{"title":"Reconceptualizing Feminist Utopias: Marge Piercy’s Woman on the Edge of Time and Margaret Drabble’s The Millstone","authors":"Bethan Tyler","doi":"10.5399/uo/ourj.14.1.6","DOIUrl":"https://doi.org/10.5399/uo/ourj.14.1.6","url":null,"abstract":"Theories of feminist utopia tend to focus on its presence within science/speculative fiction, upholding works like Marge Piercy’s 1976 novel Woman on the Edge of Time as exemplars of the genre. Literary critics typically designate this novel’s vision of the future, the community of Mattapoisett, as a source of radical, mobilizing inspiration for feminists. I will argue against this reading by attesting that Mattapoisett presents a regressive model of feminism in its failure to permit women the choice of (traditional) maternity and, moreover, does not sufficiently distance itself from that which is condemned in the novel’s dystopian present – the stripping of women’s reproductive agency. Mattapoisett thus fails to fulfill half of Sally Miller Gearhart’s essential criteria for the identification of feminist utopia. By contrast, I argue that Margaret Drabble’s 1965 novel, The Millstone, presents a radical vision of maternity, as divorced from patriarchy, that aligns with threads of the feminist movement yet to come at the time of its publication, and that this, under Gearhart’s framework, strongly suggests the presence of a feminist utopia. This is striking in that the novel is categorized as a work of realism, rather than science fiction. By revealing the vision of feminism within a speculative fiction novel to be retrograde in comparison with that of a realistic novel, I argue that feminism unyokes realism from the present, thus collapsing boundaries between genres, and making a case for the study of the feminist utopia in realms beyond","PeriodicalId":338305,"journal":{"name":"Oregon Undergraduate Research Journal","volume":"41 21","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120823221","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Art Feature: “Precipice of Discovery”","authors":"Carmen Theresa Sanchez-Reddick","doi":"10.5399/uo/ourj/21.1.3","DOIUrl":"https://doi.org/10.5399/uo/ourj/21.1.3","url":null,"abstract":"Aboard the R/V Atlantis, ALVIN awaits deployment with one pilot and two scientists within its hull excited for the unknowns they may encounter on the sea floor. ALVIN, a human-occupied submersible owned by the U.S. Navy and operated by the Woods Hole Oceanographic Institution, represents the leading edge of exploration. This is exemplified by its use in the discovery of the Titanic’s location and deep-sea hydrothermal vents, key habitats in an environment without light. Our understanding of the deep sea and its inhabitants remains limited, especially compared to more accessible marine communities. Fortunately, there are marine biologists, including those at the University of Oregon, dedicated to exploring and advancing our knowledge about the deep sea. The Young Lab at the Oregon Institute of Marine Biology, the UO’s satellite campus in Coos Bay, Oregon, is dedicated to bringing undergraduates on research cruises that use ALVIN and other deep sea exploration vehicles to participate in multi-institutional, multi-disciplinary research. Undergraduate research allows students the opportunity to gain invaluable skills in bench work, scientific writing, networking, and field-specific methodologies, but it can also instill wonder. Working at sea with leading scientists, I have realized that there is so much we don’t know and that there are so many questions left to be answered by the next generation of researchers. By conducting research as undergraduates, we are developing our skills and curiosity to be trailblazers in our respective fields at the precipice of discovery, just like ALVIN has been for the last 58 years.","PeriodicalId":338305,"journal":{"name":"Oregon Undergraduate Research Journal","volume":"35 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125579004","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Caliban Yisrael: Constructing Caliban as the Jewish Other in Shakespeare’s The Tempest","authors":"DeForest Ariyel Rolnick-Wihtol","doi":"10.5399/uo/ourj/16.1.2","DOIUrl":"https://doi.org/10.5399/uo/ourj/16.1.2","url":null,"abstract":"This paper seeks to introduce new data into the discussion of William Shakespeare’s portrayal of Jewish people through intertextual and close reading of Shakespeare’s The Tempest and The Merchant of Venice, sections from the Geneva Bible, and primary documents discussing Anglo-Jewish life in the Elizabethan era. Shakespeare’s relationship to and purported views of Jewish people have been scrutinized for centuries. However, almost all conclusions put forth by scholars about Shakespeare’s ties to Elizabethan Jewish communities and anti-Semitism have been drawn from one work, The Merchant of Venice. Merchant contains Shakespeare’s only explicitly Jewish characters, Shylock and his daughter, Jessica, although she happily converts to Christianity. In this paper, I propose that Shakespeare has an implicitly Jewish character lurking in The Tempest: Caliban, the play’s main antagonist, a native to the island on which the play is set, and Prospero and Miranda’s slave. I will support the interpretation of Caliban as a Jewish-coded figure through cross-reading The Tempest with The Merchant of Venice, sections of the Geneva Bible, and non-fiction testimonials from English residents during and before the Elizabethan era. Using both these plays alongside other scholarly and historical texts, I will bring cultural and historical context to these portrayals in order to explore a deeper understanding of the complicated and nuanced depictions of Jewish people in Shakespeare’s work.","PeriodicalId":338305,"journal":{"name":"Oregon Undergraduate Research Journal","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121652310","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“You Shall Not Oppress a Resident Alien”: The Conception of Immigrants in the Hebrew Bible","authors":"Miriam Thielman","doi":"10.5399/uo/ourj/18.1.5","DOIUrl":"https://doi.org/10.5399/uo/ourj/18.1.5","url":null,"abstract":"An increase in global immigration has resulted in humanitarian crises across the world as countries struggle to respond to the growing number of refugees and asylum seekers arriving at their borders. Understanding the specific messages within the Hebrew Bible regarding immigrants is important for developing faith-informed responses to immigrants and refugees. Religion often influences people’s beliefs, actions, and even the policy decisions for which they advocate, and the various forms of Christianity practiced in the United States frequently use the Hebrew Bible and New Testament as their sacred instructive texts. A detailed study of relevant portions of the Hebrew Bible, coupled with analysis of biblical commentaries and scholarly criticism, suggests that the Bible underscores the imperative to care for the most vulnerable members of society, as well as to include immigrants in the community. Arguably, people of faith should take this overarching message into account when considering how to respond to immigrants’ arrival in the United States. Note to the Reader: The books of the Bible were originally written in biblical Hebrew, Aramaic, or Greek, depending on the time period in which each book was redacted. Because I do not read biblical Hebrew, all biblical passages quoted in this thesis are from the New Revised Standard Version (NRSV) of the Hebrew Bible. The NRSV is regarded as one of the most accurate and reputable recent English translations of the Bible because it was completed by a committee of biblical scholars. My thesis advisor, Professor Deborah Green, checked the verses cited herein for accuracy against the original biblical Hebrew text and provided corrections to the translation where necessary. Verses that have been corrected from the original NRSV translation are footnoted. Unless otherwise noted, all other verses are from the NRSV translation.","PeriodicalId":338305,"journal":{"name":"Oregon Undergraduate Research Journal","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129947484","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Before the Spectacle: Shaping Gender and Class in Beirut’s Beauty Salons","authors":"Eugenia Lollini","doi":"10.5399/UO/OURJ.14.1.4","DOIUrl":"https://doi.org/10.5399/UO/OURJ.14.1.4","url":null,"abstract":"“Beirut, in the words of one designer, is like a third world city that’s put on some makeup” writes Rima Suqi in the New York Times (2016). Indeed, scholars worldwide have coined Beirut the trendsetting beauty city and nightlife capital of the Middle East. My ethnographic fieldwork in Beirut in July and August 2016 examined the construction of women’s beauty work in salons and how it affected gender and class performances in nightlife venues. Contemporary discourses on the popularity of beauty work and nightlife consumption in Beirut are often explained by the reaction to the Lebanese Civil War, and by postmodern, individualistic attitudes celebrating life, glamour, and living in the moment. However, such assumptions overlook the extent to which social and familial networks constitute women’s bodies in Beirut’s small, interconnected and highly visual upper-middle and upper class society. In my research, I ask: Why are so many young Lebanese women willing to undergo extensive beauty work and engage in opulent nightlife agendas? How do social and familial pressures motivate women’s desire for beauty work? How do women envision and construct gender and class as an outcome of beauty work? How and why do women further class distinctions using beauty work? How do women foster solidarity in the salon space? How do men and women display and perform gender and class in nightlife venues? How do preparation rituals in beauty salons influence women’s performances in nightlife venues and vice versa?","PeriodicalId":338305,"journal":{"name":"Oregon Undergraduate Research Journal","volume":"134 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121339430","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Silent Slaves: Reconstructing Slave Perspectives on the Grave Stele of Hegeso","authors":"A. Garcia","doi":"10.5399/uo/ourj/18.1.2","DOIUrl":"https://doi.org/10.5399/uo/ourj/18.1.2","url":null,"abstract":"The Grave Stele of Hegeso (400 BCE) depicts a ‘mistress and maid’ scene and preserves valuable insights into elite iconography. The stele also explores the experiences of wealthy Athenian women in their social roles and domestic spaces. The slave attendant, if discussed at length, primarily functions as a method of contrast and comparison to her elite master. While the comparison between elite and non-elite women is a valuable interpretation for studies of gender and class in classical Athens, more can be done in regard to examining the slave attendant on the stele, and as a result, examining slave figures in Greek art. Slaves made up a sizeable portion of classical Athenian society and were present in both elite and poor households. However, due to a lack of material and written evidence, the field of classics has not explored the concept of Greek slavery to its full extent. In addition, what little does remain to modern scholars was commissioned or written by elite voices, who were biased against slaves. The remaining elite perspective does provide insight into the role of slaves in classical Athenian households and can be reexamined to find subversive interpretations. This paper explores potential reconstructions for slave perspectives and narratives on the Grave Stele of Hegeso by drawing upon the Attic funerary practices and literary tropes of the Good Slave and Bad Slave in Athenian theater and Homeric epic. This paper also discusses the relationships between masters and slaves, household slave dynamics, and what constitutes the idealized Athenian slave. While the majority of remaining classical material and literary evidence relates to the elite, subversive ideals can be picked out from elite narratives and used to better understand the perspectives of the enslaved, construct frameworks that give voices to disenfranchised groups, and further enrich the study of surviving elite perspectives.","PeriodicalId":338305,"journal":{"name":"Oregon Undergraduate Research Journal","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130411196","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Nuclear Family and Gender Roles in Oregon’s Venereal Disease Campaign: 1911-1918","authors":"D. Fellman","doi":"10.5399/uo/ourj/18.1.3","DOIUrl":"https://doi.org/10.5399/uo/ourj/18.1.3","url":null,"abstract":"The Social Hygiene Society of Portland, Oregon (later renamed the Oregon Social Hygiene Society - or OSHS) was founded in 1911 in order to combat venereal disease in the city and eventually across the state. Oregon’s efforts were part of the broader social hygiene movement taking place across America during the second decade of the twentieth century, which most notably advocated for an equal standard of chastity for men and women. Despite this single standard, promiscuous women (women engaged in premarital sex or sexual relations with multiple sexual partners) were systematically persecuted and punished while men were not. While a large amount of existing scholarship focuses on how the social hygiene movement targeted prostitutes and not the men seeking their services, little work has been done to investigate how the movement viewed husbands and wives within the nuclear family and whether partnerships were equal when it came to combating venereal disease. This paper investigates how the social hygiene campaign in Oregon from 1911 to 1918 viewed the nuclear family and conceptualized parental duties in combating venereal disease. It also analyzes how those duties equalized husbands and wives while simultaneously reflecting social gender norms of the time that relegated women to the home","PeriodicalId":338305,"journal":{"name":"Oregon Undergraduate Research Journal","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125360794","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Journal Editorial — “Reflecting on Accessibility in Scholarly Publishing”","authors":"Franny Gaede, M. Klebes, M. Lollini","doi":"10.5399/uo/ourj/20.1.4","DOIUrl":"https://doi.org/10.5399/uo/ourj/20.1.4","url":null,"abstract":"The University of Oregon and the University Libraries support six open access journals, which is enabled via our Oregon Digital partnership with Oregon State University and the digital publishing expertise within the Libraries’ Digital Scholarship Services department. The editors of these journals are faculty, staff, and students from across the disciplines, working on a variety of platforms and seeking in their own ways to disrupt and augment the scholarly conversation in their areas.","PeriodicalId":338305,"journal":{"name":"Oregon Undergraduate Research Journal","volume":"258 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123062128","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“Bannabees,” Bananas, and Sweet Potatoes: Claude McKay’s Songs of Jamaica and Traditional Jamaican Foodways as a Nationalist Expression","authors":"Sarah Hovet","doi":"10.5399/uo/ourj.14.1.3","DOIUrl":"https://doi.org/10.5399/uo/ourj.14.1.3","url":null,"abstract":"Jamaican poet Claude McKay is largely anthologized for a handful of poems he contributed to the Harlem Renaissance, but his early work authored in Jamaica has long been dismissed for a variety of racist and xenophobic reasons.This overlooked material includes his first two poetry collections, Songs of Jamaica and Constab Ballads, both authored in Jamaica before he moved to New York. His friend, benefactor, and mentor Walter Jekyll even characterized these early collections as “naive.” However, these two collections, which mix traditional English forms with Jamaican peasant dialect, constitute vital parts of McKay’s oeuvre. Songs of Jamaica in particular exhibits a mastery of Jamaican peasant dialect in combination with extensive allusions to traditional folkways in order to make an anti-colonialist, nationalist assertion about Jamaica, the country McKay so loved. I will analyze the role of Jamaican peasant dialect and foodways in making this nationalist assertion in order to advance my claim that McKay’s early poetry is at least as sophisticated and versatile as his subsequent collections authored in the States. By turns, McKay praises native Jamaican crops such as the banana, sweet potato, and Bonavist bean for their gustatory, nutritional, and economic superiority to crops imported by colonialism. Jamaican poet Claude McKay is most commonly known as a prominent figure in the Harlem Renaissance, with the rather unfortunate effect that his diverse oeuvre has been reduced to his 1919 sonnet “If We Must Die,” which protests the social inequality of black people in America. He penned this poem after he moved from Jamaica to New York. In light of this poem and his collection Harlem Shadows, critics often consider his poetry produced in America as the beginning of his serious writing career. They tend to dismiss his two previous poetry collections, Songs of Jamaica and Constab Ballads, both authored in Jamaica, as immature works. Even his friend, benefactor, and mentor Walter Jekyll characterized Songs of Jamaica as stylistically “naive” in his introduction to the volume (McKay 284). However, these two collections, which mix * Sarah Hovet is a senior pursuing English and journalism majors and a creative writing minor in t e Robert D. Clark Honors College. She is currently applying to master s degree programs in English literature and working on her honors thesis. Her research interests include feminism and gender in modern Welsh and Irish literature and syntax in contemporary American poetry, among other diverse topics. Please direct correspondence to shovet@uoregon.edu. Oregon Undergraduate Research Journal Hovet Volume 14 Issue 1 Winter 2019 10 traditional English forms with Jamaican peasant dialect, constitute vital parts of McKay’s oeuvre. Songs of Jamaica exhibits a mastery of Jamaican peasant dialect in combination with extensive allusions to Jamaican folk culture in order to make an anti-colonialist, nationalist assertion about Jamaica, the cou","PeriodicalId":338305,"journal":{"name":"Oregon Undergraduate Research Journal","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131818071","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}