Italianistica Debreceniensis最新文献_第5页

Sardegna tra leggenda e realtà: ‘Sa femmina accabadora’, colei che dà la buona morte, nelle immagini e nelle parole di alcuni autori sardi 传说与现实之间的撒丁岛：一些撒丁岛作家的图像和文字中的“Sa femmina accabadora”，一个善终的人

Italianistica Debreceniensis Pub Date : 2018-12-01 DOI: 10.34102/italdeb/2018/4662

Gisella Murgia

{"title":"Sardegna tra leggenda e realtà: ‘Sa femmina accabadora’, colei che dà la buona morte, nelle immagini e nelle parole di alcuni autori sardi","authors":"Gisella Murgia","doi":"10.34102/italdeb/2018/4662","DOIUrl":"https://doi.org/10.34102/italdeb/2018/4662","url":null,"abstract":"The term accabadora refers to a woman entrusted with the task of facilitating the passing of the dying people. She killed for pity, called by the families of the patients to relieve their sufferings on their own deathbed. Basically, she practiced a sort of ante litteram euthanasia. But that carried out by the woman was also a necessary action for the survival of relatives who, most of the time, did not have the necessary resources to alleviate the sufferings of the kinsmen. Furthermore, in small towns, the doctor was often several days away on horseback. While the accabadora took life away, on the other hand, she gave it back, helping the women of her community to give birth. Everyone in the village knew the activity of these women but all of them were silent. They were convinced that the work of the accabadora was a meritorious work because it took the burden of putting an end to the sufferings of the patient. They implicitly recognized in it a social utility. After outlining the figure of 'sa fèmmina practica', this report analyses some works by Sardinian authors who are interested in it. Above all, we will mention the novel by Michela Murgia, Accabadora (Campiello prize 2010); the film by Enrico Pau, L'accabadora; the novels L’ultima agabbadòra by Sebastiano Depperu and L'agabbadora. La morte invocata by Giovanni Murineddu; the short film Deu ci sia by Gianluca Tarditi, winner of the 2011 Golden Globe at 48th New York Film Festival; Ho visto agire s’accabadora by Dolores Turchi; Eutanasia ante litteram in Sardegna. Sa femmina accabadora by Alessandro Bucarelli and Carlo Lubrano and S’accabadora e la sacralità del femminino of Maria Antonella Arras.","PeriodicalId":34123,"journal":{"name":"Italianistica Debreceniensis","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48584935","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Gramsci and The South as a Space of Emancipation 葛兰西与作为解放空间的南方

Italianistica Debreceniensis Pub Date : 2018-12-01 DOI: 10.34102/ITALDEB/2018/4660

Antonio Fontana

{"title":"Gramsci and The South as a Space of Emancipation","authors":"Antonio Fontana","doi":"10.34102/ITALDEB/2018/4660","DOIUrl":"https://doi.org/10.34102/ITALDEB/2018/4660","url":null,"abstract":"The paper will actively engage with the contradictions found in Gramsci in an attempt to tease out the elements of emancipation found in his thought, as well as a sub-culture of opposition against Western notions of rationality. Antonio Gramsci’s analysis of the Italian South and of the Southern Italian peasantry in relation to the formation of a radical politics of emancipation constitutes one of the most salient features of his critique of orthodox Marxism. I argue that for the Italian Marxist theorist, the liberation of the Italian peasantry is not only a project of social, economic and political emancipation. Rather, the peasantry’s emancipation is also seen as a project of cultural liberation, a liberation from the dominant strands of rationalist and positivist Enlightenment thought, which Gramsci saw as encapsulated in Crocean philosophy. For Gramsci, the task of the organic intellectuals is to create an ideational sphere in which the colonized South can potentially articulate and celebrate a culture that has historically been deemed backward and primitive. However, Gramsci’s analyses of the South also contain historicist encrustations, which create a dialectical tension in his theory of politico-cultural emancipation that has never really been solved. I argue that the positivist and progressionist encrustations of Gramsci’s program for the emancipation of the South is an instantiation of a wider, Western, 19th and 20th century intellectual tradition which conflates “progress” as such with emancipation, a tradition that goes beyond the Italian and European context, and that is even paralleled by the model for black emancipation in the American South put forth by a figure as seemingly divergent as, say, W.E. B. Du Bois in the The Souls of Black Folk (1903).","PeriodicalId":34123,"journal":{"name":"Italianistica Debreceniensis","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47401481","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Last Mother: From Enrico Pau’s L’accabadora (2015) to Valeria Golino’s Miele (2013) 《最后的母亲》：从Enrico Pau的《L’accabadora》（2015）到Valeria Golino的《Miele》（2013）

Italianistica Debreceniensis Pub Date : 2018-12-01 DOI: 10.34102/italdeb/2018/4663

Bernadette Luciano

{"title":"The Last Mother: From Enrico Pau’s L’accabadora (2015) to Valeria Golino’s Miele (2013)","authors":"Bernadette Luciano","doi":"10.34102/italdeb/2018/4663","DOIUrl":"https://doi.org/10.34102/italdeb/2018/4663","url":null,"abstract":"L'accabadora, is a Sardinian term deriving from the Spanish word 'acabar' which means to finish or complete. It refers to a female figure in Sardinian popular tradition, 'the last mother', an angel of mercy who assists the terminally ill in leaving the world. In this paper I explore variations of this female figure in two contemporary films. Enrico Pau's film L'accabadora set in pre- and World War II Sardinia, revolves around a protagonist (Annetta) who is a direct descendant of this Sardinian tradition. The second film, Valerio Golino's Miele, proposes what might be considered a contemporary variant of the Sardinian folk figure. While the tabu subject of euthanasia certainly forms the backdrop to the films, what is foregrounded is the isolation and alienation of the female protagonists who carry out care-giving roles tied to death. Torn between the conviction that the tasks they perform as “last mothers” console or provide final moments of serenity to the dying and an intangible discomfort with their execution of the task, they remain seemingly haunted by their roles, exhibiting an unease that arises from societal discomfort with administering death and a profession that requires that they direct their care to the dying rather than to the living. The representation of the films’ protagonists, their framing and the construction of the journeys they undertake, turn both films into narratives of self-discovery, motivated by encounters with others and otherness, and visually configured by the physical mobility across transformed geo-political landscapes that is central to the films.","PeriodicalId":34123,"journal":{"name":"Italianistica Debreceniensis","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46974885","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Traduzioni belles infidèles. Commenti a quelle dei componimenti lubrici di Domenico Tempio 翻译中的美女。多梅尼科Tempio润滑部件的评述

Italianistica Debreceniensis Pub Date : 2018-12-01 DOI: 10.34102/italdeb/2018/4668

C. Monzone

引用次数: 0

La Sardegna dei linguisti e la Sardegna per i turisti: consonanze e dissonanze discorsive a inizio Novecento 语言学家的撒丁岛和游客的撒丁：二十世纪初的辅音和话语不和谐

Italianistica Debreceniensis Pub Date : 2018-12-01 DOI: 10.34102/italdeb/2018/4658

Diego Stefanelli

引用次数: 0

Per una grammatica del sogno nel «Decameron». Forme e strutture delle novelle a tema onirico 《十项全能》中的梦想语法。以梦为主题的小说的形式和结构

Italianistica Debreceniensis Pub Date : 2018-12-01 DOI: 10.34102/italdeb/2018/4664

Tancredi Artico

引用次数: 1

Ondina e le ondine Questioni di raffigurazione (verbale e iconografica) della donna sportiva nell’Italia fascista (1933 ca.) 意大利法西斯主义(1933年)

Italianistica Debreceniensis Pub Date : 2018-12-01 DOI: 10.34102/italdeb/2018/4667

Marco Giani

引用次数: 0