王子在广播里!直播影响和网络遗产

Sam Coley
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引用次数: 0

摘要

这篇文章探讨了普林斯与传统广播的联系,以及他在数字音频平台上的存在。我认为他对这种媒介很有亲和力,对广播的工作原理也有与生俱来的理解。正如马特·索恩(Matt Thorne, 2012, 17)所评论的那样,人们对普林斯早期收听电台的经历做了很多评价,尤其是“白人和黑人音乐的结合可能塑造了他的声音”。我认为,早期折衷主义广播节目的影响给普林斯后来的艺术作品留下了不可磨灭的印记。明尼阿波利斯当地dj的自我策划的播放列表让他接触到不同的艺术家,并帮助他形成了独特的影响组合。这篇文章还考虑了电台对普林斯的审查,以及他在获得播放方面的成功和失败。我将亨利·詹金斯关于参与式粉丝文化的理论应用到与王子有关的播客的创建中——粉丝们努力提供对他非凡的生活和事业的洞察。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Prince Is on the Radio! On-air Influences and Online Legacies
This article explores Prince’s associations with traditional radio as well his presence on digital audio platforms. I suggest he had affinity for the medium and an innate understanding of how radio works. As Matt Thorne (2012, 17) comments, much has been made of Prince’s early radio listening, especially the combination of “white and Black music that may have shaped his sound.” I argue that the impact of eclectic radio programming at an early age left an indelible imprint on Prince’s subsequent artistic output. The self-curated playlists of local Minneapolis DJs exposed him to disparate artists and helped form his unique amalgam of influences. This article also considers the censorship of Prince on the radio and his successes and failures in gaining airplay. I apply Henry Jenkins theories on participatory fan culture to the creation of Prince-related podcasts—fan endeavours that offer insight into his remarkable life and career.
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