Gestalt Theory最新文献_第4页

Editorial: Color and Space in Perception and Art 社论:感知与艺术中的色彩与空间

Gestalt Theory Pub Date : 2022-08-01 DOI: 10.2478/gth-2022-0011

T. Agostini, B. Spehar

引用次数: 0

A Computational Model of Human Colour Vision for Film Restoration 一种用于胶片还原的人类色彩视觉计算模型

Gestalt Theory Pub Date : 2022-08-01 DOI: 10.2478/gth-2022-0005

A. Plutino, Beatrice Sarti, L. Armellin, A. Rizzi

引用次数: 0

Gestalt Theory and the Network of Traditional Hypotheses 格式塔理论与传统假设网络

Gestalt Theory Pub Date : 2022-08-01 DOI: 10.2478/gth-2022-0003

A. Gilchrist

引用次数: 1

Another Ambiguous Expression by Leonardo da Vinci 达的另一种暧昧表达

Gestalt Theory Pub Date : 2022-08-01 DOI: 10.2478/gth-2022-0001

A. Soranzo

{"title":"Another Ambiguous Expression by Leonardo da Vinci","authors":"A. Soranzo","doi":"10.2478/gth-2022-0001","DOIUrl":"https://doi.org/10.2478/gth-2022-0001","url":null,"abstract":"Abstract The Mona Lisa (1503–6) is probably the most celebrated example of ambiguous expression in art. Soranzo and Newberry (2015) demonstrated that a similar ambiguity can be perceived also in La Bella Principessa (1495–6), another portrait credited to Leonardo da Vinci (1452–1519) by many. The paper aims to show that an ambiguous expression can be perceived in a further painting attributed (although not unanimously) to Leonardo: The Lady with Dishevelled Hair, or La Scapigliata. An experiment was conducted whereby participants rated on a 7-point Likert scale the perceived level of contentment of La Scapigliata and that of a comparable painting created by Andrea di Cione, alias Il Verrocchio. The two artworks were presented in random order to two groups of participants. One group could see the artworks from Close (0.6m) whilst the other group from Far (6m) from a Close (0.6 m) or Far (6 m) condition. Results show that the change of distance affected the perceived level of contentment of Leonardo’s figure but not that of Verrocchio’s. Specifically, whilst both artworks received similar ratings of contentment from the close-up condition, La Scapigliata was perceived to be more content from afar. It is concluded that La Scapigliata exhibits an ambiguous expression, and that this ambiguity is similar to the one observed in the Mona Lisa and La Bella Principessa. This result can be only partially interpreted within the spatial frequency hypothesis advanced by Livingstone (2000) and shows that a phenomenological account of Leonardo’s work might be more suited to capture the full extent of the phenomenon. Specifically, it is suggested that the principles of perceptual belongingness (Wertheimer, 1923) may need to be considered to fully capture the extent of the ambiguity depicted by Leonardo.","PeriodicalId":33799,"journal":{"name":"Gestalt Theory","volume":"44 1","pages":"41 - 60"},"PeriodicalIF":0.0,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48119277","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

Nicolai Hartmann und die Gestalttheorie. Ein Vergleich unter dem Aspekt “Kausalität” 尼古拉哈特曼和托德理论在“因果关系”方面的比较

Gestalt Theory Pub Date : 2021-12-01 DOI: 10.2478/gth-2021-0023

H. Walter

{"title":"Nicolai Hartmann und die Gestalttheorie. Ein Vergleich unter dem Aspekt “Kausalität”","authors":"H. Walter","doi":"10.2478/gth-2021-0023","DOIUrl":"https://doi.org/10.2478/gth-2021-0023","url":null,"abstract":"Summary In 1919 Nicolai Hartmann (NH) convincingly justified that there cannot exist a “general law of causation” as A. Meinong had in mind. For him Meinong’s understanding of causation (linear, successive in time) was bound on the region of the physical layer of being, simultaneously postulating it as the only possible causation there. This is the starting point of the comparison between N. Hartmann‘s understanding of causation and that of the Gestalt Theory, for which neither in psychic nor in natural (physical) context linear-successive causality plays a part. Therefore NH’s conception of 1919 was still completely incompatible with that of the Gestalt Theory despite the fact that he was distancing himself from the “general law of causation” sensu Meinong. 20 years later he changed this by adding the “Wechselwirkung” (interaction) to the linear successive causation in the physical layer. In doing so he approached the Gestalt theoretical position but failed it insofar as for it his linear-successive understanding of causation generally has had its day with regard to natural processes, also consequently for the physical (instead interaction between system and border conditions applies, an interaction of field forces). Thus the term “causation“ had become free for a dynamic concept of causation which is equally appropriate for the physical and the psychic. NH makes this move not until 1949, shortly before his death, by writing: ... (see original quotation in the German summary above). It is the opinion of the author of this work that the ingenious systematics of NH‘s Critical Ontology (which is not a closed system) should make it possible to execute the necessary corrections in some details of his theory of layers without questioning the structure of his systematics, thus carrying out what NH was not able to do himself due to his death.","PeriodicalId":33799,"journal":{"name":"Gestalt Theory","volume":"43 1","pages":"347 - 374"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48764907","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Pandemic Images and Gestalt Theory: Introspective Musings About a Series of Digital Art-works 流行病图像与格式塔理论：一系列数字艺术作品的反思

Gestalt Theory Pub Date : 2021-12-01 DOI: 10.2478/gth-2021-0024

R. Behrens

引用次数: 0

Cultural–Historical Gestalt Theory and Beyond: Toward Pragmatic Anthropology 文化-历史格式塔理论及其超越:走向实用人类学

Gestalt Theory Pub Date : 2021-12-01 DOI: 10.2478/gth-2021-0028

A. Yasnitsky

引用次数: 2

Announcements - Ankündigungen

Gestalt Theory Pub Date : 2021-12-01 DOI: 10.2478/gth-2021-0022

引用次数: 0

Cultural–Historical Gestalt Theory and Beyond: “The Russians Are Coming!” 文化-历史格式塔理论及其超越：“俄罗斯人来了！”

Gestalt Theory Pub Date : 2021-12-01 DOI: 10.2478/gth-2021-0026

A. Yasnitsky

{"title":"Cultural–Historical Gestalt Theory and Beyond: “The Russians Are Coming!”","authors":"A. Yasnitsky","doi":"10.2478/gth-2021-0026","DOIUrl":"https://doi.org/10.2478/gth-2021-0026","url":null,"abstract":"In French, “Bande-annonce” means nothing else but a “trailer”: a short movie clip a few minutes long, created for promotional purposes to advertise for a new cinematographic piece to be shortly released on the screens of movie theaters. Yet, if read through the eyes of a German speaker, this very phrase—with certain liberty taken—can be interpreted as something like a classified advertisement (“Annonce”) for a new book, a volume (“Band”) to appear. And true, a new book is to come out in the more-or-less distant future. So, this article can be regarded as an announcement of a new book. In the meantime, let us have a closer look at the terminological monstrosity in the title: the “cultural–historical Gestalt psychology”. This phraseological creature hardly walks and will never fly: obscure, mysterious, and repulsive, it might weakly crawl at best, if only survives. The reader of these lines is pleaded to forgive me the irony of saying all this, but the phrase is really awkward and most likely confusing, indeed. And yet, here it is: here, it stands as the subject matter of this very paper, which not only presents an intellectual provocation (hopefully, in the positive meaning of the word, like in the expression “thought-provoking”) but also offers – what I believe – is a really new and exciting pathway in this science of humans.","PeriodicalId":33799,"journal":{"name":"Gestalt Theory","volume":"43 1","pages":"269 - 278"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44677692","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Cultural–Historical Gestalt Theory and Beyond: A New History (and Theory) of the “Informal Personal Network” of Intellectuals Is Needed 文化-历史格式塔理论及其超越：需要一部关于知识分子“非正式人际网络”的新历史（和理论）

Gestalt Theory Pub Date : 2021-12-01 DOI: 10.2478/gth-2021-0027

A. Yasnitsky

引用次数: 1