“It’s Brutal Out Here”: Adolescence, Betrayal, and Vulnerability in Olivia Rodrigo’s SOUR

Kate Hamori
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引用次数: 1

Abstract

Olivia Rodrigo’s debut album SOUR (2021) is a concept album about betrayal. Although the album’s adolescent themes suggest that it was designed for a teen audience, its cultural impact reached beyond this target demographic, achieving critical acclaim and popularity across multiple generations. This article draws on Jennifer Freyd’s theory of betrayal trauma to suggest that Rodrigo’s emotional vulnerability in SOUR resonated with widespread feelings of betrayal and distress regarding the COVID-19 pandemic, and that the album’s themes of adolescence presented a nostalgic setting in which listeners could cope with pandemic-related trauma without having to fully acknowledge or understand its source. Using SOUR as a case study, this article contributes to ongoing scholarly conversations about youth musical culture by demonstrating how the comfort listeners draw from nostalgic teen music can reach beyond escapism to contribute meaningfully to processes of coping and healing in times of great sorrow and betrayal.
“外面很残酷”:奥利维亚·罗德里戈的《酸味》中的青春期、背叛和脆弱
Olivia Rodrigo的首张专辑《SOUR》(2021)是一张关于背叛的概念专辑。虽然这张专辑的青少年主题表明它是为青少年观众设计的,但它的文化影响超出了这一目标人群,在几代人之间获得了好评和欢迎。本文借鉴了詹妮弗·弗雷德(Jennifer Freyd)的背叛创伤理论,认为罗德里戈在《SOUR》中的情感脆弱性与COVID-19大流行中普遍存在的背叛和痛苦感产生了共鸣,这张专辑的青少年主题呈现了一种怀旧的环境,听众可以在不完全承认或理解其来源的情况下应对与流行病相关的创伤。以SOUR为例,本文通过展示从怀旧的青少年音乐中汲取安慰的听众如何超越逃避现实,在巨大的悲伤和背叛中为应对和治愈的过程做出有意义的贡献,从而为正在进行的关于青年音乐文化的学术对话做出贡献。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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