Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Muzichne mistetstvo最新文献

{"title":"Ethos and Eros in the Life’s Activity оf Mykola Lysenko","authors":"H. Karas","doi":"10.31866/2616-7581.2.2.2019.187437","DOIUrl":"https://doi.org/10.31866/2616-7581.2.2.2019.187437","url":null,"abstract":"The psychological source of human activity is hidden in human nature. The values of life on which the affirmation and vitality of the individual are based are revealed in the aesthetic and ethical spheres. In the sphere of the aesthetic – it is an experience of beauty and magnificence, in the sphere of the ethical – it is love, faithfulness, dedication and cheerfulness, which are based at the active attitude of a person. Thus, ethos is closely connected with eros. The latter is used in the article in the sense of a strong, passionate AESTHETIC (rather than physiological or psycho-physiological) feeling. The aim of this work is to investigate the interconnection of ethos and eros in the life of a prominent figure of Ukrainian musical culture, Mykola Lysenko (1842-1912). The methodology of the research is to combine the cultural-historical method (elucidating the life and work of the composer through the prism of the aesthetic and ethical spheres), the method of analysis of scientific literature on the problem (to identify the degree of its development and prospects for further exploration), epistolary analysis and methods of personology (biographical and cultural-psychological reconstruction). The scientific novelty of the article is due to the fact that for the first time M. Lysenko’s spiritual world, in which ethos and eros interacted organically, is considered as a factor that had a profound effect on his musical creativity. This, in particular, has been embodied in the vocal works (solo songs) that make up the gold fund of Ukrainian musical art. Conclusions. The proposed research draws attention to the personal life of the composer, his value orientations and emotional states, in particular to the feeling of love for a woman. The results of the study make it possible to rethink the heritage of the national music culture in the context of the personality problem.","PeriodicalId":33441,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Muzichne mistetstvo","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41771450","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Ukrainian Diaspora Bandura Players Originates from Galicia","authors":"V. Dutchak","doi":"10.31866/2616-7581.2.1.2019.171794","DOIUrl":"https://doi.org/10.31866/2616-7581.2.1.2019.171794","url":null,"abstract":"","PeriodicalId":33441,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Muzichne mistetstvo","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45484690","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Video Clip and Artiste’s Image as Tools of the Song Hit’s Mediavirus Action Strengthening (Based on the Ukrainian and Russian Compositions of Late 20th – Early 21st Centuries)","authors":"Ivanna Shnur","doi":"10.31866/2616-7581.2.1.2019.171792","DOIUrl":"https://doi.org/10.31866/2616-7581.2.1.2019.171792","url":null,"abstract":"An important place in mass music culture belongs to the song hit – a phenomenon which attributes have not still been explored well finally. Among them – a video clip as a specific form of hit’s incarnation and an artiste’s image as a communicative feature of the phenomenon’s existence. The ascertainment of these aspects is the main objective of the study. The logic of achieving this objective led to the choice such a methodology: the method of analyzing scientific literature on the problem (to determine the degree of its elaboration and the prospect of further exploration), the method of intonation analysis (in the study of the musical language’s features and the principles of composition’s organization), the functional method (aimed at studying the degree of subject’s dependence on audience’s socio-cultural inquiries), the communicative method (that allows take into consideration the factor of the compositions’ existence in the public consciousness, the audience’s reaction to them and artiste’s personality), the comparative method (to study the genre and intonation and also the individual image components of the song hit). The song hit aims to reach the widest possible audience so this fact dues to the presence of such components as a media virus and a meme in its structure. They are directed at appealing to psychological “sensitive points”, the rooting in the mind and the causing of their further distribution, they can be found at all the song hit’s levels and they aim at the comprehensive coverage of the listener/viewer. Results. The song hit’s communicative nature determines the significance of its visual component represented by the video clip. In addition to the representative function, this embodiment is the most effective media virus tool. Moreover, the hit’s promoting, the marketing nature extends to its performer’s competitiveness. This aspect involves the obligatory presence the viral properties in the image, which can cause the audience’s emotional response. The artiste’s representative function necessitates constant and purposeful work on his image.","PeriodicalId":33441,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Muzichne mistetstvo","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45729520","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Piano Concerto No. 6 by Andrzej Nikodemowicz – a Symptomatic Stylistic Transformation with Regard to Late Style?","authors":"Ewa Nidecka","doi":"10.31866/2616-7581.2.1.2019.171785","DOIUrl":"https://doi.org/10.31866/2616-7581.2.1.2019.171785","url":null,"abstract":"The purpose of the article is to analyze one of the seven piano concertos of the great Polish composer of modern times, Andrzej Nikodemovich (1925-2017), in the context of the late style, means of expressiveness and form. In this genre, the composer uses highly dissonant 12-tone sound material and complex rhythmic divisions, complementing the rhythms, thereby creating a dense","PeriodicalId":33441,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Muzichne mistetstvo","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46178846","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Changeability in Musical Folklore Performing Process: Evolution or Just Variability?","authors":"Rimantas Sliužinskas","doi":"10.31866/2616-7581.2.1.2019.171783","DOIUrl":"https://doi.org/10.31866/2616-7581.2.1.2019.171783","url":null,"abstract":"The musical folklore items use to have continuity of general changes in large scale historically. We can see it in the instrumental folk music, singing folklore, traditional choreography developments. It is not easy to make clear analysis of this process and we need a great number of special studies based on it. We can show only the main points or directions of this object in some different levels here. Each tune of particular traditional folk song has a great number of its variations. Each folklore performer does not want to make clear copy while singing the particular song the same way, as he has heard it from the other performer. So, we are able to find hundreds of the same folk tune variants, performed by particular singers in different times and various localities at the folklore archives in Lithuania. We have a nice possibility to make a comparative analysis of definite part (it is impossible to record all the performing variations) of this melody existing in real folklore life this way. And all variants are both in melodic lines and in poetic texts there, as a rule. On the other hand, we also can see the very clear stability of some the most important intonations, motives or phrases in almost all the different recordings of the melody (and text, of course). It shows us a sort of very clear non-written rules, known intuitively for all the traditional folklore performers as the basic forms of all the oral tradition. All sorts of music performance on the stage have their own specific standards. We have to make a folklore program in clear time and sequence. We have to show the interesting things for all the audience only. Therefore, traditional folklore performers have to make themselves as the artists. They have to turn their faces right way, to speak, to sing and to play music enough loudly, to smile and cry according to the stage program. What more terrible things we can ask them to do? Is it the right perspective of the folklore evolution? Thus, in this article we set the main goal – to define, theoretically and practically comprehend the forms of modifications performed by musical folklore, meaning the definitions of its evolution and variability. Methods – scientific analysis, historical, deductive and comparative methods, generalization and hypothesis. The novelty of the research is primarily determined by applying the experience of Lithuanian ethnomusicology in solving the general problems of the musical features development in traditional singing folklore. © Rimantas Sliuzinskas, 2019 Recieved 20.03.2019","PeriodicalId":33441,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Muzichne mistetstvo","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46329922","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Personality Oriented Concept of Students’ Musical Thinking Development in Higher Educational Institutions of Art","authors":"O. Pikhtar","doi":"10.31866/2616-7581.2.1.2019.171786","DOIUrl":"https://doi.org/10.31866/2616-7581.2.1.2019.171786","url":null,"abstract":"The personality oriented concept of students’ musical thinking development in higher educational institutions of art is analyzed in the article. Planning of educational process with the regularities of development and the individual self-development creates the favorable conditions for self-realization of the creative potential of future musicians-performers and for activation of their musical thinking. The peculiarity of the students’ musical thinking development in the context of the personality oriented approach, as an important factor of the process of professional training improvement, is revealed. The purpose of the article is to substantiate the personality oriented concept of harmonious development of students’ musical thinking in art higher educational institutions, the expediency of implementation in the process of professional training of future musicians-performers of a personality oriented methodical system of education. The basic ways of development of students’ musical thinking were defined. They are appliance in the educational process of the humanistic model of professional training of future musiciansperformers, which provides the personality oriented methods of teaching; researching of the musical thinking of students from the positions the interconnection of intellectual, emotional and personal development; the usage of personality oriented situations, in the process of which the creative musical and cognitive activity of students activates, the introduction of dialogue as a mean of subject-subjective relations formation in the musical lessons. It is proved that the effectiveness of the musical thinking development is in the direct correlation dependency from the personal qualities and characteristics of students’ musical thinking development. The most perspective forms and methods of personality oriented learning in the development of students’ musical thinking, which motivate to think independently, direct the musical thinking of students to active productive actions, creative artistic and interpretive activity, and creativity, are investigated. A complex of methods, which are directed on the activation of musical thinking in the process of personality oriented education, are applied, namely: solution of thoughtful musical tasks, personality oriented training, stylistic interpretation, analytical cognition of a musical composition, instrumental dialogue, improvisation, etc. Scientific novelty consists in the scientific and methodical development of the personality oriented concept of professional training of future musicians-performers as a whole structural process, It is directed on the the musical thinking development of students on a base of a personality oriented approach. © Olena Pikhtar, 2019 Recieved 15.04.2019","PeriodicalId":33441,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Muzichne mistetstvo","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45559121","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Functioning of Slovakian-Ukrainian Song Folklore (On the Example of The “Makovytska Struna” (“Makovytska String”) Festival)","authors":"Olga FABRYKA-PROTSKA","doi":"10.31866/2616-7581.2.1.2019.171790","DOIUrl":"https://doi.org/10.31866/2616-7581.2.1.2019.171790","url":null,"abstract":"The goal of the work. The research is related to the issue of the specificity of the existence of Slovak-Ukrainian song folklore on the territory of Eastern Slovakia, the disclosure of the issue of the functioning of the «Makovytska Struna» song festival. The methodology of the research is to combine the methods of cognition due to the requirements of the objective analysis of historical sources, which reflect the main tendencies of the development and functioning of the cultural and artistic life of the Ukrainians of the Region of the second half of the ХХth – the beginning of the ХХІst century. Scientific novelty of the work consists in the comprehensive coverage of the Slovak-Ukrainian song ties. The interconnection between Ukrainian song and Slovak folk songs is one of the priorities of folklorists and musicologists in our time. Conclusions. It is proved that the study of ethnic history, features of the song folklore of the Ukrainian population in various fields is one of the main issues of the present. The joint ethnographic boundary between the Ukrainian and Slovak populations in the Transcarpathian region and the Presov (Eastern Slovakia) region contributed to the cultural, economic and folkloric ties between them. In the process of transformation of the forms of the existence of folk song culture and ritualism, as well as the interaction of song tradition and new creation, in particular, associated with the influence of the ingratiation of modern culture of Rusyn-Ukrainians, it was discovered that whole figurative and poetic cliches are taken from the Slovak folklore in local Rusyn production; all that is special in the content and form of Lemko and Rusyn folklore does not separate them from the general array of traditional musical-song and verbal literature of the Ukrainian people does not isolate them, but rather complements enriches this array with unique elements and features. Folk festivals of Rusyn-Ukrainians, despite the processes of assimilation, are extremely popular in the modern period among the Ukrainian population of Slovakia.","PeriodicalId":33441,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Muzichne mistetstvo","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46912859","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Artistic and Creative Development of the Junier School Age Pupils by Means of Arts Integration","authors":"O. Ivanenko","doi":"10.31866/2616-7581.2.1.2019.171789","DOIUrl":"https://doi.org/10.31866/2616-7581.2.1.2019.171789","url":null,"abstract":"At the present stage of the modernization of the education system in Ukraine, the problem of the creative person formation and his or her ability to artistic and creative activity is one of the main issues in the modern artistic pedagogics of the present. The relevant task is to provide conditions for the artistic and creative development of the every child personality of the junior school age, which contributes to their harmonious and comprehensive development at the artistic educational institutions. These tasks require updating of artistic concepts and paradigms in the field of artistic and creative education of primary school students. The aggravation of the contradiction between the need of specialized artistic educational institutions in optimizing the creative development of this age children and the insufficient level of methodological providing of the educational process determine the relevance of this analysis. As it is in the process of artistic and creative activity of the junior school age children, an interest in different types of art develops, and in future love and an inexhaustible desire to engage in certain of them appear, therefore, the success and effectiveness of such development in art schools totally depends on the professionalism and competence of a teacher. Only the teacher in the process of studying is able to create such conditions that will facilitate the acquisition of grades 1–4 pupils of the basic skills of artistic and creative activity and children will be able to remember and recognize works of different kinds of art, to be excited about them, to admire about the content of works, the beauty of their forms and images. The purpose of this study is to substantiate the basic conditions for teachers of artistic educational institutions regarding the effectiveness of artistic and creative development in the process of studying through the integration of arts. The methodological basis of the article was the generaladectic principles (connection with the surrounding reality, systematic and sequential learning, and an individual approach to the children development of elementary school age), as well as the principles of artistic and creative development of grades 1–4 pupils in art schools, with the specifics of artistic activity various types: encouraging children to discover creative potential in the process of studying various arts; application in the process of integration of art as a means of artistic and creative development of children © Olena Ivanenko, 2019 Recieved 16.05.2019","PeriodicalId":33441,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Muzichne mistetstvo","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42648649","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Genres of Music and Verbal Speaking in Music Works (Theoretical Aspects, Interaction, Study Methods)","authors":"B. Siuta","doi":"10.31866/2616-7581.2.1.2019.171784","DOIUrl":"https://doi.org/10.31866/2616-7581.2.1.2019.171784","url":null,"abstract":"","PeriodicalId":33441,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Muzichne mistetstvo","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69791235","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Musical Instrumental Culture in the System of Musical Ethos","authors":"A. Chernoivanenko","doi":"10.31866/2616-7581.2.2018.153373","DOIUrl":"https://doi.org/10.31866/2616-7581.2.2018.153373","url":null,"abstract":"","PeriodicalId":33441,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Muzichne mistetstvo","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49576710","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}