AMP: American Music Perspectives最新文献

Whose Crisis Is It?: Embodied Resistance and Sonic Warfare 这是谁的危机?:体现抵抗和声波战争

AMP: American Music Perspectives Pub Date : 2021-12-01 DOI: 10.5325/ampamermusipers.2.2.0184

Carolin Müller

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Editors’ Note: Sound and Affect in Times of Crisis ★ ★ ★ 编者注:危机时刻的声音与情感★★★

AMP: American Music Perspectives Pub Date : 2021-12-01 DOI: 10.5325/ampamermusipers.2.2.0117

Christine Capetola, Dan DiPiero

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For the DJ Tells Me So?: Genre, Community, and the Construction of Christian Hip-Hop 因为DJ是这么告诉我的?基督教嘻哈音乐的体裁、社群与建构

AMP: American Music Perspectives Pub Date : 2021-12-01 DOI: 10.5325/ampamermusipers.2.2.0211

Derek Blackwell

{"title":"For the DJ Tells Me So?: Genre, Community, and the Construction of Christian Hip-Hop","authors":"Derek Blackwell","doi":"10.5325/ampamermusipers.2.2.0211","DOIUrl":"https://doi.org/10.5325/ampamermusipers.2.2.0211","url":null,"abstract":"\u0000 To the outsider, Christian hip-hop may appear to have an identity crisis. While the label “Christian hip-hop” (CHH) is seemingly straightforward, differing views on how the genre should be defined have made distinctions between who is considered a CHH artist and who is not increasingly difficult to pin down. This study investigates the construction of CHH by looking to some of the leading voices in the CHH community—media practitioners. Through in-depth interviews with journalists, radio personalities, and other influential tastemakers, this article attempts to uncover the standards that are used to draw out the boundaries of CHH. Findings point to three defining characteristics of CHH: (1) “clean” lyrics and lifestyle, (2) a conscious commitment to promoting both the Christian faith and the CHH community, and (3) a conflicted stance over CHH’s relationship to mainstream (i.e., secular) hip-hop. In a genre that explicitly seeks to provide more than entertainment—where recording artists often function not just as performers but as faith leaders—this article carries important implications not only for the music industry but for Christianity as a whole.","PeriodicalId":339233,"journal":{"name":"AMP: American Music Perspectives","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129876368","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Musical Introspection and the Affective Group-en-Fusion: Existential Reckoning with the Political and Climate Crises 音乐内省和情感群体融合:政治和气候危机的存在主义清算

AMP: American Music Perspectives Pub Date : 2021-12-01 DOI: 10.5325/ampamermusipers.2.2.0158

R. Elliott

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Climate Games, the Blue Humanities, and Listening to the Deep-Sea Ecosystems in Games in a Time of Ecological Crisis 气候游戏、蓝色人文与聆听生态危机时代游戏中的深海生态系统

AMP: American Music Perspectives Pub Date : 2021-12-01 DOI: 10.5325/ampamermusipers.2.2.0139

Kate Galloway

{"title":"Climate Games, the Blue Humanities, and Listening to the Deep-Sea Ecosystems in Games in a Time of Ecological Crisis","authors":"Kate Galloway","doi":"10.5325/ampamermusipers.2.2.0139","DOIUrl":"https://doi.org/10.5325/ampamermusipers.2.2.0139","url":null,"abstract":"\u0000 Abzû, released in 2016 by Giant Squid Studios, is an underwater adventure exploration game where the player plays as an unspeaking protagonist, known as the Diver, who communicates only through sonic “pings” as they navigate the unexplored depths of the ocean. In this discussion of the aquatic ecosystem modeling and sound design of Abzû and its relationship to narrative and game mechanics, the author applies approaches from the blue humanities and Stefan Helmreich’s concept of the “alien ocean,” a term he reclaims from the marine biologists who used it to describe the “strangeness” of the creatures they were investigating, to address how players interact with and come to understand in-game deep-sea soundscapes that are beyond human perception and experienced by playing as an AI exploration entity. The article considers how inequities in power and agency are translated into constructions of knowledge and the epistemological framing and scoring the nonhuman “other” (and what that communicates about being human) in environmental art that explores environments uninhabited by human life. In Abzû, the author looks at what the framework of the blue humanities and blue media can shape the discussion of ecological game sound design.","PeriodicalId":339233,"journal":{"name":"AMP: American Music Perspectives","volume":"62 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129088869","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

“It’s Brutal Out Here”: Adolescence, Betrayal, and Vulnerability in Olivia Rodrigo’s SOUR “外面很残酷”:奥利维亚·罗德里戈的《酸味》中的青春期、背叛和脆弱

AMP: American Music Perspectives Pub Date : 2021-12-01 DOI: 10.5325/ampamermusipers.2.2.0198

Kate Hamori

引用次数: 1

Sounding Suspension and the Unresolved: Pandemic Grief as Accumulation in Coco Fusco’s Your Eyes Will Be an Empty Word 悬停和未解决:在可可·弗斯科的《你的眼睛将是一个空洞的词》中，作为积累的流行病悲伤

AMP: American Music Perspectives Pub Date : 2021-12-01 DOI: 10.5325/ampamermusipers.2.2.0123

I. Blake

{"title":"Sounding Suspension and the Unresolved: Pandemic Grief as Accumulation in Coco Fusco’s Your Eyes Will Be an Empty Word","authors":"I. Blake","doi":"10.5325/ampamermusipers.2.2.0123","DOIUrl":"https://doi.org/10.5325/ampamermusipers.2.2.0123","url":null,"abstract":"\u0000 Coco Fusco’s video Your Eyes Will Be an Empty Word (2021) grapples with the affects, temporalities, silences, and losses of the COVID-19 pandemic that continue to be unevenly experienced, even in death. The film centers on New York’s Hart Island, where a mass grave was reopened during the pandemic; those whose bodies were not claimed within forty-eight hours were buried there, interred by those imprisoned on Rikers Island. While critical receptions of the work have focused on its visual components, particularly the use of aerial drone images of the island and of Fusco in a rowboat, this article examines how the sonic components of the work—the sounds of the waves, the narration performed by poet Pamela Sneed, and the experimental violin music composed and performed by Pauline Kim Harris—draw the viewer into an affective engagement with the suspended grief of the pandemic. Drawing on works from ethnic studies, sound studies, and memory studies, this article argues that Fusco uses suspension as a visual and sonic strategy to reckon with how unresolved social histories accumulate and can be felt in the body, prompting movement toward modes of care and remembrance that refuse violent bureaucratic logics of desensitization and discardability.","PeriodicalId":339233,"journal":{"name":"AMP: American Music Perspectives","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128506629","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Object-Oriented Sociality: Marina Rosenfeld’s Sound Installation Art 面向对象的社会性:Marina Rosenfeld的声音装置艺术

AMP: American Music Perspectives Pub Date : 2021-12-01 DOI: 10.5325/ampamermusipers.2.2.0171

Jennifer Smart

{"title":"Object-Oriented Sociality: Marina Rosenfeld’s Sound Installation Art","authors":"Jennifer Smart","doi":"10.5325/ampamermusipers.2.2.0171","DOIUrl":"https://doi.org/10.5325/ampamermusipers.2.2.0171","url":null,"abstract":"\u0000 Marina Rosenfeld’s artistic practice is guided by the questions of what (and where) music can or should be. Over the last three decades, the artist and composer has explored these questions through both large-scale performances and intimate multimedia gallery installations, which, as she describes it, are invested in “acoustic architectures and experimental forms of sociality.” This article focuses on Rosenfeld’s gallery installations to consider the ways in which her multimedia work transforms the art gallery into a performative space. By closely attending to the materiality of Rosenfeld’s visual and sonic objects in a recent exhibition, this article explores the manner in which sound-based installation art affords an opportunity to grasp music’s dispersed object-hood as it circulates through and across materials, feelings, and spaces. The author argues that Rosenfeld’s installation practice reveals both music and sonic experience more broadly to be a multimedia, collaborative activity, and affords an opportunity to, in the words of Will Straw, trace the inescapable manner in which sound’s “technologies and assemblages” contribute to its shared social “meaning, affect, and memory.”","PeriodicalId":339233,"journal":{"name":"AMP: American Music Perspectives","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132360495","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Altered Voices and Gender-Bending: Prince, Camille, Opera, and Society 《变声与性别扭曲:王子、卡米尔、歌剧与社会

AMP: American Music Perspectives Pub Date : 2021-02-01 DOI: 10.5325/ampamermusipers.2.1.0094

Twila L. Perry

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Prince Is on the Radio! On-air Influences and Online Legacies 王子在广播里!直播影响和网络遗产

AMP: American Music Perspectives Pub Date : 2021-02-01 DOI: 10.5325/ampamermusipers.2.1.0015

Sam Coley

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