entusiasmo a Firenze e in tutta Italia. Il tema dell'onore offeso e vendicato con una prova di valore divenne una costante e fu imitato molte altre volte, nella realtà e nella letteratura, alimentando l'immaginazione di diverse generazioni.","PeriodicalId":34123,"journal":{"name":"Italianistica Debreceniensis","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49323377","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Le Rime di Bernardo Cappello","authors":"Irene Tani","doi":"10.30687/978-88-6969-257-4","DOIUrl":"https://doi.org/10.30687/978-88-6969-257-4","url":null,"abstract":"Bernardo Cappello (Venezia 1498 ca.-Roma 1560), member of one of the oldest patrician families of Venice, played an active role in the politics of the Venetian Republic, until his exile in 1540. After that, he became a collaborator and a protégé of cardinal Alessandro Farnese, who is one of the most significant figures of the century. Then he took refuge in Rome, where over the years he held varied appointments. Since his youth and in parallel with his political career, Cappello constantly devoted himself to humanistic studies and to rhymes production: pupil of Pietro Bembo, interlocutor of Giovanni Della Casa and close friend to Bernardo Tasso, the author is among the greatest exponents of the sixteenth-century Petrarchism. For the first time the critical edition of Rime by Bernardo Cappello is here given, namely the book of 353 compositions that the author elaborated on the pattern of Bembo’s directives, over a large period of time. In his book of poetry (canzoniere), through lyrical pieces, the author creates his own existential and biographical path. Regarding the evolution of the architecture of Cappello’s collection, four witnesses survived, in which we distinguish different phases: the first one is genetic and manuscript (Roma, Biblioteca Casanatense, 277), with addition of corrections that generally are close to the textual variants of the princeps; the second is the print of 1560 for the press of the Guerra brothers; finally, a further evolutionary stage is represented by two postillated prints. To these witnesses a rich miscellaneous tradition is added, which, for a large number of rhymes, restores the elaborative complexity through multiple genetic forms. Poems ousted from the ancient print, but part of the canzoniere in other phases of composition, are included in this critical edition.","PeriodicalId":34123,"journal":{"name":"Italianistica Debreceniensis","volume":"131 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78673049","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Prigionieri di guerra ungheresi all’Aquila (1915-1919)","authors":"Bálint Takács","doi":"10.34102/italdeb/2018/4669","DOIUrl":"https://doi.org/10.34102/italdeb/2018/4669","url":null,"abstract":"The aim of this paper is to present the life of Hungarian prisoners of war in the internment camps of L’Aquila, a city situated in the central part of Italy, during and after the Great War. The POWs were first detained in the caserma Castello (Castle barracks), which is a 16th-century fortress where units of the Italian Army were stationing as well at that time. This made it possible for the POWs to lead a relatively idyllic life, whose various aspects are examined in the paper, such as nutrition, accommodation, clothing, correspondence, religious life, daily routine and employment. The sources used include archival documents, two memoirs of ex-POWs and newspaper articles. The comfortable life of the POWs was dimmed by the lack of their families and the Homeland, the idleness and certain infectious diseases. From the summer of 1916, the prisoners were employed in agricultural and industrial works outside the prison camp and were hence transferred from the fortress to barracks and unused churches. It is unknown when the last Hungarian POW left L’Aquila, and yet one of them is proven to have been there still in July 1919.","PeriodicalId":34123,"journal":{"name":"Italianistica Debreceniensis","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49165937","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Cogas, janas e le altre: le creature mitiche e fantastiche nella letteratura e nel cinema sardi","authors":"M. Mereu","doi":"10.34102/ITALDEB/2018/4661","DOIUrl":"https://doi.org/10.34102/ITALDEB/2018/4661","url":null,"abstract":"Sardinian contemporary literature and films have recently recovered an extensive heritage of folk myths and legends taken from the oral tradition. Legendary figures, such as accabadoras (female figure who was enabled with the task of easing the sufferings of the dying people), and fantasy creatures, such as cogas, surbiles (‘vampire witches’), janas (‘fairies, pixies’), and panas (‘the ghosts of women who died in childbirth’) are being revived by writers and film directors with the purpose to bring their memory back to life and share it with a wide audience of readers and spectators. \u0000The analysis of imaginary and legendary creatures in Sardinian contemporary literature cannot overlook orality and its central role in shaping popular imagination over the centuries. Writing has replaced orality, whilst mass media and digital media are getting the upper hand over storytelling as a practice of community and family aggregation, meant to mark the long working hours and scare the children, amongst the most common functions of Sardinian oral storytelling. \u0000The literary corpus includes fairy tales, novels, tales and legends dealing with the Sardinian oral tradition, whilst on the cinematic side I will examine short films, feature films and documentaries made in Sardinia over the last fifteen years.","PeriodicalId":34123,"journal":{"name":"Italianistica Debreceniensis","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43627176","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"«Trista è tal arte e tristo quel che spende / tutto il suo tempo in opra così vile»: edizione critica e commento dell’Alfabeto de’ giuocatori di Giulio Cesare Croce","authors":"Gloria Camesasca","doi":"10.34102/italdeb/2018/4665","DOIUrl":"https://doi.org/10.34102/italdeb/2018/4665","url":null,"abstract":"Giulio Cesare Croce (1550-1609) was a polygraph who composed several poetical works that describe the daily life of the Bolognese people. This paper examines Alfabeto de’ giuocatori, a poem dedicated to the theme of the game and of the vices and virtues of the players. The author analyzes the poem and discusses the transmission of the text and philological variants. The article is concluded by the critical edition and the commentary (regarding philological, linguistic, lessical and literary aspects).","PeriodicalId":34123,"journal":{"name":"Italianistica Debreceniensis","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46390182","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Goliarda Sapienza atipica “giornalista militante”","authors":"Alessandra Trevisan","doi":"10.34102/ITALDEB/2018/4670","DOIUrl":"https://doi.org/10.34102/ITALDEB/2018/4670","url":null,"abstract":"This paper retraces Goliarda Sapienza’s no-fiction production between 1981 and 1988, considering in particular two feminist reviews of that period such as «Quotidiano Donna» and «Minerva: l’altra metà dell’informazione» on which she wrote articles about society, most of them never considered before today. Excluding the topic of the prison in her most important novels L’università di Rebibbia (1983) and Le certezze del dubbio (1987), the 80s could be defined as a moment of experience inside and beyond the Italian political context. Her reflections on Feminism authorize an interpretation of her “anomalous” way of thinking. At the end, the need to belong to a group will also open the following season.","PeriodicalId":34123,"journal":{"name":"Italianistica Debreceniensis","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43990500","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La novella Libertà di Verga e la demitizzazione della retorica risorgimentale","authors":"M. Cimini","doi":"10.34102/italdeb/2018/4672","DOIUrl":"https://doi.org/10.34102/italdeb/2018/4672","url":null,"abstract":"Giovanni Verga’s tale Libertà has often been object of multifaceted – and frequently discording –critical interpretations, being the most common readings those of who saw in it a clear bias for the Italian Risorgimento (despite its violent development), and those who read it as an expression of resilient skepticism by the author towards the same historic event. Leonardo Sciascia, for example, uses the term “mystification” to describe Verga’s attitude towards Bronte’s insurrection, at a time – 1860 – when Garibaldi was carrying out his well-known Expedition of the Thousand. \u0000The essay goes through all the noteworthy moments of this critical tradition, eventually deducting that it is by no means possible to draw firm assertions about Verga’s political ideology with the sole literary work as a point of reference. It argues instead that the author’s literary eminence must be seen in his outstanding ability to raise such a vast array of multilayered interpretations in the readers.","PeriodicalId":34123,"journal":{"name":"Italianistica Debreceniensis","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46380985","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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