Gestalt Theory最新文献_第3页

The Experimental Phenomenology of Perception. A Collective Reflection on the Present and Future of this Approach 知觉的实验现象学。对这种方法的现在和未来的集体反思

Gestalt Theory Pub Date : 2022-12-01 DOI: 10.2478/gth-2022-0018

Ivana Bianchi, R. Burro

{"title":"The Experimental Phenomenology of Perception. A Collective Reflection on the Present and Future of this Approach","authors":"Ivana Bianchi, R. Burro","doi":"10.2478/gth-2022-0018","DOIUrl":"https://doi.org/10.2478/gth-2022-0018","url":null,"abstract":"Summary The paper presents the result of a collective reflection inspired by the individual suggestions of 30 researchers working in different research areas. They are all familiar with the Experimental Phenomenology of Perception, and are aware of the importance that this approach might represent nowadays in their specific research field. The picture that emerges from this ‘mosaic’ stimulates us to consider the potential future developments of this approach if we accept that we need to push its borders beyond the traditional aims of the study of perception (as masterfully developed by the historic Italian Maestri of this approach). If we take this broader view, the Experimental Phenomenology of Perception can extend its perimeters from an analysis of strictly perceptual aspects to an analysis of cognitive and metacognitive aspects (such as aesthetic evaluations, the perception of risk, the experience of certainty/uncertainty in a reasoning process, the perception of proximity to/distance from the solution to a problem and meaning-making in language). The cognitive and metacognitive aspects referred to are grounded in and modelled on the perceiver’s experience of a given situation.","PeriodicalId":33799,"journal":{"name":"Gestalt Theory","volume":"44 1","pages":"279 - 288"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48043258","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Colour, Pattern, Space and Time in Art Perception: Two Case Studies 艺术感知中的色彩、图案、空间和时间:两个案例研究

Gestalt Theory Pub Date : 2022-08-01 DOI: 10.2478/gth-2022-0013

J. Wagemans, Stefanie De Winter, Christopher Linden

引用次数: 0

The Combined Effect of Motion and Lightness Contrast on Anomalous Transparency 运动和亮度对比对异常透明度的综合影响

Gestalt Theory Pub Date : 2022-08-01 DOI: 10.2478/gth-2022-0002

R. Actis-Grosso, D. Zavagno, O. Daneyko

引用次数: 0

Wolfgang Metzger: Schöpferische Freiheit. Gestalttheorie des Lebendigen. Herausgegeben von Marianne Soff und Gerhard Stemberger, mit einem Geleitwort von Jürgen Kriz. Wien: Verlag Krammer 2022, dritte Auflage. ISBN-13: 978 3 901811 80 7 沃尔夫冈·梅茨格:创造自由活着的分身理论玛丽安·索夫和格哈德·史黛格出版尤尔根·克里斯的编辑维也纳:2022年出版，第三版。还在做

Gestalt Theory Pub Date : 2022-08-01 DOI: 10.2478/gth-2022-0010

Hellmuth Metz-Göckel

引用次数: 0

Space and Scale in Medieval Painting Reflects Imagination and Perception 中世纪绘画中的空间和尺度反映了想象和感知

Gestalt Theory Pub Date : 2022-08-01 DOI: 10.2478/gth-2022-0006

Nicole Ruta, Alistair Burleigh, R. Pepperell

{"title":"Space and Scale in Medieval Painting Reflects Imagination and Perception","authors":"Nicole Ruta, Alistair Burleigh, R. Pepperell","doi":"10.2478/gth-2022-0006","DOIUrl":"https://doi.org/10.2478/gth-2022-0006","url":null,"abstract":"Abstract Prior to the discovery of linear perspective in the fifteenth century, European artists based their compositions more on imagination than the direct observation of nature. Medieval paintings, therefore, can be thought of as ‘mental projections’ of space rather than optical projections, and were sometimes regarded as ‘primitive’ by historians as they lacked the spatial consistency of later works based on the rules of linear perspective. There are noticeable differences in the way objects are depicted in paintings of the different periods. For example, human figures in pre-linear perspective works often vary greatly in size in ways that are not consistent with the laws of optics. Some art historians have attributed this to ‘hierarchical scaling’ in which larger figures have greater narrative significance. But there are examples of paintings that contradict this explanation. In this paper we will consider an alternative to the hierarchical scaling hypothesis: that medieval artists used relative size to elicit empathy and to reflect the perceptual structure of imagination. This hypothesis was first proposed by the art historian Oskar Wulff, but has largely been dismissed since. We argue that artists of this period, far from being naïve, used sophisticated techniques for directing the attention of the viewer to a particular figure in a painting and encouraging them to ‘see’ the depicted space from that figure’s point of view. We offer some experimental evidence in support of this hypothesis and suggest that the way artists have depicted space in paintings has an important bearing on how we imagine and perceive visual space.","PeriodicalId":33799,"journal":{"name":"Gestalt Theory","volume":"44 1","pages":"61 - 78"},"PeriodicalIF":0.0,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42349418","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Amodal Completion of Color 色彩的情态完成

Gestalt Theory Pub Date : 2022-08-01 DOI: 10.2478/gth-2022-0007

D. Todorović

引用次数: 0

The Space of Colour and the Colour of Space 色彩的空间与空间的色彩

Gestalt Theory Pub Date : 2022-08-01 DOI: 10.2478/gth-2022-0004

J. Koenderink, A. van Doorn

引用次数: 1

Lightness Contrast Spatially Propagates on Perceptually Unified Elements 亮度对比在感知统一的元素上空间传播

Gestalt Theory Pub Date : 2022-08-01 DOI: 10.2478/gth-2022-0009

A. Galmonte, A. Soranzo, Mauro Murgia, Fabrizio Sors, T. Agostini

{"title":"Lightness Contrast Spatially Propagates on Perceptually Unified Elements","authors":"A. Galmonte, A. Soranzo, Mauro Murgia, Fabrizio Sors, T. Agostini","doi":"10.2478/gth-2022-0009","DOIUrl":"https://doi.org/10.2478/gth-2022-0009","url":null,"abstract":"Abstract In 1993, Agostini and Proffitt showed that perceptual belongingness (the subsumption of some sets of elements into a perceived whole) causes simultaneous lightness contrast to be seen in configurations in which the inducing elements are not adjacent to the target. The aim of the present research was to measure the strength of belongingness in determining the contrast phenomenon when the numbers of the inducing and induced elements and their relative positions are manipulated in Agostini-and-Proffitt-type configurations. In the first experiment, by using a forced choice paradigm, naïve observers indicated which gray disks arranged to form the letter T in two rows (organized with black/white inducers) appeared lighter/darker. In the second experiment, expert observers performed two nulling tasks: 1) the lightness of gray disk(s) was adjusted until it was perceived equal to that of gray target(s) aligned with white/black inducers; 2) the lightness of target(s) organized with white/black inducers was adjusted to match the target(s) organized with black/ white inducers. We found that also when there are few inducers, perceptual belongingness causes the contrast effect to propagate spatially on all the induced elements. Spatial position does not influence the induction effect. Low-level theories cannot account for these phenomena, but higher-level processes must be factored in to explain them.","PeriodicalId":33799,"journal":{"name":"Gestalt Theory","volume":"44 1","pages":"79 - 96"},"PeriodicalIF":0.0,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45752995","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Synaesthetic Interactions between Sounds and Colour Afterimages: Revisiting Werner and Zietz’s Approach 声音与彩色后像之间的联觉互动:重新审视维尔纳和齐耶兹的方法

Gestalt Theory Pub Date : 2022-08-01 DOI: 10.2478/gth-2022-0012

G. Parovel, Marco Prenassi, W. Coppola, S. Cattaruzza, T. Agostini

{"title":"Synaesthetic Interactions between Sounds and Colour Afterimages: Revisiting Werner and Zietz’s Approach","authors":"G. Parovel, Marco Prenassi, W. Coppola, S. Cattaruzza, T. Agostini","doi":"10.2478/gth-2022-0012","DOIUrl":"https://doi.org/10.2478/gth-2022-0012","url":null,"abstract":"Abstract We ran a pilot experiment to explore, using a new psychophysical method, the hypothesis proposed by Zietz and Werner in the ’30s, that a sound presented simultaneously with an afterimage can change its phenomenal appearance in non-synaesthetes. The method we adopted is able to directly collect and visualise the apparent changes in intensity of the afterimages, by recording observers’ interactions with a physical feedback mechanism (the paths that the observers generated by moving a cursor), without referring to verbal descriptions. These first findings support some of the most meaningful observations reported by Werner (1934) and Zietz (1931), according to which the colours of the afterimages ‘disintegrate’ at the hearing of a low sound and ‘concentrate’ for a high sound. This relationship is particularly evident with the Yellow stimulus, where the perceived colour intensity of its afterimage seems to have a faster negative change with a low-pitched tone sound, and an increase in intensity and duration when perceived simultaneously with a soprano sound. These data are also coherent with the crossmodal correspondences between both pitch and loudness in audition and lightness and brightness in vision reported in the literature.","PeriodicalId":33799,"journal":{"name":"Gestalt Theory","volume":"44 1","pages":"161 - 174"},"PeriodicalIF":0.0,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49219142","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Politics of Physiognomic Perception 面相感知的政治学

Gestalt Theory Pub Date : 2022-08-01 DOI: 10.2478/gth-2022-0008

I. Verstegen

引用次数: 0