{"title":"A Diachronic Account of τ–Features and of Their Output as Vocabulary Items: On the Limits to the Vocabulary Item Ø","authors":"Concha Castillo","doi":"10.14198/raei.2023.39.03","DOIUrl":"https://doi.org/10.14198/raei.2023.39.03","url":null,"abstract":"Assuming basic tenets of Distributed Morphology and likewise the minimalist framework of Agree, it is argued that the segmentation into Vocabulary Items (VIs) of the Past forms of verbs in Present Day English is as in e.g. deem-ed rather than deem-ed-Ø. The generalized position in the literature is for the Ø-VI to be subject to the Elsewhere condition, which entails that the proper form is deem-ed, that is the form with non-exponence after -ed. The main purpose of the discussion is to give evidence of the Elsewhere condition, and I propose to do so by taking a diachronic perspective and tracking down the relevant changes affecting verbal morphology in the language. It is argued that there are three types of τ–features in Old English and that the specific τ–feature that has as output the VI´s that are commonly referred to as subject agreement endings, which are those among which the Ø-VI steadily imposes itself from the end of the Old English period, is a τ–feature that combines φ– and τ–interpretation. The feature is labelled here [+/–past]AgrT and its τ–interpretation is identified as [morphological distinctiveness between Present and Past relative to Agreement]. The progressive imposition of the Ø-VI entails that the specific content of the cited [morphological distinctiveness…] varies in time, which variation is given diverse formulations throughout the discussion with the help of the Subset Principle requirements. The ultimate formulation is reached after analyzing the differences and similarities between English and Danish–Swedish being another case in point–as regards morpho-phonological loss and the connection with V-to-T movement. The cited formulation entails that the Ø-VI is not available if it is the only VI realizing a given formal feature (note the Elsewhere condition). A corollary of the account is for Present Day English, or rather from the English language from the eighteenth century onwards, not to rely on one binary feature like [+/–past] but on two privative features, each of a different type .","PeriodicalId":33428,"journal":{"name":"Revista Alicantina de Estudios Ingleses","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135313861","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Hamoud Yahya Ahmed Mohsen, Raihanah Mohd Mydin, Wan Mazlini Othamn
{"title":"Engaging Malaysia: Greening Postcolonial Memories in The Garden of Evening Mists","authors":"Hamoud Yahya Ahmed Mohsen, Raihanah Mohd Mydin, Wan Mazlini Othamn","doi":"10.14198/raei.2023.39.06","DOIUrl":"https://doi.org/10.14198/raei.2023.39.06","url":null,"abstract":"The Garden of Evening Mists is a symbolically charged historical narrative about the ramifications of Japanese colonisation in Malaya in the 1940s. A prominent metaphor in this novel is ‘the garden’ in memorium of the protagonist’s deceased sister. This article explores the greening of postcolonial memories of the Japanese colonisation of Malaya in the novel and its deep engagement of Malaysian framed within the social, political and historical contexts. Using postcolonial ecocriticism as a reading lens, the analysis is carried out to be emblematically functional across the limitations of space and time in the country’s colonial history. The analysis displays that the author, Tan Twan Eng, through his authorial-defined social reality, re-enacts numerous snapshots from the Malaysia ecosystem in order to achieve a coherent engagement of Malaysia pre, during and post Japanese occupation. The finding also reveals that while Tan’s narrative provides us with some insights into the ways in which the Malaysians navigate various colonial and postcolonial consequences, it should also be recognized that the ecology of the land adds to the narrative. Through the intersection of the Malaysian landscape and the country’s historical context, the current article reveal how postcolonial ecocriticism is instrumental in understanding the literary canon of Malaysia.","PeriodicalId":33428,"journal":{"name":"Revista Alicantina de Estudios Ingleses","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135314016","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Emma Dabiri, What White People Can Do Next: From Allyship to Coalition. London: Penguin, 2021. 157 pp.","authors":"Isabel Alonso-Breto","doi":"10.14198/raei.2023.38.10","DOIUrl":"https://doi.org/10.14198/raei.2023.38.10","url":null,"abstract":"Review of Emma Dabiri, What White People Can Do Next: From Allyship to Coalition. London: Penguin, 2021. 176 pp. ISBN: 9780063112711.","PeriodicalId":33428,"journal":{"name":"Revista Alicantina de Estudios Ingleses","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2023-01-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49270719","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Locating Violence in Kusum Kumar’s Suno Shefali (Listen Shefali)","authors":"Vikram Singh Thakur","doi":"10.14198/raei.2023.38.04","DOIUrl":"https://doi.org/10.14198/raei.2023.38.04","url":null,"abstract":"India has a long tradition of social dramas that dates back to the 19th century. Such plays have been instrumental in raising social and political awareness among the masses. Located within this strong tradition of ‘socials’, is Kusum Kumar’s hard-hitting play Suno Shefali (Listen Shefali). Originally written in Hindi in 1975 and published in 1978, the play is significant for it engages with violence and oppression at the intersection of caste, class and gender at a time when feminist scholars had not theorized intersectionality as an important analytical tool of analysis. The play also predates several important Indian plays, especially by the male playwright, that deal with the problems of caste system in India. In this essay, I will attempt to study various forms of violence committed on a Dalit woman at the intersection of gender, caste and class in Kumar’s Listen Shefali using theoretical concepts like Kimberle Crenshaw’s ‘intersectionality’, Johan Galtung’s ‘structural violence’, M. Weigert’s ‘personal violence’, Pierre Bourdieu’s ‘symbolic violence’ and Gayatri Chakravarty Spivak’s ‘epistemic violence’.","PeriodicalId":33428,"journal":{"name":"Revista Alicantina de Estudios Ingleses","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2023-01-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41285298","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Anti-Jacobin and its Parodic Strategies: Parodying Jacobin Ideas and Authors","authors":"María Rocío Ramos Ramos","doi":"10.14198/raei.2023.38.08","DOIUrl":"https://doi.org/10.14198/raei.2023.38.08","url":null,"abstract":"This study highlights the parodic skills employed in the literary section of The Anti-Jacobin (1797-1798), a periodical edited by William Gifford, written mainly by G. Canning, J. H. Frere and G. Ellis and supported even by Prime Minister William Pitt. Parody is its main mechanism, being generated across an extraordinary range of genres beyond poetry and scholarly and popular prose, thereby demonstrating its malleability and creativity in the Romantic era and demonstrating its versatility and originality. Due to its peculiarity, it is necessary to provide a description of the work’s nature and structure, while examples are selected and analysed in order to clarify this original use of the parodic resource in the literature-politics binomial.","PeriodicalId":33428,"journal":{"name":"Revista Alicantina de Estudios Ingleses","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2023-01-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46484852","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Dramaturgy and the Plausible Wonder in Restoration Fiction, 1660–1670","authors":"Tomás Monterrey","doi":"10.14198/raei.2023.38.07","DOIUrl":"https://doi.org/10.14198/raei.2023.38.07","url":null,"abstract":"Mackenzie’s roman-à-clef Aretina (1660) seems to foresee or, indeed, to capture the reopening of theatres when, at the end of Book 1, a group of actors present a monster (and a show) “upon a stage, whereon the Commedians used to act,” and the narrator subsequently summarises the performance taking place on the palace’s neglected stage. Nevertheless, the reopening of theatres had little or no immediate influence on the new English prose fiction published in the 1660s. As far as prose fiction is concerned, scholarly criticism about the Restoration theatre–novel interface addresses the period after—not before—1670. Yet, if areas of intersection are investigated, then a spectrum of quite different, isolated instances will emerge; from Margaret Cavendish’s remarks on her contemporary plays to events inspired by theatrical contrivances. This article therefore seeks to explore the presence of theatre and dramaturgy in the new English fiction published in the early years of the Restoration. The first part offers a comprehensive survey of theatrical thumbprints in this corpus of texts by considering the issues raised in literary criticism on the topic, such as dialogues, epistles and soliloquies, historical novels and first-person narratives. The second part pinpoints the episodes in high romances where wonder is no longer caused by magic, enchantment or any other supernatural intervention, but arises from calculated staging effects and devices. Authors of romances in the early years of the Restoration period contributed to the development of the English novel by making the moments of wonder more spectacular for characters, and more credible for readers, in line with the emerging scientific culture.","PeriodicalId":33428,"journal":{"name":"Revista Alicantina de Estudios Ingleses","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2023-01-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49215003","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Bird’s-Eye View over Sydney: Animal Imagery in Amnesty by Aravind Adiga","authors":"Costanza Mondo","doi":"10.14198/raei.2023.38.03","DOIUrl":"https://doi.org/10.14198/raei.2023.38.03","url":null,"abstract":"The creative and meaningful use of animal imagery plays an important role in Aravind Adiga’s novels. In his previous works, such as the 2008 Booker-prize-winning The White Tiger and Last Man in Tower (published in 2011), animal references frequently feature in the narration, thus conveying multi-layered meanings. However, animal references become particularly noticeable in Amnesty, his latest novel published in 2020. The aim of this paper is to investigate the use of animal imagery in Amnesty and unravel some of its possible meanings. Starting from interpretations of animal metaphors related to humans, the paper will then put under scrutiny other interpretations of animal references which progressively enlarge their reach, thereby involving not only the city of Sydney, but the whole novel. By making reference to specific passages, I will explore the meanings of the animal imagery with respect to the illegal immigrants, their condition and to isolation, which acquires particular relevance, since the narrator is a Sri Lankan illegal immigrant who initially reached Australia thanks to a student visa. Furthermore, other interpretations of the animal references could revolve around the city of Sydney, its curious representation as a jungle and its representational use of animal imagery in the coat of arms and official contexts. Finally, light will be shed on the interesting role played by animals in pivotal scenes and their unexpected powerful revelations, which allow readers to better understand some episodes in the novel and interpret them from a different, enlightening perspective.","PeriodicalId":33428,"journal":{"name":"Revista Alicantina de Estudios Ingleses","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2023-01-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43223474","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“I Used to Think We Were the Same Person:” Disrupting the Ideal Nuclear Family Myth through Incest, Adultery and Gendered Violence in Taboo (2017-)","authors":"D. Pedro","doi":"10.14198/raei.2023.38.02","DOIUrl":"https://doi.org/10.14198/raei.2023.38.02","url":null,"abstract":"The nuclear family consolidated its social status as the institution upholding the national, capitalist and moral values of Western societies in the long nineteenth century (Kohlke and Gutleben 2010, 1). Consequently, neo-Victorian literary and screen texts often try to challenge the idealised conceptualization of this institution by bringing to the fore its potential dysfunctionalities, such as monstrous or negligent parents, domestic violence, incest or adultery. This is the case of the TV series Taboo (2017-), which portrays a dysfunctional family whose foundations are based on colonialism, patriarchal violence and Oedipal relations. In this article, I examine Taboo as a neo-Victorian narrative of family trauma, which foregrounds and criticizes gendered violence, a phenomenon that was silenced in nineteenth-century literary and historical records (Lawson and Shakinovsky 2012a, 1). Moreover, I also scrutinise the incest trope, following Llewellyn’s three-fold approach (2010), based on a triangulation between ethics, aesthetics and psychoanalysis. Finally, I consider how Taboo reproduces the most characteristic traits of nineteenth-century adultery novels, so as to expose the sexual dissatisfaction of its female protagonist, Zilpha Delaney, and her desire to escape from her abusive and oppressive husband. As I show in this article, Taboo manages to disrupt the myth of the nuclear family as a natural and indisputable moralising institution. Likewise, at first, the series shows potential feminist and post-colonial drives, as it attempts to denounce nineteenth-century imperialist and misogynistic ideologies within the family. However, Taboo fails to grant its heroine independence and female empowerment in the end. This is so because it replicates the ending of nineteenth-century adultery novels, where the adulterous wife committed suicide after being rejected by her lover.","PeriodicalId":33428,"journal":{"name":"Revista Alicantina de Estudios Ingleses","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2023-01-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42021572","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Assessment of Motivation in the Learning of EFL at University Level: Validation of the English Language Learning Motivation Scale (ELLMS) at Four Spanish State Universities","authors":"María del Carmen Garrido-Hornos","doi":"10.14198/raei.2023.38.09","DOIUrl":"https://doi.org/10.14198/raei.2023.38.09","url":null,"abstract":"Successful performance in the study of English as a Foreign Language is known to be subject to psychological constructs such as type of motivation, degree of self-regulated learning and levels of anxiety and burnout, or academic fatigue. The present study—conducted at the University of Valladolid Segovia Campus—served a double purpose. Firstly, it was used to validate the English Language Learner Motivation Scale (ELLMS) in a sample of university students who were studying this language but whose degrees were in subjects other than English Language or Linguistics. Secondly, it demonstrated that intrinsic motivation is associated with less anxiety and greater self-regulation and self-efficacy in the English language learning process. To both ends, we created a 94-question online survey which blended items from four other instruments measuring levels of anxiety, self-regulation and burnout. This questionnaire, delivered to 214 students from four different Spanish universities, produced interesting results. To begin with, it confirmed the first objective of the study and validated ELLMS as a viable instrument to measure motivation in this population, as well as confirming the presence of the three psychological factors envisaged in the original theoretical proposal and which the reader can find defined and analysed in depth in this paper: intrinsic motivation, external regulation and introjected regulation. The variable introjected regulation was negatively correlated with anxiety but positively with reported levels of burnout informed. With regard to external regulation, the results were not conclusive. This paper considers both the educational implications of these results and the impact that these variables have on the learning of English as a Foreign Language.","PeriodicalId":33428,"journal":{"name":"Revista Alicantina de Estudios Ingleses","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2023-01-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44669324","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"From Bama’s Karukku ([1992] 2014) to Yashica Dutt’s Coming Out as Dalit: A Memoir (2019): The Changing Nature of Dalit Feminist Consciousness","authors":"B. Cherechés","doi":"10.14198/raei.2023.38.01","DOIUrl":"https://doi.org/10.14198/raei.2023.38.01","url":null,"abstract":"Dalit literature articulates the oppression and exploitation faced by Dalits in a caste-ridden society as it records their social and cultural lives before and after India’s independence. This cultural revolt that burgeoned in the 1970s has largely been Dalit male-centric in its orientation, adopting paternalistic and patronising tones towards Dalit women. As a consequence, Dalit women remained firmly encapsulated in the patriarchal roles of the silent, agenciless and ‘victimised sexual being,’ perpetuating thus gendered stereotypes. These accounts failed to properly address Dalit women’s predicament and the interlocking oppression of caste and gender, which compelled them to create a distinct space for themselves. Dalit women have traversed a long path over the last four decades. During this time, their consciousness has evolved in many ways as reflected in Dalit writing. Life narratives, such as Bama’s Karukku and Yashica Dutt’s Coming Out as Dalit: A Memoir, function as the locus of enunciation where agency and self-identity are attended and asserted by Dalit women, through different approaches. As the social location determines the perception of reality, this paper attempts a look at how these two texts tackle and bring to the centre the gendered nature of caste and the power relations that still affect Dalit women, from a heterogeneous standpoint. It further analyses how through form, language and subject matter, Dalit women attempt to defy generic conventions, depart from imposed identities, and build up resistance against this enduring double oppression and the forces that insist on homogenising Dalit body politics.","PeriodicalId":33428,"journal":{"name":"Revista Alicantina de Estudios Ingleses","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2023-01-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46857916","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}