《十项全能》中的梦想语法。以梦为主题的小说的形式和结构

Tancredi Artico
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引用次数: 1

摘要

本文以《薄伽丘十日谈》中的梦性问题为研究对象,旨在对薄伽丘的整体“梦性语法”进行界定:除了对《十日谈》从古典文学到中世纪文学的来源进行准确考察外,还追溯了以梦性为主题的短篇小说的叙事结构,并假设存在两种主要模式。在关于视觉的短篇小说(这是最著名的)中,由于创造了一个有自己规则的想象世界,它几乎总是回答“故事中的故事”的方案。与此同时,在骗人的短篇小说中,梦可以用来欺骗天真的对手,使他相信一些不可思议的事情。在这两种情况下,它都对所谓的“现实法规”(Amedeo Quondam)产生了深刻的影响:在第一种情况下,有一种新的现实的发明;在第二种情况下,它被解构了。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Per una grammatica del sogno nel «Decameron». Forme e strutture delle novelle a tema onirico
This paper takes into account the oneiric issue in Giovanni Boccaccio Decameron, with the aim of defining Boccaccio’s overall “grammar of dreaming”: besides an accurate investigation on Decameron’s sources, which range from classic to Medieval literature, it retraces the narrative constructions of the short-novels with oneiric subjects, hypothesizing the existence of two main schemes. In the short-tales on a vision (which are the most known), it is almost always replied the scheme of the “tale in the tale”, due to the creation of a imaginary world with its own rules. Meanwhile, in the short tales of deceiving, the dream is useful to trick the naive antagonist, making him believe something unbelievable. In both cases, it has a deep influence on the so-called “statute of reality” (Amedeo Quondam): in the first, there is the invention of a new reality; in the second it is deconstructed instead.
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