The Personality Oriented Concept of Students’ Musical Thinking Development in Higher Educational Institutions of Art

O. Pikhtar
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Abstract

The personality oriented concept of students’ musical thinking development in higher educational institutions of art is analyzed in the article. Planning of educational process with the regularities of development and the individual self-development creates the favorable conditions for self-realization of the creative potential of future musicians-performers and for activation of their musical thinking. The peculiarity of the students’ musical thinking development in the context of the personality oriented approach, as an important factor of the process of professional training improvement, is revealed. The purpose of the article is to substantiate the personality oriented concept of harmonious development of students’ musical thinking in art higher educational institutions, the expediency of implementation in the process of professional training of future musicians-performers of a personality oriented methodical system of education. The basic ways of development of students’ musical thinking were defined. They are appliance in the educational process of the humanistic model of professional training of future musiciansperformers, which provides the personality oriented methods of teaching; researching of the musical thinking of students from the positions the interconnection of intellectual, emotional and personal development; the usage of personality oriented situations, in the process of which the creative musical and cognitive activity of students activates, the introduction of dialogue as a mean of subject-subjective relations formation in the musical lessons. It is proved that the effectiveness of the musical thinking development is in the direct correlation dependency from the personal qualities and characteristics of students’ musical thinking development. The most perspective forms and methods of personality oriented learning in the development of students’ musical thinking, which motivate to think independently, direct the musical thinking of students to active productive actions, creative artistic and interpretive activity, and creativity, are investigated. A complex of methods, which are directed on the activation of musical thinking in the process of personality oriented education, are applied, namely: solution of thoughtful musical tasks, personality oriented training, stylistic interpretation, analytical cognition of a musical composition, instrumental dialogue, improvisation, etc. Scientific novelty consists in the scientific and methodical development of the personality oriented concept of professional training of future musicians-performers as a whole structural process, It is directed on the the musical thinking development of students on a base of a personality oriented approach. © Olena Pikhtar, 2019 Recieved 15.04.2019
艺术院校学生音乐思维发展的人格本位观
分析了高等艺术院校学生音乐思维发展的个性导向观。以发展规律和个体自我发展规划教育过程,为未来音乐家-表演者的创造潜能的自我实现和音乐思维的激活创造了有利条件。揭示了人格导向下学生音乐思维发展的特殊性,作为专业训练提升过程中的重要因素。本文的目的是为了在艺术高等院校实践以人格为导向的学生音乐思维和谐发展理念,在未来音乐家-表演者专业培养过程中实施以人格为导向的教育方法体系。明确了学生音乐思维发展的基本途径。它们是未来音乐家专业培养的人文模式在教育过程中的应用,提供了以个性为导向的教学方法;从智力、情感和个人发展的相互联系看学生的音乐思维运用人格导向情境,激活学生的音乐创造性和认知活动,在音乐课中引入对话作为形成主体性关系的手段。事实证明,音乐思维发展的有效性与学生音乐思维发展的个人素质和特点是直接相关的。探讨了人格导向学习在学生音乐思维发展中最具前瞻性的形式和方法,以激发学生独立思考,引导学生的音乐思维走向积极的生产行为、创造性的艺术和诠释活动以及创造性。在人格教育的过程中,运用了一系列针对音乐思维激活的方法,即:解决思想性的音乐任务、人格导向的训练、风格解读、对音乐作品的分析认知、器乐对话、即兴创作等。科学的新颖性在于以人格为导向的未来音乐家-表演者专业培养理念的科学、系统的发展作为一个整体结构过程,它是以人格为导向的方法为基础,以学生的音乐思维发展为导向的。©Olena Pikhtar, 2019收到15.04.2019
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